A
Allycat
Guest
For those, who think Chosen wasn't complete enough, here's a little more. This script picks up right after chosen and we continue in the same scene, I'll post that last scene as reminder.
65 EXT. BUS - CONTINUING
Giles looks out at the crater.
GILES
I don't understand. What did this?
BUFFY
Spike.
They walk toward the edge of the crater, smoke in front of her, and we
REVERSE: SUNNYDALE is a smoking black crater. In front of it is a sign:
WELCOME TO SUNNYDALE. After a beat, the sign creakingly topples back
into the crater.
We see everyone now, the girls milling about, the core group nearer the
crater, and we push through the smoke to see them: Buffy, Dawn, Giles,
Xander, Willow, Faith coming out to join them. Keep pushing slowly in
as the all look out at the end of Sunnydale...
FAITH
Looks like the Hellmouth is officially closed for business.
GILES
There is another one in Cleveland. Not to spoil the moment...
XANDER
We saved the world.
WILLOW
We changed the world. I can feel them, Buffy. All over. There are
Slayers awakening everywhere.
DAWN
We'll have to find them.
WILLOW
We will.
GILES
Yes, because the mall was actually in Sunnydale, so no hope of going
there tomorrow...
DAWN
We destroyed the Mall? I fought on the wrong side...
XANDER
All those stores gone... The Gap, Starbucks, Toys R Us... who will
remember these landmarks unless we tell the world of them?
We're still pushing in, closer and closer to Buffy, as everyone around
her continues talking...
GILES
We have a lot of work ahead of us...
FAITH
Can I push him in?
WILLOW
You got my vote.
FAITH
I just wanna sleep, yo. For like a week.
DAWN
I guess we all could. If we wanted to.
WILLOW
Yeah, the First is scrunched, so... What do you think we should do,
Buffy?
FAITH
Yeah, you're not the one and only chosen anymore. Just gotta live like
a person. How's that feel?
She looks at Faith.
DAWN
Buffy? What are we gonna do now?
Buffy looks at them, looks back at the crater, and we are in full close
up as she considers the question, a small smile creeping onto her lips
as she decides on her answer.
(BLACK OUT.
END OF SHOW. )
BUFFY
I haven't had a decent holiday in three years. ... I've always wanted to go to the Caribean
Buffy just stares into the crater still with that same smile.
GILES
Might I suggest finding a place to spend the night first?
ANGLE: WOOD
Wood is stumbling out of the bus, Faith hurrying to suport him.
WOOD
Yeah, that would be a great idea plus, I think these girls might apprieciate it if they could finally go home now.
XANDER
So. does anybody know a place, where all of us could sleep, that wasn't in Sunndydale.
Buffy and Faith exchange a look.
FAITH
We off to L.A. then?
BUFFY
Guess so.
WILLOW
Angel?
ANGLE: GILES
Giles is trying to get the girls to get back in the bus.
72 INT. ANGEL'S OFFICE - NIGHT
ANGLE: Angel, Buffy, Giles, Fred and Willow are in, Wesley just enters.
GILES
Well?
WESLEY
They all have a room, some are still in medical care, but they'll be fine.
ANGEL
So what are you going to do with them.
BUFFY
I guess we can finally send them home now.
GILES
Off course we do need to get some information from them first, I was wondering wether you could lend me an office, just for a day.
ANGEL
Sure, but what do you need it for?
GILES
Well I'm thinking of going back to England and from there re-build the watcher's council, which off course, will work better, if I actually know where my slayers are.
ANGEL
I guess that'd work better, yeah. How about you Will?
WILLOW
Well Kennedy sure seemed interested in that whole Cleveland deal.
(aside to Fred)
That's my girlfriend.
GILES
I don't want to spoil anything, but I've had a long day and there's still lot's of work to do tomorrow, so if you'll excuse me, I'm off to bed.
As he stands up the others stand up to the door, except for Buffy and Angel.
WILLOW
That's not such a bad idea, are you coming too Buffy?
BUFFY (O.S.)
I'll be right up!
GILES
(calling out)
Would everybody please get back on the bus, please?
ANGLE: BUFFY, WILLOW and FAITH
BUFFY
He does live in an hotel, doesn't he?
ANGLE: GILES
Giles is still trying to get the girls in the bus.
GILES
(calling out)
Please, move, on the bus, please!
VI
Can't we rest for a bit first
KIM (slayer)
You can rest on the bus too!
Some of the girls get on the bus, most of them don't.
BUFFY
C'mon girls. get on.
KENNEDY
Hey, we're slayers too now, can't we make up our own minds?
BUFFY
Sure, but we're going, so unless you wanna walk!
Buffy sees that most of the girls are still doubting.
BUFFY
(doubting wether it'll work)
Last one in is a rotten egg?
Everybody rushes to the bus.
66. EXT. BUS - DAY
ANGLE: BUS DOOR
The last girls going into the bus, only Buffy and Andrew remain.
ANDREW
You can go first, I'm already a rotten egg!
Buffy smiles.
BUFFY
Not anymore, after you.
Buffy gestures Andrew to get in.
ANDREW
Thanks.
67 EXT. BUS - DAY
ANGLE: ABOVE THE BUS
First Andrew gets in and finally Buffy, then the bus drives away, and we follow it untill in dissappears in the horizon.
Double Post (next time use the edit button!):
ACT V.
68. EXT. STREET OF LA - NIGHT
It has just gotten dark. there are still some citizens on the street walking about.
ANGLE: CITIZENS
They look up as a yellow Sunnydale High School Bus passes by.
69. EXT. HYPERION - NIGHT
ANGLE: FAITH and WILLOW standing in front of the bus.
ANGLE: BUFFY walking toward them.
BUFFY
They're nowhere to be found.
FAITH
So, what next?
BUFFY
I don't know, it looks to me like they've moved out.
WILLOW
I hope so.
Faith and Buffy give her a strange look.
WILLOW
Well you know, these thing mostly mean something else, they're never good signs, so I hope they moved.
ANGLE: Oddly dressed Irish guy walking toward them.
DOYLE
They're allright.
Doyle get's a business card from his pocket and hands it over to a confussed Buffy.
DOYLE
Yes, they've moved, this is the adress.
FAITH
(sceptical)
Who are you? How do you know all this?
BUFFY
(confused)
Don't I know you from somewhere?
DOYLE
I believe we've met, yes.
