"The Score"
FADE IN:
EXT. RUINS OF AN ANCIENT TEMPLE-NIGHT
CARD: South America
1705
The full moon illuminates the ruins, casting shadows. The stones are covered with vines and overgrowth.
CUT TO:
INT. A MID-LEVEL PLATEAU OF RUINS-NIGHT
CLOSEUP of ANSARA. She is a tall young woman, South American, exotic looking. Long dark hair, dark eyes. Thin, lithe. She is The Slayer.
ANSARA
(filled with hate)
Master.
We cut to a dark figure standing in front of the ancient altar, his back to us. He turns slowly towards us, revealing his vampire features.
THE MASTER
I've waited a long time to hear you call me that, Slayer. Soon you will mean it.
ANSARA
Never. You'll never be master of me "“ your evil reign is over.
THE MASTER
Such confidence. It will be your downfall. Come. We've played this game too long already.
The Slayer rushes at the Master, stake in hand. He waves a hand nonchalantly as he turns. DARLA, a petite blond woman, steps into her path.
DARLA
(amused)
You didn't think it would be that easy, did you Ansara? Tsk tsk. The Master's been looking for you.
Darla slaps the Slayer with the back of her hand, sending her flying. She recovers. They circle, each lunging at the other. Darla draws blood first; she tastes it. She turns vamp. The Slayer runs at her; they grapple. The Slayer throws Darla; she hits a wall and is left dazed. Ansara turns; the Master had been standing right behind her. She tries to stake him, but he grabs her hand. She hits him with her other hand, and she is freed. She vaults away and regroups, then goes at him with everything she's got. Kicks, "karate chops" etc. She tries a kick to the head; the Master evades.
THE MASTER
(clapping)
Very good. You have improved since the last time we met.
He belts her as she runs at him again.
ANSARA
Pity for you.
THE MASTER
On the contrary, I think it is I who have everything to gain.
ANSARA
Enough talking.
She intensifies. She's in the Master's face, punching vigorously. He deflects, then she lands a kick to his chest which sends him backwards. He's fallen, and she bounds onto him, sitting on his chest, stake raised. She looks at the Master triumphantly.
ANSARA (con't)
It would appear it is I who am now the master.
We see her body shake and an expression of surprise wash over her face. We pan back to see the arrow in her back (though it is not fatal). We cut to Darla who throws down the crossbow and picks up Ansara under her arms, holding her, pulling her off the Master. She struggles but Darla's grip is firm.
DARLA
Should have done it when you had the chance.
The Master slowly rises and dusts himself off.
THE MASTER
Excellent. She's even better than I'd thought.
(to Ansara)
You are the best there has ever been. But your fight against me ends now.
He walks slowly towards her; she is still struggling. He reaches down and bites her. He opens his vein. Darla looks at him a moment in disbelief, then helps him force her to drink.
CUT TO:
OPENING CREDITS
FADE IN:
EXT. SUNNYDALE CEMETERY-NIGHT
CARD: Sunnydale, USA
2001
BUFFY, XANDER and WILLOW are lounging about "“ it is a slow night on patrol.
BUFFY
(continuing their conversation)
So, what you're saying is, Jar Jar serves no real purpose in the movie, except to screw things up?
WILLOW
Exactly.
XANDER
Glad we don't have one of those.
(laughs)
I kind of like the cute little guy though.
WILLOW
I used to like him, but now I think I like that Amidala. She's bad. But in a good way.
BUFFY
(pouting)
I miss Harrison Ford.
Spike strides over to them.
XANDER
Slow night at the bloodbank?
SPIKE
(lights a cigarette)
Shouldn't you be playing with blocks or something? Or that ex-demon girlfriend of yours?
XANDER
That's Miss Ex-Demon to you, bub!
BUFFY
(puts an arm out to hold back Xander)
What do you want Spike?
SPIKE
Thought you might like to know. Heard some vamp's holding a bunch of people over at Sunny Lanes.
BUFFY
Let's go.
CUT TO:
EXT. SUNNY LANES BOWLING ALLEY-NIGHT
We see the old sign, the kind you'd find in a small town. It's neon with bowling ball and pins on it. ALL look up at the building.
XANDER
What kind of vamp holds up a bowling alley?
Buffy & Willow shake their heads.
SPIKE
(to Xander)
You should feel right at home "“ among the other poofs.
BUFFY
Hey! We have a vampire to stake, remember?
XANDER
(under his breath)
Yeah, and he's standing right in front of me.
Buffy walks through the door, followed by Spike, Willow, then Xander.
CUT TO:
INT. SUNNY LANES-NIGHT
Buffy looks around and takes in all that she sees. A group of frightened bowlers are huddled together in a corner. A few bodies are strewn about. In the center, watching her is the vamp. It is Ansara. Ansara smiles.
SPIKE
Uh-oh.
Spike does a 180 but Buffy takes hold of his arm to stop him.
