Wesley's shenanigans as the clumsy comic relief reminiscent of his Buffy season 3 version continues to bug me. If you've read my posts about Xander, one of my least favorite characters in the Buffyverse because of being said comic relief/butt monkey, then you'll know how I feel about such a "character archetype," if you could even call it that. I might be in the minority, but I find little amusement in such a character. In the same light, it's also the reason why Giles as the "awkward English guy who can't American" isn't that amusing to me either, a non-American Chinese (and also why Giles is so forgettable to me in spite of his occasional Ripper persona, a persona that frankly doesn't appear enough). I'm eagerly sitting at the edge of my seat waiting for Wesley to become the popular badass character everyone's come to love, though I'll admit that bits of this character development surfacing (Wesley being competent in combat at times and also being competent in demon lore) is enough to keep me sated... for now. Given how much I liked Doyle, I will indeed continue giving his replacement a hard time.
Compare this to Cordelia, whose lack of tact does brings me amusement and appreciation because this is properly offset by her social competence and ruthless confidence. She's interesting; Wesley, not nearly as much in spite of the bits of character development regarding his abusive father. I realize that this is still early in the series, so my critique is probably unfair, but like I said, I'll continue giving him a hard time, same as how I gave the writing of feminist themes in this show a hard time. I don't have the benefit of hindsight since I'm watching this show for the first time, so any appreciation of how great both Wesley and the show eventually become is non-existent, and I'll be writing my reactions as if I'm watching this without knowledge of future season context. Likewise with Buffy and Faith.
Looking back at this, Cordelia might be the most balanced character in the show that isn't Angel, in that she serves an obligatory role to keep things lighthearted while still being able to intrigue me with her colorful personality. To be fair, she's had three seasons of Buffy to mellow out; Wesley only had one. However, I just can't but notice the difference in the way both characters played out their comic relief moments; Cordy uses her charisma as a woman to sway dumb male bodyguards to her will, while Wesley's comic relief composes of tripping on things and messing things up. Cordy's "funny" lies in her confidence to be manipulative and tactless; Wesley's "funny" lies in his goof-ups ("Haha, Wesley's an idiot for letting that frog-tongue demon steal the key from him")
Wesley-critique aside, this is also the first appearance of another popular character (I think) called, erm... Lilac? Lilah? Yeah, her role isn't particularly memorable here. Guess I'll have to wait and see, as usual.
Overall, I ended up talking about these other stuff that isn't related to the episode's main plot because, well... it isn't that interesting in Angel's character development. We already know he's altruistic and messianic - that's not new information - so there's not much to talk about other than it being a fun episode. And it is a fun episode, especially with that hilarious music-less deadpan ending where the gang realized they just set a bunch of demons free. In fact, it's actually a funnier and more entertaining episode than many of Buffy's "fun episodes" thus far (the ones where no important character development exists). I wish they would use that deadpan ending effect in either Angel or Buffy more often; it's just so effective for me as a humor element. Such ironic humor is also why I've enjoyed Whedon's comedy at his best, that self-aware "oops, did we just do that?" writing.