FAITH
(angry)
Hey, you could start by telling us who you are!
Doyle turns around and walks away.
DOYLE
(calling out)
A friend!
FAITH
(yells)
Hey, wait a ..
BUFFY
(interrupts)
It's ok!
Faith gives her a strange look as Buffy watches Doyle walk away.
70. EXT. WOLFRAM AND HART OFFICE - NIGHT
ANGLE: BUS
Almost everybody is out, the rest is coming out of the bus.
WILLOW
Are you sure this is the place?
BUFFY
It says on the card.
FAITH
What did I tell you about that guy?
BUFFY
Maybe we should check inside.
71 INT. WOLFRAM AND HART OFFICE MAIN HALL - NIGHT
ANGLE: THE GROUP NEAR THE ENTRANCE
Everybody is in. All the W&H employees look up at the girls. Buffy walks over to the counter.
BUFFY
Excuse me, I'm looking for someone called Angel.
W&H EMPLOYEE
You are looking for mr. Angel? I don't think so, do you have an appointment?
BUFFY
Off course not!
W&H EMPLOYEE
You have to have an appointment.
ANGEL (O.S.)
No she doesn't.
ANGLE: OTHER END OF THE HALL
Angel, Fred, Gunn, Lilah, Lorne and Wesley are standing here.
ANGLE: OTHER END OF THE HALL
Buffy, Andrew, Dawn, Faith, Giles, Kennedy, Xander, Willow and Wood are standing here, with the girls in the background.
BUFFY
Angel!
They run into each others arms and hugs untill both the Scoobie and the Fang Gang have reached them.
ANGEL
So! How did it go?
BUFFY
It's a long story, right now, we just need a place to stay for the night.
ANGEL
I don't know if, cause maybe, you could
Angel looks at Lilah and she nods.
ANGEL
Done for!
73 INT. ANGEL'S OFFICE - NIGHT
ANGLE: Angel sitting behind his desk, Buffy on top of it.
ANGEL
So, what are you going to do?
BUFFY
Remember how I told you about that cruise to the Caribean?
ANGEL
Sounds ... sunny? ... A little too sunny for my taste.
He stands up, walks around the desk and holds her, ready to kiss. She gently pushes him away and and turns away.
BUFFY
I-I wasn't planning on going with
ANGEL
I see.
Angel steps back. Buffy turns around to face him.
BUFFY
Don't worry about the sun, it might be hot enough to bake the dough.
ANGEL
I hope so, because I sure am hungry for some cookies.
They kiss passionatly.
74 INT. WILLOW AND KENNEDY'S ROOM - NIGHT
ANGLE: The door opening slowly.
Willow silently sneeks in, she turns around to close the door, then turn back again.
ANGLE: KENNEDY turning in the bed, looking at WILLOw.
KENNEDY
You're back.
WILLOW
I'm sorry, I tried to be silent and not wake you up.
KENNEDY
It's ok, I've waited for you.
Willow takes of her shirt.
ANGLE: KENNEDY's face.
KENNEDY
(jokingly)
I'm sorry Will, not now, I'm tired.
WILLOW (O.S.)
Very funny. So are you serious about Cleveland?
KENNEDY
Dead serious, if there's another Hellmouth, someone should be gaurding it, how could do that better then us?
Kennedy yawns.
KENNEDY
Was that what you were talking about?
ANGLE: WILLOW, now in her pyama's with her back turned to the camera, putting away her clothes.
WILLOW
More or less, first we, mostly Buffy, told Angel what happened in Sunnydale and then we had a brief discussion on
Willow turns around.
ANGLE: KENNEDY vast asleep.
PAN OUT to see Willow crawling in bed with her. She kisses Kennedy on the forehead.
WILLOW
Good night sweetie.
TARA (O.S.)
She sure is a sweet girl.
ANGLE: WILLOW's face turning pale.
Willow turns around to see TARA, she jumps up and falls into Tara's arms.
TARA
It's ok baby.
WILLOW
Tara? It's really you!? You're really here?!
TARA
I know, baby, I know.
Willow let's go of Tara.
WILLOW
(teared)
But how and why?
TARA
Ssshhh!
Tara puts her finger on Willow's lips.
TARA
It's not important.
She looks at Kennedy.
WILLOW
Oh, that's ... Kennedy, she my ... new, I'm sorry.
TARA
Don't be, it's ok, she is you know!
WILLOW
What?
TARA
Yours!
ANGLE: WILLOW turning around to look at KENNEDY sleeping, then she turns back around.
ANGLE: The room being empty.
75 INT. CANTEEN - DAY
ANGLE: Overview of the whole room, all the tables laid for breakfast, food everywhere.
PAN IN: ANGEL and LILAH standing in the corner
ANGEL
Wow, I gotta admit, I never would have imagined that you would've been so quick with this, it's great.
LILAH
So you like it then?
ANGEL
Yeah, absolutly, it's great, just great!
LILAH
What's the matter?
ANGEL
Nothing, everything's fine, just fine?
LILAH
Come on Angel, I'm not stupid, you know that. I was your mortal enemy, I was trained to know when something was bothering you, it's her, isn't it? Did she reject you?
ANGLE: ANGEL's irritated face.
ANGEL
Still haven't lost your infamous feeling for tact, have you?
LILAH
Don't worry, though I'm your former nemesis, even I can see it.
ANGEL
Me being mad?
LILAH
Her still loving you!
ANGLE: ANGEL's confused face
ANGEL
Really
PAN IN: On the content smile creeping upon his lips.
76 INT. CANTEEN - DAY
ANGLE: The whole room is now filled with slayers.
PAN IN: On one of the tables at which most of the character sit.
CAMERA MOVES from one end to the table to the other, as we get bits and pieces from the different conversations.
LORNE
I like George Clooney.
DAWN
How about Josh Hartnett?
ANDREW
You have bad taste, I say Brad Pitt.
FRED
So that's why I run the science department now.
KENNEDY
And you get off on this?
WILLOW
Sorry Fred, you'll have to excuse her, she's in an euphoric mood, you know how this works.
WOOD
I know, the son of a slayer with an actual slayer, who would've thought?
ANGEL
(jokingly)
Well I hope you treat her well. You'd better!
FAITH
Don't worry Robin, he's just a little jealous, it'll blow over.
GUNN
Sounds really cool!
XANDER
Yes it does, but the bill doesn't.
BUFFY
I don't care, you said you were paying, besides this cruise will do us both good.