ANSARA
I knew you'd come. We think alike, you and me.
BUFFY
Not unless you think you'll be dust soon.
ANSARA
(laughs)
I doubt that. I doubt that very much.
BUFFY
If it's me you want, let these people go.
ANSARA
(with a wave of her hand)
Let them go. They mean nothing. This is between you and me.
Willow and Xander help them outside. Afterwards they return.
ANSARA (con't)
Enough talking.
As Buffy attacks, every move is countered by Ansara, as if she knew exactly what Buffy was going to do before she did it. Buffy is getting worn down. Ansara's starting to get the edge. Ansara flips backwards to the other side of the room.
Buffy
Willow.
Willow mutters a spell and a force-field appears between them and Ansara. Ansara touches it lightly and sees what it is. She smiles.
ANSARA
(as if to a friend)
We will meet again.
She exits through the back. Buffy turns with a sigh and sees Spike leave through the door. She runs outside, grabs him, throws him against the side of the building.
BUFFY
Who is she Spike?
SPIKE
How should I know?
Buffy puts a hand at his throat.
SPIKE
Why can't you ever ask nicely? Always throwing me against things"¦you know I'm a person too! Well used to be"¦
Buffy intensifies her grip and knocks him against the wall again.
SPIKE
Okay okay. That
(pause as he motions in the direction of inside)
my friends, is what happens when a Slayer's just a bit too slow. If you catch my meaning.
BUFFY
(she can't believe it)
That's not possible.
SPIKE
Oh yes, Miss South American rainforest is an ex-Slayer.
XANDER
Hey, that's what Anya used to do. They let vamps do that?
(they all look at him)
Oh.
CUT TO:
INT. THE MAGIC BOX-NIGHT
Buffy walks in forcefully. She sees Giles standing.
BUFFY
We have a problem"¦
As she reaches Giles, she sees around him that Graham is sitting at the table.
GRAHAM
(stands)
Hello, Buffy.
BUFFY
(somberly)
Is Riley here?
GRAHAM
No, I'm sorry, he couldn't come himself. He sent me in his place.
BUFFY
(a little shaken)
Oh.
(pause)
What's up?
GRAHAM
We think there's a vamp coming your way. We've been tracking her down in South America "“ a real doozy. We think she's heading to the Hellmouth.
BUFFY
She's already here. I just met her.
GRAHAM
I'm sorry "“ we didn't think she's be here this fast. Did you-?
BUFFY
No. She got away. And listen to this "“ she's a Slayer.
GILES
(takes off his glasses)
What?
SPIKE
It's true "“ she's a Slayer. Or used to be. The Master put the "˜ol mojo on her.
GILES
I didn't think it was possible for"¦well I guess theoretically"¦ I've never heard of such a thing.
BUFFY
Definitely a shocker.
(to Graham)
What do you know about her?
GRAHAM
Not much actually. She's active, though. Left a trail a mile wide all over the continent. Every time we got close, she was gone. No one could tell us anything about her.
BUFFY
Or wouldn't.
(to Spike)
You knew who she was the minute we walked in there.
SPIKE
I saw her once, never met her. Her reputation precedes her, though. She's a killing machine "“ loves it. Can't get enough. She was a favorite of the Master "“ the old man positively doted on her. Other than that, I'm afraid I can't help.
BUFFY
Okay, then we hit the books. We need more information about her.
WILLOW
I'm on it.
SPIKE
I got an idea, but you're not going to like it.
CUT TO:
EXT. THE OLD MANSION-NIGHT
Graham, Buffy and Spike, dressed in all black, wait outside the door. It opens, out steps Darla. Spike & Graham grab hold while Buffy cold cocks her "“ she's out. The whole thing happens so fast Darla has no time to react.
CUT TO:
INT. THE MAGIC BOX TRAINING ROOM-MORNING
Darla is tied to a chair. The others wait for her to awaken. She stirs, moving her head and jaw slowly, feeling sore.
GILES
We thought you'd sleep all day.
DARLA
That is when I do my best sleeping.
(slowly)
What"¦is going on? Slayer. Oh god why can't you people just leave me alone?!
(sees Graham; smiles)
Hello, gorgeous. Wanna live forever?
BUFFY
Cut the crap, Darla. We need some information.
DARLA
Oh, yeah? That's terrific. What makes you think I'm gonna give it to you?
SPIKE
Ansara's in town.
DARLA
(now serious)
Are you sure?
SPIKE
(nods)
Positive.
DARLA
(reluctantly)
What do you want to know?
CUT TO:
EXT. DECK OF SHIP "DARKSTAR"-NIGHT
The Master, arm in arm with Darla and Ansara (now dressed in "Western" style clothes "“ but not quite), strolls down the deck. Ansara has never been on a ship before, yet she is perfectly at ease.
ANSARA
I love sailing. The moon, the water, the fresh food"¦
THE MASTER
(smiles dotingly)
Think of what you'll experience when we reach London.
