When you kiss me I want to die. I genuinely donāt even understand what this means and Iām partial to some Bangel melodrama
It's a cheesy line but half of Western philosophy hinges on the juxtaposition of sex/love and death - as does three quarters of the poetry canon. š It kinda makes sense given Angel gifts her a book of Barrett-Browning's poems...and isn't Donne referenced in Help? Whedon's given to quoting Yeats and I'm pretty sure Eliot is a way into the structure of S7. That's Romantic, Metaphysical and Modernist ticked off. So...point taken but it's a cliche I can forgive because it has resonance beyond itself.
A slight exaggeration but I cringe at almost every other line Spike says up to S7. I just want to roll my eyes, clamp my hand over his mouth and say "enough already". In S7 I loath the weapons chest remark to Wood in Get It Done. It's relevant at several levels but I don't like the delivery.
@Faded90 - You've made me think (which is always dangerous - particularly when I'm winging it š). S7 is structured so as to be moving both forwards and backwards (boring stuff I'm skipping over). The Master tells us this - as does Whedon - "we're going back to the beginning and we're going to learn something about ourselves". There's also a lateral reference via a homage to Run Lola Run to time - specifically (from Eliot) "In my beginning is my end...in my end is my beginning" - pertinent given Buffy's unspoken new beginning at the end of Chosen (and the number of ends and beginnings she's had). I now want to check Help for parallels between Cassie and Buffy particularly with regard to destiny/predestination. She doesn't save Cassie but she does save herself (similarly, Spike in NFA saves a baby boy, he refers to him as Junior, and returns to his own beginnings, as a vampire, via his poetry recital). A digression and nothing to do with the OP...just my long-winded way of saying "thanks". š