WESLEY
Well our archives are all open for your use offcourse, aren't they?
LILAH
Whatever you say, boss!
GILES
Thank you, I apprieciate it. I take it you don't want your old job back?
WESLEY
I'm sorry, that I can't help you with.
GILES
It's ok, if you'll excuse me, I have an announcement to make.
Giles stands up.
GILES
(calling out)
Everybody be quiet, please.
It get's quiet.
GILES
Thanks you. So, the battle is over, the war is won, you can finally all go home now.
Everybody chears.
GILES
Please, quiet, but first, I'd like to note down contact information from all of you, so that we can send you a watcher, so I want to ask you all to stop by my office today.
Everybody starts talking again.
GILES
Don't forget, everybody has to come!
77 INT. MAIN HALL - DAY
ANGLE: A lot of girls sitting in the middle of the hall with their bags packed, while more are coming.
ANGLE: Giles stepping out of one of the office.
GILES
First one, please?
KENNEDY
I'll go.
78 INT. GILES' OFFICE - DAY
GILES
Kennedy, where are you going? Home aswell?
KENNEDY
No, I'm going to Cleveland with Willow.
Giles notes this down.
GILES
Just a minute.
Giles picks up the phone and dials a number.
GILES
Lilah? Please cancel the ticket to El Paso and buy one to Cleveland, no, make that two.
79 INT. HALLWAY - DAY
ANGLE: Dawn walking down the hallway and Buffy catching up with her.
BUFFY
Dawn! Wait!
DAWN
Buffy? Is something the matter?
BUFFY
No, I just wanted to talk to you, about the future, our future.
DAWN
It's ok Buffy, I've taken care of it all.
BUFFY
You have? How?
DAWN
I've spoken to Willow, I can go with them to Cleveland, when you get on your cruise.
BUFFY
Are you ok with it? Because, if you want, I could stay here, with you.
DAWN
It's ok, Buffy. You've carried the weight of the world for seven years now, you don't have to anymore, you can choose yourself now, please do so, you shouldn't choose me, you should choose yourself, for once, you deserve it.
They hug.
BUFFY
Really?
She let's go of Dawn, eyes teared.
BUFFY
Big blob of energy or not, you are truly the best sister, anybody could ever wish for.
DAWN
Thanks.
She walks off, but then turns around.
DAWN
Just don't take back home another souled vamp.
They laugh, then she walks of again.
ANGLE: BUFFY smilling.
PAN OUT to see the whole hallway and just buffy standing their with tears of joy.
Double Post (next time use the edit button!):
ACT VI
80 INT. TOILET - DAY
ANGLE: The door opening, KENNEDY walks in. She goes to stand in front of the mirror.
ANGLE: The mirror, Kennedy sighs, turns on the fountain and washes her face
ANGLE: KENNEDY's eyes open, and look frightened.
ANGEL: The mirror, we can see Kendra standing behind her, Kennedy turns around frightened.
KENDRA
(talking as always, in that ridiculous accent of hers)
Are you nervous?
KENNEDY
Who are you? and what are you talking about?
KENDRA
You don't have to answer, I allready know you are. You went into battle without proper training or any powers and you survived. I admire you for it, I was worse in my first battle, I was incredibly nervous, but you schouln't be, you're one of the strongest, stronger then I was.
KENNEDY
You bet I am, I'm a slayer!
KENDRA
So was I.
KENNEDY
You are a slayer?
KENDRA
Don't hide your emotions behind, that though girl masquerade. I can see through it now, and you may be a slayer, but you're also still a girl. It will only make you stronger, that's why Buffy is still a slayer and I'm not anymore.
KENNEDY
You're not a slayer anymore? What are you then?
KENDRA
A friend.
Kendra walks into a toiletbooth, closes the door, but doesn't lock it. Kennedy opens the door, but there's nobody there.
81 INT. LAB - DAY
ANGLE: FRED and WILLOW walking throught the lab.
FRED
Oh and here we're trying to develop flashlight, that emit sunlight instead of normal light!
WILLOW
Oh really? I tried something somewaht similar once.
FRED
Really? Did it work?
WILLOW
Well I tried to cast a small ball of sunlight, instead I got a giant troll. I still need to work on some details.
They walk one.
FRED
Hearing this reminds me, that though magic may be able to do more, I should be glad, that I'm doing science, at least this is predictable.
A bang. In the background something explodes, nothing big, just a lot of smoke.
WILLOW
You were saying.
FRED
I don't like that project. They're trying to make a machine, that can do several easy spell for you. You were saying?
82 INT. LOUNGE - DAY
ANGLE: GUNN walking to the bar and fixing himself a drink. There are very few other Wolfram and Hart employee's in the lounge.
GUNN
So you see it's acutally an improvement, this new thing, you want something?
ANGLE: FAITH and WOOD looking around
FAITH
No thanks, I'm, fine, you?
Faith looks at Wood, sho's looking at something else.
FAITH
What's over there? Something to see?
ANGLE: A woman walking in the hallways, which can be seen through a glass door, leading to the lounge. She enters an office.
ANGLE: WOOD
WOOD
I'll be right back.
ANGLE: FAITH watching him go after the woman.
FAITH
Ok, pour me something! What do you have?
83 INT. OFFICE - DAY
ANGLE: WOOD entering the dark office, looking for thw light switch, when he finds it, he turns the lights on.
ANGLE: The chair behind the desk is turned with the back to us, it slowly turns, revealing Nikki.
WOOD
(angry)
I know you're not real, we've won, give it up allright!
Nikki stands up and walks towards Wood.
NIKKI
That's my boy, always on guard. I know you've won, that's why I'm here, I think you're mistaking me for someone else.
Nikki touches Wood's face with her hand, he gently grabs her hand wiht his.
WOOD
Mom?
84 INT. LOUNGE - DAY
ANGLE: GUNN, behind the bar, sipping on his drink. FAITH in front of it, sipping on hers.
GUNN
So what do you think is keeping him.
FAITH
I don't know, I've never seen him like
A beat.
ANGLE: A guy walking into the men's room.
ANGLE: FAITH gives her drink to GUNN and follows the guy.
ANGLE: GUNN
GUNN
That's the men's
ANGLE: FAITH dissappears into the men's room.
ANGLE: GUNN, finishes his almost untouched drink, then looks at FAITH's in his other hand, and finsishes it too.