She smiles at him, then walks to the rail and looks over.
DARLA
(to the Master, so Ansara can't hear her)
I still don't understand why we need her. She can't be trusted "“ she's a Slayer.
THE MASTER
She used to be a Slayer. A powerful one at that. Her blood mixed with mine will make her unstoppable. What Slayer will be able to defeat one of her own with my power running through her veins?
DARLA
But surely your blood is enough to makes ones of the same caliber?
THE MASTER
My blood alone is diluted when it is given,
(Darla gets a pained look)
but in combination with Slayer blood, her strength in time could near mine.
DARLA
I find that hard to believe. Look at her.
Ansara is standing on the rail with her arms out, feeling the wind.
THE MASTER
(turns to her)
Do not underestimate her Darla. That would be a mistake.
(to Ansara)
Come now, my child.
She takes his arm and they continue their stroll. Darla has a hurt look on her face.
CUT TO:
INT. MAGIC BOX-DAY
GILES
If she has the Master's blood in her, she'll be unnaturally powerful.
BUFFY
What are her weaknesses? Can she be stopped?
DARLA
No one's come close. Not even the Master. The kill was never difficult for her. She never had to pass on one too big, or too many, or too strong.
(chuckles)
It was as if she was born to kill.
BUFFY
She was.
TARA
What did you mean, "Not even the Master"
DARLA
The Harvest, hello? Did you think the Master got trapped between worlds by accident? Please. The old ones don't just get buried by an earthquake and you never see them again for 30 years. SHE showed up, and ruined everything. Defeated the Master, blah blah blah. Luckily that quake happened and he wasn't dusted.
BUFFY
I did that.
DARLA
But you did it to save the world "“ she did it to eliminate a rival.
BUFFY
Why would she come after me?
DARLA
That's what she does.
BUFFY
Why now?
DARLA
She thinks you're ready.
BUFFY
Ready for what?
DARLA
Ready to die. You see, this whole thing amuses her. She thinks it's fun. Well, we all think it's fun but she's different, it's like a game. And it's even more fun if it's a little bit of a challenge. It's a big joke
(pauses)
kind of like this whole thing.
She's out of her ropes, bounds upon the chair and does a flip over their heads to the door. It is now dark outside. She is now facing them. The scoobies move towards her but Buffy holds up a hand to stop them.
DARLA
You people can't even hold me for more than a few hours "“ how do expect to beat Ansara? You won't be able to stop her "“ just leave her to me.
She starts towards the door then turns back.
DARLA
Pride. Her pride is her weakness. She never thinks she can lose.
(pause, with a smile)
Just in case.
She leaves. All are silent for a minute.
WILLOW
So, what do we do now?
BUFFY
We go kick Charro's butt.
XANDER
(enters, holding a book)
Hey, I found it! Ansara. She's killed like 5 Slayers"¦
(notices everyone's watching him)
What?
CUT TO:
EXT. ANYSTREET IN SUNNYDALE-NIGHT
The Scoobies are walking purposefully down the street; Buffy is passing out weapons as they go.
XANDER
So where are we going to find this chick?
BUFFY
Darla said her weakness was pride. So where would someone who's full of themselves choose to take up shop in Sunnydale?
WILLOW
No"¦
BUFFY
Uh-huh. The former residence of one very pissed off goddess.
CUT TO:
INT. GLORY'S MANSION-NIGHT
Darla is walking casually about an abandoned room, looking things over. Ansara slowly walks out of the shadows.
ANSARA
I'm surprised you could find me.
DARLA
Don't pull that superior crap on me "“ the Master isn't here to back you up this time.
FADE TO:
INT. THE MASTER'S OLD LAIR IN THE UK-NIGHT
CARD: 1753
The master is sitting on his "throne" patting Ansara's hand consolingly. Darla is before him, in the middle of pleading her case.
DARLA
(continuing)
But she can't keep doing this to me!
ANSARA
Don't be such a child.
Darla starts to go after her but the Master stops her.
THE MASTER
I grow tired of this Darla. If you can't get along with the others"¦
DARLA
It's not "others" it's only her.
THE MASTER
Nevertheless, attacking one of us will not be tolerated, understand?
DARLA
But"¦
THE MASTER
Don't make me grow angry"¦
DARLA
Yes, Master.
Ansara gives Darla a triumphant look. Darla turns to go and looks back at Ansara with pure hatred.
CUT TO:
INT. TAVERN IN IRELAND-NIGHT
INTERCUT WITH: SCENES FROM BECOMING
It is the tavern where Angel was embraced. Darla, Ansara, and the Master are sitting around a table. The Master is hooded to hide his face. He sits to one side, Ansara is next to him, and Darla sits next to her, but is turned away from the others a little. They are watching the patrons go to and fro. A human Angel staggers past them, drunk. He notices the girls, who smile back at him. Ansara leans in to Darla.
ANSARA
(smiling)
Now there's one to have by my side for eternity. A fine specimen.
They're watching Angel.
THE MASTER
I grow weary of this. Come, Ansara, walk with me.
She sighs and stands.
ANSARA
Guess I'll have to save him for another night. Pity.
She takes the Master's arm.
THE MASTER
Darla? Are you coming?
DARLA
(still watching Angel)
I'm going to stay awhile I think.
CUT TO:
INT. A PARTY-NIGHT
CARD: 1894
We see Darla walking through the crowd, Angel by her side, Spike and Drusilla follow. She sees Ansara across the room. Ansara begins making her way towards them. Angel is not paying attention.
ANSARA
I wondered what became of you, dear sister.
DARLA
I'm sure.
ANSARA
You're not still angry about the whole Master thing, are you?
Angel turns towards her.
ANSARA
(flirting)
Well, hello.
(holds out her hand)
ANGEL
Pleasure, miss.
(kisses her hand)
Darla is none too pleased with this. Spike, who has been standing back to back with her, turns and whispers in her ear.
SPIKE
Problem with your boyfriend, eh great grand-mum?
At this Darla grabs Angel's hand, who had been talking with Ansara.
ANSARA
Just think what he could have been with my blood in his veins.
Darla pulls Angel away from Ansara. She turns and leads him out of the party. Spike and Dru follow behind. We hear Ansara laughing.
SPIKE
Who was that?
DARLA
A bitch.
CUT TO:
PRESENT DAY
ANSARA
Where is that handsome thing you used to run round with? We had a marvelous chat the last time we met.
(sly smile)
Oh"¦ lose him to someone else did we? Tsk. Well, don't feel bad "“ it was bound to happen. He was never meant for you anyway.
Darla runs at her, Ansara deflects.
ANSARA
Come on sis, don't be jealous. I'm not after him "“ he was just a human. There are millions just like him. But I must say, he was quite enchanted with me. And you know, once you go Slayer you never go back.
Darla attacks again. They fight. Darla is hurled backwards to near the door (she lands facing it). At that moment, the Scoobies come through the door. Spike is first, and comes face to face with Darla. He hits her with the back of his hand, as if it was a reflex action, sending her hurling to the side. She is unconscious.
BUFFY
(looks at Darla)
Spike!
SPIKE
Oh, sorry. Habit.
They look up from Darla and at Ansara.
ANSARA
I was tired of playing with her anyway. You're much more fun.
BUFFY
Don't bet on it.
ANSARA
(thoughtfully, to Spike)
Don't I know you?
(to Buffy, before he can answer)
I assume he told you what I am?
(Buffy nods)
Oh come on, haven't you ever wanted to know what it would be like to go up against one of your own?
BUFFY
I think I have a pretty good idea already, thanks. And you are not one of my own. You-Are-A-Vampire. Get it?
ANSARA
Amusing.
BUFFY
The only thing amusing here is that outfit.
They fight; dialogue continues.
ANSARA
My blood runs through your veins. We are the same, you and I. Join me and no one will be able to stop us.
BUFFY
You picked the wrong Slayer, lady.
ANSARA
I know your every move before you make it.
BUFFY
Did you know I was gonna do this Grandma?
Lands a hit. Fight continues. Ansara is very strong; she gets Buffy cornered. A look of shock and surprise washes over Ansara's face. Cut to Darla, who has regained consciousness, holding a discharged crossbow. Ansara looks down at the bolt through her chest (though not through her heart).
ANSARA
You always did have horrible aim.
(pulls out the arrow)
Ironic.
(to Buffy)
This isn't over. Remember, we are the same.
She bounds out of the mansion.
Darla turns to Buffy who is staring at her in surprise.
DARLA
I'll take care of her. Don't follow me.
Darla exits.
BUFFY
Let's get out of here.
(looks around at the shocked faces surrounding her)
Come on.
SPIKE
(amazed/surprised)
Way to go great grand-mum.
ANYA
(shocked)
Wow.
XANDER
What just happened?
WILLOW
Are we going after her?
GRAHAM
She was kind of cute.
BUFFY
Now.
(they file out)
CUT TO:
INT. THE MAGIC BOX-A FEW EVENINGS LATER
Graham gets off his cell phone.
GRAHAM
(to Buffy)
No one's seen or heard from her. She's not showing on any of our sensors.
Cut to Darla in the doorway.
DARLA
She's gone.
GRAHAM
That's what I was going to say. What did you"¦
DARLA
You won't see her again.
BUFFY
Thanks.
DARLA
(turns to leave)
It was my score to settle.
CUT TO:
INT. A ROOM AT THE OLD MANSION-SUNRISE
Ansara is bound in chains in the center of the room. A moat (of holy water) surrounds her. Windows on all four sides are beginning to cast a square of light around her (though not where she sits). Darla looks in.
DARLA
It was my score to settle.
FADE OUT.