85 INT. MEN'S ROOM - DAY
ANGLE: FAITH looking at the empty men's room, she starts opening all the booths one by one. The first four are empty.
ANGLE: FAITH as she kicks in the door to the fifth and final booth.
ANGLE: The booth, there's ta guy in it, he sitting on the floor with his back to the toilet, he's Sunnydale's former deputy mayor, the amn, that Faith killed. There's a stake in his chest and his shirt is blooded.
ANLE: FAITH, scared to death, backs off.
ANGLE: DEPUTY MAYOR
DEPUTY MAYOR
(blood gushes from his mouth as he speaks)
Please, get it out, it aches.
FAITH
(scared)
...
DEPUTY MAYOR
Please?
ANGLE: FAITH slowly walking toward him. Grabs the stake and as she closes her eyes, she starts to cry. Then she pulls.
DEPUTY MAYOR
Open your eyes.
Faith opens her eyes.
ANGLE: DEPUTY MAYOR, his wound starts to heal, the blood stains in his clothes draw back, the blood from his mouth crawls back in, the hole in his clothes, where the stake was, closes. He stands up and walks out of the booth, he looks at Faith.
DEPUTY MAYOR
Thank you.
ANGLE: FAITH still teared, on her knees, now looks up at him and the hand he's reaching out, she grabs it and stands up.
ANGLE: FAITH and the DEPUTY MAYOR walking to the door to the lounge, he opens it and gestures her to go first, she does so.
ANGLE: FAITH turns around, only to see nobody behind her. She closes the door.
86. INT. LOUNGE - DAY
ANGLE: FAITH walking into the lounge looking up at
ANGLE: WOOD also re-entering the lounge.
ANGLE: FAITH running to WOOD. She jumps into his arms and as she kisses him passionatly, she smiles.
87 INT. CORRIDOR - DAY
ANGLE: ANDREW wondering around amazed by the size of the builidng, he's looking up at the ceiling and doesn't see where he's walking, so he bumps into Jonathan.
JONATHAN
Hey, watch your steps!
ANDREW
Jonathan? Wait a minute, you're not fooling me again, Jonathan dash the First.
JONATHAN
I'm not the First, you stupid.
ANDREW
Like I'd fall for that? Who are you then?
JONATHAN
I'm just me, who else?
ANDREW
Is that the best you've got? You're going to have to do better then that!
JONATHAN
Look, dude, it's me! Allright? Would the First know that you still wore underwear with little teddybears on it in high school?
ANDREW
He knows everything, so he'd know that too ... unfortunatly!
JONATHAN
Is that so? Would he aslo know, that you asked Harmony Kendall to be your prom date, but that she refused and said she'd rather take an actual rotten egg as her prom date?
ANDREW
I guess.
JONATHAN
Would he also know, that you have a crush on Darth Vader?
ANDREW
I have not!
JONATHAN
You woreship Hayden Christiansen!
ANDREW
I don't woreship him, I just think he's cool. Besides, he's Anakin not Vader.
JONATHAN
You just wait untill episode three comes out!
ANDREW
Oh I will, but you're still Jonathan dash the First!
JONATHAN
I was already afraid of it, I guess we're going to have to do it the hard way.
Jonathan smacks Andrew on the head.
ANDREW
Ouch!
JONATHAN
There, the first is incoporeal and thus can't touch, guess waht I just did?
Andrew hugs Jonathan.
ANDREW
You're back.
JONATHAN
Careful now, dead bodies can be fragile.
Andrew lets go.
ANDREW
Sorry
JONATHAN
Oh, Warren sends his regard, unfortunatly he couldn't be here, your destroying the hellmouth, caused some serious infrastructural choas in the afterlife, so now Warren's stuck in a traffic jam.
ANDREW
Oh right, sorry about that!
JONATHAN
Say, what are you going to do next, are you going to Cleveland perhaps.
ANDREW
Why would I?
JONATHAN
Maybe, because Willow and her girlfriend are going there?
ANDREW
So?
JONATHAN
They're lesbians, they're hot, think about it!
ANDREW
I don't know. Beside they probably want to go alone, because they probably want to you know.
JONATHAN
Probably, but they're not going alone, Dawn's going too!
ANDREW
She is? You know what, maybe you're right, I should go to Cleveland.
88 INT. GILES' OFFICE - DAY
ANGLE: The office, Giles at the desk, behind a computer, and Vi in front of the desk.
GILES
Cleveland aswell?
VI
Yes, that's where the Hellmouth is.
GILES
I know, but you do know, that Kennedy has also allready decided to go there?
VI
I know, but we figured, that since the last ttime it took over 50 Slayers to stop it, 2 would be the least we could do.
BLACK OUT
89 INT. GILES' OFFICE - DAY
same ANGLE
RONNA
Home.
GILES
Home? And where might home be?
RONNA
Illinois, Chigaco.
GILES
Ok, if you could just give me your home adress and telephone number and if you have one, your cell phone number.
BLACK OUT
90. INT. GILES' OFFICE - DAY
ANGLE: GILES still behind his desk looking to someone we can't see, annoyed.
ANGLE: CHAO-ANN in front of the desk, confused.
ANGLE: GILES getting a little (understatement) frustrated.
ANGLE: CHAO-ANN still confused, vaguely smiling.
ANGLE: GILES desperate.
BLACK OUT
91 INT. GILES' OFFICE - DAY
ANGLE: The office, with GILES and KIM in it.
GILES
Well you're the last one, go ahead and have a seat. I'm sorry to have to ask this, but what was your name, were you Kim?
KIM
Yes I was, and still am!
GILES
Glad to hear that. Where are you going?
KIM
I don't know.
GILES
What do you mean, you don't know, aren't you going home?
KIM
I don't have a home, my parents were killed by bringers.
GILES
And you don't have any family to go to? Friends? Neighbours perhaps?
KIM
I supposse, I don't really know them too well thought.
GILES
Well, it's better then the streets, here's my number, give me a call, when you have an adress.
Giles hands Kim over a business-card.
KIM
Thanks I guess.
She walks out, waits a second at the door post and then closes the door as she walks out.
92 INT. GILES' OFFICE - DAY
ANGLE: GILES working on the computer, inserting all the data, no lights in the room, except from the monitor.
CAMERA MOVES to see a person standing in the dark, in the corner of the moves, she steps forward.
JENNY
My, my, that I could die to see this day.