FADE IN:
EXT. RUINS OF AN ANCIENT TEMPLE-NIGHT
CARD: South America
1705
The full moon illuminates the ruins, casting shadows. The stones are covered with vines and overgrowth.
CUT TO:
INT. A MID-LEVEL PLATEAU OF RUINS-NIGHT
CLOSEUP of ANSARA. She is a tall young woman, South American, exotic looking. Long dark hair, dark eyes. Thin, lithe. She is The Slayer.
ANSARA
(filled with hate)
Master.
We cut to a dark figure standing in front of the ancient altar, his back to us. He turns slowly towards us, revealing his vampire features.
THE MASTER
I've waited a long time to hear you call me that, Slayer. Soon you will mean it.
ANSARA
Never. You'll never be master of me "“ your evil reign is over.
THE MASTER
Such confidence. It will be your downfall. Come. We've played this game too long already.
The Slayer rushes at the Master, stake in hand. He waves a hand nonchalantly as he turns. DARLA, a petite blond woman, steps into her path.
DARLA
(amused)
You didn't think it would be that easy, did you Ansara? Tsk tsk. The Master's been looking for you.
Darla slaps the Slayer with the back of her hand, sending her flying. She recovers. They circle, each lunging at the other. Darla draws blood first; she tastes it. She turns vamp. The Slayer runs at her; they grapple. The Slayer throws Darla; she hits a wall and is left dazed. Ansara turns; the Master had been standing right behind her. She tries to stake him, but he grabs her hand. She hits him with her other hand, and she is freed. She vaults away and regroups, then goes at him with everything she's got. Kicks, "karate chops" etc. She tries a kick to the head; the Master evades.
THE MASTER
(clapping)
Very good. You have improved since the last time we met.
He belts her as she runs at him again.
ANSARA
Pity for you.
THE MASTER
On the contrary, I think it is I who have everything to gain.
ANSARA
Enough talking.
She intensifies. She's in the Master's face, punching vigorously. He deflects, then she lands a kick to his chest which sends him backwards. He's fallen, and she bounds onto him, sitting on his chest, stake raised. She looks at the Master triumphantly.
ANSARA (con't)
It would appear it is I who am now the master.
We see her body shake and an expression of surprise wash over her face. We pan back to see the arrow in her back (though it is not fatal). We cut to Darla who throws down the crossbow and picks up Ansara under her arms, holding her, pulling her off the Master. She struggles but Darla's grip is firm.
DARLA
Should have done it when you had the chance.
The Master slowly rises and dusts himself off.
THE MASTER
Excellent. She's even better than I'd thought.
(to Ansara)
You are the best there has ever been. But your fight against me ends now.
He walks slowly towards her; she is still struggling. He reaches down and bites her. He opens his vein. Darla looks at him a moment in disbelief, then helps him force her to drink.
CUT TO:
OPENING CREDITS
FADE IN:
EXT. SUNNYDALE CEMETERY-NIGHT
CARD: Sunnydale, USA
2001
BUFFY, XANDER and WILLOW are lounging about "“ it is a slow night on patrol.
BUFFY
(continuing their conversation)
So, what you're saying is, Jar Jar serves no real purpose in the movie, except to screw things up?
WILLOW
Exactly.
XANDER
Glad we don't have one of those.
(laughs)
I kind of like the cute little guy though.
WILLOW
I used to like him, but now I think I like that Amidala. She's bad. But in a good way.
BUFFY
(pouting)
I miss Harrison Ford.
Spike strides over to them.
XANDER
Slow night at the bloodbank?
SPIKE
(lights a cigarette)
Shouldn't you be playing with blocks or something? Or that ex-demon girlfriend of yours?
XANDER
That's Miss Ex-Demon to you, bub!
BUFFY
(puts an arm out to hold back Xander)
What do you want Spike?
SPIKE
Thought you might like to know. Heard some vamp's holding a bunch of people over at Sunny Lanes.
BUFFY
Let's go.
CUT TO:
EXT. SUNNY LANES BOWLING ALLEY-NIGHT
We see the old sign, the kind you'd find in a small town. It's neon with bowling ball and pins on it. ALL look up at the building.
XANDER
What kind of vamp holds up a bowling alley?
Buffy & Willow shake their heads.
SPIKE
(to Xander)
You should feel right at home "“ among the other poofs.
BUFFY
Hey! We have a vampire to stake, remember?
XANDER
(under his breath)
Yeah, and he's standing right in front of me.
Buffy walks through the door, followed by Spike, Willow, then Xander.
CUT TO:
INT. SUNNY LANES-NIGHT
Buffy looks around and takes in all that she sees. A group of frightened bowlers are huddled together in a corner. A few bodies are strewn about. In the center, watching her is the vamp. It is Ansara. Ansara smiles.
SPIKE
Uh-oh.
Spike does a 180 but Buffy takes hold of his arm to stop him.
ANSARA
I knew you'd come. We think alike, you and me.