ANGLE: GILES looking up from his work, disturbed and shocked, he can't say any thing, he just mumbles.
JENNY
Hello Rupert!
GILES
Jenny!?!
Giles catches his grip back, but is still in a bit of a shock.
GILES
How nice of you to stop by .... Would you like some ... tea?
JENNY
No you silly.
Jenny walks over to him.
JENNY
There's just one thing I want.
Jenny kisses him.
JENNY
You.
Giles snaps out of it.
GILES
But how and why? What are you?
JENNY
Rupert, it's not important. It doesn't matter how or why I got here, I'm just me, you've got to trust me on it.
GILES
Allright then, so what do you want?
JENNY
So much for the warm welcome.
GILES
I'm sorry, you caught me on surprise, I have to say.
They hug, she lets go and kisses him again, he turns away.
JENNY
What's the matter?
GILES
I'm sorry, this is all a bit too much.
JENNY
Don't worry, I can forgive you, but there is something I want, that only you can give me.
GILES
And what's that?
JENNY
A child.
A beat.
GILES
A what?
JENNY
A child, and no, don't worry, I'm not trying to turn you into some kind of necrosexual.
GILES
(confused)
Then what are you?
JENNY
Look I'm probably explaining this all wrong. But I don't want you to stop living now that Buffy is leaving. And sure you're going to do the Watcher's Council, but it's not enough. You're going to do that all by yourself, sitting all alone in your big house, day in, day out. And I don't want that to happen to you.
GILES
That won't happen, I promise.
JENNY
You can say that now, but I know it will, and I think you do too. Weren't you releaved that you got to help out when Willow went all evil, and when somone had to collect all the girls. Rupert I know you, I know this is going to happen, that's why I'm here, to help you.
GILES
So what do you want me to do?
JENNY
I think you know.
GILES
I think I do too.
Giles walks out to the door opens and turns around.
GILES
Thank you.
And then leaves.
93 INT. MAIN HALL - DAY
ANGLE: GILES looking at the girls, appearantly, searching for someone, then he walks over to Kim, who sitting near the fountain apart from the group.
GILES
Kim?
ANGLE: KIM turns to see him, her face is teared. Giles sits down next to her.
GILES
How would you like to come to England with me?
ANGLE: She smiles through her tears, he smiles too.
PAN OUT: to see the whole hall, all the girls. There are a lot of people walking about.
Double Post (next time use the edit button!):
ACT VII
94 INT. KARAOKE ROOM - DAY
ANGLE: BUFFY and Lorne sitting on the couch, talking.
BUFFY
This reading, is it like reading my mind or memories?
LORNE
Neither, I read, oh how to explain, your feelings, your emotions, your mood.
BUFFY
My mood, but anybody could tell.
LORNE
You know people, always trying to cover up their true emotions, and that's what I look for.
BUFFY
Ok, so maybe you're rioght, but still. I do know my own feelings, what would I need you for?
LORNE
No you don't, sweety-pie. Often you think you do, but you don't. We have a tendecy of trying to hide our true feeling from ourselves. For various different reasons, sometimes, because we just don't like them or are ashamed of them. That's just the nature of people.
BUFFY
You think so?
LORNE
Why don't you give it a try? Pick a song and I'll read you.
Buffy walks over to the machine and searches for an appropriate song.
BUFFY
You sure?
LORNE
Yeah, go ahead, it's ok.
Buffy pushes a button and the song (Amy Studt - Just a Little Girl) begins to play, buffy sings along, during this the angle changes to see Buffy from different directions, also shows a few shots of LORNE.
LORNE
(stunned)
Wow, that was really ... something. I'm, sorry. I'm really overwhelmed. I haven't seen that much emotion in a long time.
BUFFY
(perky)
So, what did you get?
LORNE
All sorts of emotions, you're a very complicated girl, but some thing stood out most ... confidence, selfawareness and hapiness. You're really amazing.
Lorne stands up and walks over to the bar.
LORNE
So if you'll excuse me, I have to get a drink now, make sure I forget about this, or otherwise I'd never be able to properly read anyone else anymore.
Lorne pours a drink.
BUFFY
(blushes)
So have you ever read Angel.
LORNE
(bitter look on his face)
Yes, I have!
BUFFY
What did you read?
LORNE
Sorry, you're a very sweet girl, but I have a professional code, but I can tell you, his singing was aweful.
ANGEL (O.S.)
Hey, nobody can do Marrilow like Marrilow.
ANGLE: ANGEL standing in the door post.
LORNE
I'm sorry, Angelcakes, but you were the one, who picked him.
(aside to buffy)
I think our guy's a fan of Mannilow.
BUFFY
(laughing)
Really? Oh I gotta tell this.
ANGEL
To who?
BUFFY
(giggly)
Nobody special, just everybody I ever met.
Buffy leaves.
ANGEL
Thanks for that, Lorne!
95 INT. PARKING GARAGE - DAY
ANGLE: XANDER walking through it, to the Sunnydale High School bus, opens the hatch to the luggage department and drags a last bag out then he goes to the front and enters the bus, he sits down in the drivers seat, opens one of the cabinets in search of something.
ANGLE: ANYA standing at the open door, looking to Xander.
ANYA
Hey, busdriver? Where's this bus going?
XANDER
(looks up, amazed)
An !?!
ANYA
That's me. Dead and kicking.
Anya enters the bus.
ANYA
So how are you holding up?
XANDER
(startled)
I was doing fine, 'till you came along.
Anya slaps him in the face.
ANYA
I died and you were doing fine? I'm almost releaved we never got married.
XANDER
(sighs)
Almost?
ANYA
Yeah well, if I would have made it through I might have given you another chance. Instead Andrew got another chance.
XANDER
Why him?
ANYA
Because, he's weak, and you're strong. You can survive without me and he couldn't.
XANDER
I know it may have been the right thing, but it still hurts.
ANYA
I know too. Could you just do one thing for me?
XANDER
That is?
ANYA
Check up on him every now and again, make sure it was worth it.
XANDER
I will.
ANYA
And for now, there something else I want from Captain Xander.
XANDER
Which is?
ANYA
Didn't I ever tell you that I wanted to ride in a bus.
XANDER
That's it? You want to ride on a bus?
ANYA
No.
Anya steps forward to Xander and starts unbuttoning his shirt.
ANYA
I want to ride -in- a bus.
96 INT. MAIN HALL - DAY
ANGLE: FAITH sitting on a bench, watching the slayers. ANGEL sits down to her.
FAITH
Hey, if it isn't my favourite Barry Mannilow fan.
ANGEL
She told you?
FAITH
Hell yeah!
ANGEL
Ok, that's it, I have to kill her.
FAITH
Don't bother trying. I did, and she won.
ANGEL
So?
FAITH
Since, I'm the stronger one of us, you won't win either.
ANGEL
You? The stronger one? Don't make me laugh!
FAITH
You don't believe it? You and me! Right here, right now!
ANGEL
I'm sorry, I can't. Winning from you would make my day, it'd make me happy, too happy.
FAITH
That's the worse excuse, I've ever heard.
ANGEL
I know.
FAITH
So what's on your mind?
ANGEL
Nothing.
FAITH
You're such a bad liar. It's our prinicipal, isn't it?
ANGEL
Well now that you mention him.
Faith laughs.
FAITH
Fire away.
ANGEL
Is he really the one for you?
FAITH
Only time can tell.
ANGEL
But you think he might be.
FAITH
He's the only guy, who I wanted to have sex with twice, he's also the only guy, who ever refused to have sex with me.
ANGEL
Well I guess that's something.
FAITH
With me, it is! Do you think he's prettier then me?
Angel gives Faith a look. Faith laughs.
97 INT. DAWN'S ROOM - DAY
ANGLE: DAWN packing her bags. A person walking up behind her, the person lays her hand on Dawn's shoulder.
ANGLE: DAWN's face, first shocked, then she closes her eyes and smiles. She doesn't turn around.
DAWN
I thought you might stop by.
PAN OUT: to see Joyce's face over Dawn's shoulder.
JOYCE
So you're a psychic too now?
DAWN
No, I just used a little rhyme and reason. Ok, more reason than rhyme, but you get my point.
Dawn turns around and hugs Joyce.
DAWN
It's good to see you again mom, I've missed you.
JOYCE
I missed you too, Dawny.
They let go.
DAWN
Could you give me a hand?
They continue packing Dawn's bags.
JOYCE
You got my message?
DAWN
It was a bit scrambled last time, but I figured it out.
Joyce strokes Dawn's hair.
JOYCE
You understand why, right baby?
DAWN
Mom, I'm not a baby anymore. Yes, I understand, I wouldn't have wanted it any other way.
They stand up, the bags are packed.
JOYCE
I have to go again, I'm sorry, that it could only be be this short.
They hug. Dawn picks up her bags, then she walks to the door, but turns around.
DAWN
I know. When will I see you again?
JOYCE
Hopefully not, in, say, the next seventy years!
Dawn looks down, sad, then to Joyce again.
DAWN
I had a feeling you were going to say that.
JOYCE
You take care now?
DAWN
I will.
Dawn opens the door, and turns around once more.
DAWN
Till the day we meet again.
JOYCE
Till the day we meet again.
ANGLE: JOYCE standing in the light of the opened door, which slowly closes.
BLACK OUT
98 INT. MAIN HALL - DAY
ANGLE: All the girls, from the top.
PAN IN: on Willow, Kennedy and Vi, quarreling, ANDREW standing near by.
KENNEDY
He's just annoying.
VI
But he's trying to do the right thing.
KENNEDY
So are we and he'll surely get in our way.
WILLOW
She's got a point there.
ANGLE: DAWN joining the group.
DAWN
What's the matter?
VI
Andrew wants to come with, to Cleveland.
WILLOW
Which we think might not be the best of ideas.
KENNEDY
That's an understatement.
DAWN
I don't mind, as long as he promise to keep his Star Wars action figures home.
KENNEDY
They got destroyed.
DAWN
Good, then he has got my vote.
VI
Mine too.
KENNEDY
He hasn't got mine.
Dawn, Kennedy and Vi look at Willow.
99 INT. MAIN HALL - DAY (cont'd)
ANGLE: XANDER walks up to Andrew.
XANDER
What's the girl fight about?
ANDREW
Me.
XANDER
Come again?
ANDREW
I asked them wether I could come with the to Cleveland, they're still discussing it, but by the looks of it, I'm going to have to go to Tucker.
XANDER
Excuse me.
Xander walks up to Willow and whispers something in her ear. Then he walks back.
XANDER
Watch.
The girls come even closer together as Willow tells them something, eventually they all nod.
100 INT. MAIN HALL - DAY (cont'd)
ANGLE: WILLOW, DAWN, VI and KENNEDY walk towards XANDER and ANDREW.
WILLOW
(sighs)
You can come.
KENNEDY
There's a few buts though!
Willow gives Kennedy a look.
KENNEDY
(giggles)
What? No harm in trying!
LILAH (O.S.)
(calling out)
May I have your attention please?
101 INT. MAIN HALL - DAY (cont'd)
ANGLE: LILAH calling out. Everyboyd gathers in front of her, WESLEY by her side.
LILAH
(calling out)
Thank you! Ok, here's the deal! We've pulled a few strings so we've arranged seats for everybody on planes to everybody's hometown, or the airports nearest to your hometowns. We've also called your parents to pick you up, there's just one thing, we have to leave for the airport in ten minutes. So everybody get your stuff, the limo's are out front. So go everybody, except you Chao-Ann.
All the girls scatter over the place.
102 INT. MAIN HALL - DAY
ANGLE: Wesley walks toward Chao-Anm with a dictionary in his hand.
WESLEY
³àŠÂ¿Â¡Â´à‚ ³àŠà€à‡ à‡à’¸à“´à ´«à€àŒ à€à–´à™.
(subt. You have your grandmother's eyes.)
CHAO-ANN
³àŠÂ¸Â¦, ±à—·¯³ª ¶ó°à ³àŠÂ´à‚ ¾à†Â´à‚°¡ ³ªà€à‡ à‡à’¸à“´à¸¦ °¨»çà‡à´à‚°¡?
(subt. Thank you, but how do you know my grandmother?)
Wesley looks in his dictionary.
WESLEY
¾îÂ¶Â»Â°à” Â¹à£à€Â» à€Â§à‡à˜ ´à™Â·Â®?
(subt. How much for the night?)
Chao-Ann slaps him in the face. He looks at her angry and hands over the ticket, then walks over to Giles and Lilah.
103 INT. MAIN HALL - DAY
ANGLE: GILES, LILAH and WESLEY watching over the hall as one by one more girls head over to the entrance.