BUFFY
Not unless you think you'll be dust soon.
ANSARA
(laughs)
I doubt that. I doubt that very much.
BUFFY
If it's me you want, let these people go.
ANSARA
(with a wave of her hand)
Let them go. They mean nothing. This is between you and me.
Willow and Xander help them outside. Afterwards they return.
ANSARA (con't)
Enough talking.
As Buffy attacks, every move is countered by Ansara, as if she knew exactly what Buffy was going to do before she did it. Buffy is getting worn down. Ansara's starting to get the edge. Ansara flips backwards to the other side of the room.
Buffy
Willow.
Willow mutters a spell and a force-field appears between them and Ansara. Ansara touches it lightly and sees what it is. She smiles.
ANSARA
(as if to a friend)
We will meet again.
She exits through the back. Buffy turns with a sigh and sees Spike leave through the door. She runs outside, grabs him, throws him against the side of the building.
BUFFY
Who is she Spike?
SPIKE
How should I know?
Buffy puts a hand at his throat.
SPIKE
Why can't you ever ask nicely? Always throwing me against things"¦you know I'm a person too! Well used to be"¦
Buffy intensifies her grip and knocks him against the wall again.
SPIKE
Okay okay. That
(pause as he motions in the direction of inside)
my friends, is what happens when a Slayer's just a bit too slow. If you catch my meaning.
BUFFY
(she can't believe it)
That's not possible.
SPIKE
Oh yes, Miss South American rainforest is an ex-Slayer.
XANDER
Hey, that's what Anya used to do. They let vamps do that?
(they all look at him)
Oh.
CUT TO:
INT. THE MAGIC BOX-NIGHT
Buffy walks in forcefully. She sees Giles standing.
BUFFY
We have a problem"¦
As she reaches Giles, she sees around him that Graham is sitting at the table.
GRAHAM
(stands)
Hello, Buffy.
BUFFY
(somberly)
Is Riley here?
GRAHAM
No, I'm sorry, he couldn't come himself. He sent me in his place.
BUFFY
(a little shaken)
Oh.
(pause)
What's up?
GRAHAM
We think there's a vamp coming your way. We've been tracking her down in South America "“ a real doozy. We think she's heading to the Hellmouth.
BUFFY
She's already here. I just met her.
GRAHAM
I'm sorry "“ we didn't think she's be here this fast. Did you-?
BUFFY
No. She got away. And listen to this "“ she's a Slayer.
GILES
(takes off his glasses)
What?
SPIKE
It's true "“ she's a Slayer. Or used to be. The Master put the "˜ol mojo on her.
GILES
I didn't think it was possible for"¦well I guess theoretically"¦ I've never heard of such a thing.
BUFFY
Definitely a shocker.
(to Graham)
What do you know about her?
GRAHAM
Not much actually. She's active, though. Left a trail a mile wide all over the continent. Every time we got close, she was gone. No one could tell us anything about her.
BUFFY
Or wouldn't.
(to Spike)
You knew who she was the minute we walked in there.
SPIKE
I saw her once, never met her. Her reputation precedes her, though. She's a killing machine "“ loves it. Can't get enough. She was a favorite of the Master "“ the old man positively doted on her. Other than that, I'm afraid I can't help.
BUFFY
Okay, then we hit the books. We need more information about her.
WILLOW
I'm on it.
SPIKE
I got an idea, but you're not going to like it.
CUT TO:
EXT. THE OLD MANSION-NIGHT
Graham, Buffy and Spike, dressed in all black, wait outside the door. It opens, out steps Darla. Spike & Graham grab hold while Buffy cold cocks her "“ she's out. The whole thing happens so fast Darla has no time to react.
CUT TO:
INT. THE MAGIC BOX TRAINING ROOM-MORNING
Darla is tied to a chair. The others wait for her to awaken. She stirs, moving her head and jaw slowly, feeling sore.
GILES
We thought you'd sleep all day.
DARLA
That is when I do my best sleeping.
(slowly)
What"¦is going on? Slayer. Oh god why can't you people just leave me alone?!
(sees Graham; smiles)
Hello, gorgeous. Wanna live forever?
BUFFY
Cut the crap, Darla. We need some information.
DARLA
Oh, yeah? That's terrific. What makes you think I'm gonna give it to you?
SPIKE
Ansara's in town.
DARLA
(now serious)
Are you sure?
SPIKE
(nods)
Positive.
DARLA
(reluctantly)
What do you want to know?
CUT TO:
EXT. DECK OF SHIP "DARKSTAR"-NIGHT
The Master, arm in arm with Darla and Ansara (now dressed in "Western" style clothes "“ but not quite), strolls down the deck. Ansara has never been on a ship before, yet she is perfectly at ease.
ANSARA
I love sailing. The moon, the water, the fresh food"¦
THE MASTER
(smiles dotingly)
Think of what you'll experience when we reach London.