LILAH
That went smooth.
Wesley feels his sore cheeck.
WESLEY
It's not that easy; the slightest change of intonation can change 'I love you' into 'how much for the night' and next to that, I'm not sure wether this dictionary is correct.
GILES
She probably got the message. She survived, so she seems to have managed to do everything we asked or perhaps she didn't and that's the reason she survived.
LILAH
What is?
GILES
She couldn't listen to what we said.
LILAH
Maybe she just pretended, we'll never know. But gentlemen, we need to get going, our limo is waiting.
Double Post (next time use the edit button!):
ACT VIII
104 INT. AIRPORT - NIGHT
ANGLE: Everybody in line to check in one by one. Kennedy is done first and she walks over to Fred.
KENNEDY
So, are you sad, that we're leaving?
FRED
What can I say, it was nice, but you can't stay forever!
KENNEDY
Bet, you wouldn't mind if we did. I have a question for you, it's very easy and I want you to be honest with me.
FRED
Ok sure, what is it?
KENNEDY
How long has it been? I mean did it start right the first second you saw her? or did it slowly evolve?
FRED
What? What are you talking about?
KENNEDY
Oh c'mon, I already know, I'm not mad, actually I feel kind of flattered.
FRED
About what?
Kennedy sees Willow has checked in.
KENNEDY
That you have a crush on the girl I'm dating.
Kennedy leaves Fred stunned and walks over to Willow.
105 INT. AIRPORT - NIGHT
ANGLE: Airport mall, not too crowded, all of a sudden girls start popping up, everywhere. ANGLE changes a few times, to give different shots of the girls shopping.
ANGLE: ANGEL and FAITH walking down an isle.
ANGEL
You know I almost feel like a real dad at his daughters wedding.
FAITH
How's that?
ANGEL
Walking down the isle with you, knowing I'm about to give you away to a stranger.
FAITH
Life's a bitch. Lucky for you, that he's a good guy.
ANGEL
I know, but that's with most guys.
FAITH
This one is special.
ANGEL
I bet a lot of daughters say that to their fathers.
FAITH
Chill, it's not a wedding ... yet.
Faith notices the look on Angel's face and laughs.
FAITH
C'mon, big guy, can't you be happy for once? No, wait, never mind, we don't want happy either.
ANGEL
I'm happy for you, not too happy, but still happy. You deserve a good guy.
FAITH
Thank you! You like chocolate ice creams? My treat!
Angel gives her a look, the Faith drags him to an ice cream stand.
PAN OUT: to see a lot of girls walking around, having fun aswell.
106 INT. AIRPORT - NIGHT
ANGLE: XANDER and ANDREW sitting on a bench.
XANDER
I got, a Hawaii shirt, sunglasses. And I was still looking for cool eye-patches, but I haven't found any here yet.
ANDREW
I have StarWars Episode 4,5 and 6 and 1 and 2 on DVD and I still want something to decorate my room with, have you seen any cool posters?
XANDER
Not exactly, depends on what you're looking for, I mean I saw a really cool poster on the other block, with pirates on it, you like pirates.
ANDREW
So does, it like really bother you much?
XANDER
(confused)
You think I like this?
ANDREW
No, but I mean, you joke about it, are you over it?
XANDER
There will probably be some advantages to this.
Andrew looks at Xander, surprised.
Then three blonde stewardesses walk to Xander and sits down next to him.
STEWARDESSE #1
Oh my god, is that real?
XANDER
Yeah, that's real.
STEWARDESSE #2
How did it get there?
XANDER
I used to work in the wildlife, I had to wrestle a gorilla once.
STEWARDESSE #1
Really, oh poor baby, that must have hurt.
XANDER
Yes it did, not everybody could handdle.
STEWARDESSE #3
Let us make sure that you get some proper care on your flight.
PAN OUT: To see the girls talking to Xander some more, who's obviously enjoying the moment.
107 INT. AIRPORT - NIGHT
ANGLE: BUFFY's face browsing through stuffed animals at a shop, she looks up facing Dawn.
BUFFY
Dawn? Hi, I didn't see you.
DAWN
So, stuffed animals, huh? Not really surprised!
BUFFY
All mine got destroyed, I need a new one.
DAWN
So have you seen any?
BUFFY
I like this one.
Buffy picks up a black panter and a pteranodondactyl, then she walks over to the counter and buys them. She walks back to Dawnb and hands over the pteranodondactyl.
BUFFY
Here, going away present.
DAWN
Aw, it's so cute!
They walk out of the store.
BUFFY
So this is it, again. Goodbye.
DAWN
Third one already, isn't it?
BUFFY
I lost track.
DAWN
But this time it's real!
They hug. Buffy starts to cry.
BUFFY
I'll miss you, Dawny.
DAWN
I'll miss you too, Buff, but you'll come to visit sometime, right?
BUFFY
Sure!
DAWN
Great, then dry your eyes now, there's a piece of good looking hunk walking this way, and he has layed his eyes on you I believe.
Buffy laughs through her tears. Then Dawn let's go, puts her thumbs up and then walks of.
108 INT. AIRPORT - NIGHT (cont'd)
ANGLE: BUFFY standing there, wiping of her face, as Angel walks toward her. He stands still right in front of her, he holds her hands.
ANGEL
(sighs)
So!
BUFFY
So?
ANGEL
So? What now?
BUFFY
I don't know, this is really akward.
ANGEL
I know.
BUFFY
Just hold me?
Angel holds her. Buffy, in his arms, closes her eyes.
BUFFY
They say a touch can say more then a thousands words. I would take back ever word I've ever said, if I could make this moment last.
ANGEL
If it works, let me do it, I'm older, I've said more, it'll last longer.
BUFFY
Maybe we both should just be quiet, and enjoy it while it lasts.
ANGLE: changes to see different shots of Angel and Buffy in each others arms, music 'Close your Eyes' playing.
109 INT. AIRPORT - NIGHT
ANGLE: DAWN with her stuffed pteranodondactyl, walking through an isle, looking at all the slayers shopping. XANDER joins her.
XANDER
So, this will be goodbye for us too.
Dawn doesn't speak.
XANDER
Are you jealous of them?
DAWN
On one hand yes and no on the other.
XANDER
Explain yourself!
DAWN
Well, offcourse they're all superstrong and supercool now. But they also have a responsibility now, I may be on the same side, but I don't have that responsibility, I'm free to quit anytime I want to, they can't.