She smiles at him, then walks to the rail and looks over.
DARLA
(to the Master, so Ansara can't hear her)
I still don't understand why we need her. She can't be trusted "“ she's a Slayer.
THE MASTER
She used to be a Slayer. A powerful one at that. Her blood mixed with mine will make her unstoppable. What Slayer will be able to defeat one of her own with my power running through her veins?
DARLA
But surely your blood is enough to makes ones of the same caliber?
THE MASTER
My blood alone is diluted when it is given,
(Darla gets a pained look)
but in combination with Slayer blood, her strength in time could near mine.
DARLA
I find that hard to believe. Look at her.
Ansara is standing on the rail with her arms out, feeling the wind.
THE MASTER
(turns to her)
Do not underestimate her Darla. That would be a mistake.
(to Ansara)
Come now, my child.
She takes his arm and they continue their stroll. Darla has a hurt look on her face.
CUT TO:
INT. MAGIC BOX-DAY
GILES
If she has the Master's blood in her, she'll be unnaturally powerful.
BUFFY
What are her weaknesses? Can she be stopped?
DARLA
No one's come close. Not even the Master. The kill was never difficult for her. She never had to pass on one too big, or too many, or too strong.
(chuckles)
It was as if she was born to kill.
BUFFY
She was.
TARA
What did you mean, "Not even the Master"
DARLA
The Harvest, hello? Did you think the Master got trapped between worlds by accident? Please. The old ones don't just get buried by an earthquake and you never see them again for 30 years. SHE showed up, and ruined everything. Defeated the Master, blah blah blah. Luckily that quake happened and he wasn't dusted.
BUFFY
I did that.
DARLA
But you did it to save the world "“ she did it to eliminate a rival.
BUFFY
Why would she come after me?
DARLA
That's what she does.
BUFFY
Why now?
DARLA
She thinks you're ready.
BUFFY
Ready for what?
DARLA
Ready to die. You see, this whole thing amuses her. She thinks it's fun. Well, we all think it's fun but she's different, it's like a game. And it's even more fun if it's a little bit of a challenge. It's a big joke
(pauses)
kind of like this whole thing.
She's out of her ropes, bounds upon the chair and does a flip over their heads to the door. It is now dark outside. She is now facing them. The scoobies move towards her but Buffy holds up a hand to stop them.
DARLA
You people can't even hold me for more than a few hours "“ how do expect to beat Ansara? You won't be able to stop her "“ just leave her to me.
She starts towards the door then turns back.
DARLA
Pride. Her pride is her weakness. She never thinks she can lose.
(pause, with a smile)
Just in case.
She leaves. All are silent for a minute.
WILLOW
So, what do we do now?
BUFFY
We go kick Charro's butt.
XANDER
(enters, holding a book)
Hey, I found it! Ansara. She's killed like 5 Slayers"¦
(notices everyone's watching him)
What?
CUT TO:
EXT. ANYSTREET IN SUNNYDALE-NIGHT
The Scoobies are walking purposefully down the street; Buffy is passing out weapons as they go.
XANDER
So where are we going to find this chick?
BUFFY
Darla said her weakness was pride. So where would someone who's full of themselves choose to take up shop in Sunnydale?
WILLOW
No"¦
BUFFY
Uh-huh. The former residence of one very pissed off goddess.
CUT TO:
INT. GLORY'S MANSION-NIGHT
Darla is walking casually about an abandoned room, looking things over. Ansara slowly walks out of the shadows.
ANSARA
I'm surprised you could find me.
DARLA
Don't pull that superior crap on me "“ the Master isn't here to back you up this time.
FADE TO:
INT. THE MASTER'S OLD LAIR IN THE UK-NIGHT
CARD: 1753
The master is sitting on his "throne" patting Ansara's hand consolingly. Darla is before him, in the middle of pleading her case.
DARLA
(continuing)
But she can't keep doing this to me!
ANSARA
Don't be such a child.
Darla starts to go after her but the Master stops her.
THE MASTER
I grow tired of this Darla. If you can't get along with the others"¦
DARLA
It's not "others" it's only her.
THE MASTER
Nevertheless, attacking one of us will not be tolerated, understand?
DARLA
But"¦
THE MASTER
Don't make me grow angry"¦
DARLA
Yes, Master.
Ansara gives Darla a triumphant look. Darla turns to go and looks back at Ansara with pure hatred.
CUT TO:
INT. TAVERN IN IRELAND-NIGHT
INTERCUT WITH: SCENES FROM BECOMING
It is the tavern where Angel was embraced. Darla, Ansara, and the Master are sitting around a table. The Master is hooded to hide his face. He sits to one side, Ansara is next to him, and Darla sits next to her, but is turned away from the others a little. They are watching the patrons go to and fro. A human Angel staggers past them, drunk. He notices the girls, who smile back at him. Ansara leans in to Darla.
ANSARA
(smiling)
Now there's one to have by my side for eternity. A fine specimen.
They're watching Angel.
THE MASTER
I grow weary of this. Come, Ansara, walk with me.
She sighs and stands.
ANSARA
Guess I'll have to save him for another night. Pity.
She takes the Master's arm.
THE MASTER
Darla? Are you coming?
DARLA
(still watching Angel)
I'm going to stay awhile I think.
CUT TO:
INT. A PARTY-NIGHT
CARD: 1894
We see Darla walking through the crowd, Angel by her side, Spike and Drusilla follow. She sees Ansara across the room. Ansara begins making her way towards them. Angel is not paying attention.
ANSARA
I wondered what became of you, dear sister.
DARLA
I'm sure.
ANSARA
You're not still angry about the whole Master thing, are you?
Angel turns towards her.
ANSARA
(flirting)
Well, hello.
(holds out her hand)
ANGEL
Pleasure, miss.
(kisses her hand)
Darla is none too pleased with this. Spike, who has been standing back to back with her, turns and whispers in her ear.
SPIKE
Problem with your boyfriend, eh great grand-mum?
At this Darla grabs Angel's hand, who had been talking with Ansara.
ANSARA
Just think what he could have been with my blood in his veins.
Darla pulls Angel away from Ansara. She turns and leads him out of the party. Spike and Dru follow behind. We hear Ansara laughing.
SPIKE
Who was that?
DARLA
A bitch.
CUT TO:
PRESENT DAY
ANSARA
Where is that handsome thing you used to run round with? We had a marvelous chat the last time we met.
(sly smile)
Oh"¦ lose him to someone else did we? Tsk. Well, don't feel bad "“ it was bound to happen. He was never meant for you anyway.
Darla runs at her, Ansara deflects.
ANSARA
Come on sis, don't be jealous. I'm not after him "“ he was just a human. There are millions just like him. But I must say, he was quite enchanted with me. And you know, once you go Slayer you never go back.
Darla attacks again. They fight. Darla is hurled backwards to near the door (she lands facing it). At that moment, the Scoobies come through the door. Spike is first, and comes face to face with Darla. He hits her with the back of his hand, as if it was a reflex action, sending her hurling to the side. She is unconscious.
BUFFY
(looks at Darla)
Spike!
SPIKE
Oh, sorry. Habit.
They look up from Darla and at Ansara.
ANSARA
I was tired of playing with her anyway. You're much more fun.
BUFFY
Don't bet on it.
ANSARA
(thoughtfully, to Spike)
Don't I know you?
(to Buffy, before he can answer)
I assume he told you what I am?
(Buffy nods)
Oh come on, haven't you ever wanted to know what it would be like to go up against one of your own?
BUFFY
I think I have a pretty good idea already, thanks. And you are not one of my own. You-Are-A-Vampire. Get it?
ANSARA
Amusing.
BUFFY
The only thing amusing here is that outfit.
They fight; dialogue continues.
ANSARA
My blood runs through your veins. We are the same, you and I. Join me and no one will be able to stop us.
BUFFY
You picked the wrong Slayer, lady.
ANSARA
I know your every move before you make it.
BUFFY
Did you know I was gonna do this Grandma?
Lands a hit. Fight continues. Ansara is very strong; she gets Buffy cornered. A look of shock and surprise washes over Ansara's face. Cut to Darla, who has regained consciousness, holding a discharged crossbow. Ansara looks down at the bolt through her chest (though not through her heart).
ANSARA
You always did have horrible aim.
(pulls out the arrow)
Ironic.
(to Buffy)
This isn't over. Remember, we are the same.
She bounds out of the mansion.
Darla turns to Buffy who is staring at her in surprise.
DARLA
I'll take care of her. Don't follow me.
Darla exits.
BUFFY
Let's get out of here.
(looks around at the shocked faces surrounding her)
Come on.
SPIKE
(amazed/surprised)
Way to go great grand-mum.
ANYA
(shocked)
Wow.
XANDER
What just happened?
WILLOW
Are we going after her?
GRAHAM
She was kind of cute.
BUFFY
Now.
(they file out)
CUT TO:
INT. THE MAGIC BOX-A FEW EVENINGS LATER
Graham gets off his cell phone.
GRAHAM
(to Buffy)
No one's seen or heard from her. She's not showing on any of our sensors.
Cut to Darla in the doorway.
DARLA
She's gone.
GRAHAM
That's what I was going to say. What did you"¦
DARLA
You won't see her again.
BUFFY
Thanks.
DARLA
(turns to leave)
It was my score to settle.
CUT TO:
INT. A ROOM AT THE OLD MANSION-SUNRISE
Ansara is bound in chains in the center of the room. A moat (of holy water) surrounds her. Windows on all four sides are beginning to cast a square of light around her (though not where she sits). Darla looks in.
DARLA
It was my score to settle.
FADE OUT.
THE END
C
Cordelia
Here's some well-deserved rep for an intriguing tale