XANDER
But you won't quit, will you?
DAWN
Not yet, then if I did I would be replaceable.
XANDER
So are they nowadays, we're equal, we couldn't survive without them, they can't survive without us. They provide us with protection and eyepatches.
Dawn laughs.
DAWN
And what do we provide them with?
XANDER
Friendship.
110 INT. AIRPORT - NIGHT
ANGLE: GILES, WESLEY and LILAH standing near the gates to the terminals. KIM standing 20 feet away. BUFFY walking toward her.
BUFFY
(angry)
Word has it, that you stole my watcher.
KIM
(nervous)
Euh, I ... I didn't mean to.
BUFFY
(angry)
But you did!
KIM
(scared)
I'm sorry.
BUFFY
Now the moral question is, should I hold up this masquerade and continue pretending to be mad, to see you squirl some more or should I just let it go and tell you that I was just kidding. This is a though one, because it's fun, but for this once I'll just put my hand over my heart.
Kim sighs.
BUFFY
Really got you there, huh?
KIM
Yeah, you did, so you don't mind that he's my watcher now?
BUFFY
No, he thaught me every he could, there's still much for me to learn, but I've got to learn teacht it to myself. And I think that you, my young apprentice, could do with some training.
KIM
I guess, I hope that one day I could be as good as you. Do you think Giles could teach me the same things he thaught you?
BUFFY
And more. You can be just as good as me, but it'll take you seven years, and a whole lot of blood, sweat and tears. And offcourse, there's a few other things that you'll need, unfortunatly, you need to acquire most of them yourself, but there's a one more thing I can help you with.
KIM
Which is?
Buffy searches her handbag for some thing, then grabs her stake and hands it over to Kim, who looks surprised.
KIM
Your stake, but isn't that like-
BUFFY
One of the Slayers most personal processions? Yes it is, but I have a scythe now. So you can take care of mr Pointy for me.
KIM
(laughing)
Mr. Pointy?
BUFFY
That's his name. Be sure to pollish it ever day!
KIM
(laughing)
I will!
Kim shuts up and looks at Buffy, who is staring to someone out of the camera-sight.
BUFFY
(shocked)
Good, I have to go now.
Buffy walks off.
111 INT. AIRPORT - NIGHT (cont'd)
ANGLE: BUFFY walking to a guy at an donut and cookie stand, he's looking down.
guy
What can I get you?
Then he looks up, he looks exactly like Spike.
BUFFY
You-you're ... Spike.
The guy points at his name tag, which says JET.
JET
Nope, sorry, name's Jet. What can I get you?
BUFFY
But, you have his scar.
Buffy touched the scar on his eyebrow.
JET
Yeah, well, long story how I got that one.
BUFFY
I know with the Chinese one.
JET
Bloody hell, how do you know that? I didn't even know she was Chinese, I just knew she was an Asian. She was good, but a little to freaky for me, she bit me, a bit too hard.
BUFFY
What?
JET
I though you knew the story, when her and I slept, she liked to bite me. To each his own.
BUFFY
No, she didn't!
JET
Bloody hell, she did!
BUFFY
You even has the same accent.
JET
I'm sorry, you've lost me here, maybe you mistaken me, or you're confusing my name with someone else.
BUFFY
Oh my god, I'm sorry. I'm sooo sorry.
JET
It's ok, I have one of those faces.
Buffy gives him a look.
JET
Ok, so maybe not. You want one? a bag of cookies for on the flight?
BUFFY
Sorry, I've spend all my cash already.
JET
It's on the house.
BUFFY
Thanks!
Jet gives her the cookies.
JET
I think you should better get to your friends, they're waiting for you.
Buffy looks over her shoulder to see that everybody has already gathered.
BUFFY
Thanks again and goodbye.
JET
Farewell!
Buffy walks off. Then Jet turns around, facing some guy in a uniform that goes with the colors of the stand.
cookie guy
Who are you? and what are you doing behind my stand?
112 INT. AIRPORT - NIGHT
ANGLE: Everybody assembled near the gates to the terminals.
LILAH
So now that everybody has his or her ticket, Buffy has a few words to say.
Buffy takes place in front of the group. She sighs.
BUFFY
Ok, speech, I used to be good with them, but right now, I'm a bit blank. So much has happened the last 48 hours, the last few weeks, the last few months and for some of us in fact even the last seven years. And now it's over, goes beyond my comprehension, but that aside, I do know and feel, that we've done extremely well. We've beat evil, not for good, I know, so there's still work left for you. But we saved the world, what better way for you to start your Slayer resumée? We won this battle, not to get cocky, but we rocked!
All the girls cheer!
Unfortunatly, it didn't go to well for everyone of us. We didn't all survive, let's not forget, those who died.
ANGLE (sequentially) on WILLOW, WOOD, ANDREW, GILES, XANDER, DAWN and then back on BUFFY.
But let's not forget how and why they died! They died giving their life for the safeness of this world, the world we live in, they gave their life in a battle against evil, so in their honour, let's continue, that battle. And from now, not only one of us can do that, but all of us can. So let's go, spread over the world, and defend every piece of land and see from evil. We all have a journey to go on, not only by plane, but also a spiritual one, and I wanna wish everyone good fortune on it.
Everyone applaudes.
BUFFY
And one more thing. You think you know? What you are? What's to come? You haven't even begun.
BLACK OUT
113 INT. AIRPORT - NIGHT
ANGLE: Everybody walking down the hall to their own terminal. BUFFY, GILES, WILLOW and XANDER walk together.
WILLOW
I liked your speech!
BUFFY
You did? Phew, I didn't really know what to say.
XANDER
Yeah, I liked it too.
GILES
I think I could have done better.
BUFFY
Xander, smack him on the head for me, please!
WILLOW
Hey huys here's my plane.
GILES
Oh right, almost forget, mine's on the other side. And yours?
XANDER
A little further.
BUFFY
So, this is it, six and a half year have we lasted.
WILLOW
And now we go our own ways.
XANDER
Sometimes, I wish I could turn back time, so we could still be in high school.
WILLOW
I might know a spell for that.
GILES
I don't. Well I don't know about the spell, I'd have to look it up, but I don't want to go back,
WILLOW
What?
GILES
Don't misunderstand me, it have been the best years of my life, and I will miss them. I will miss you guys even more. They were good times, but past times. We've changed as time changes, it would work again. That's just the way life is, we've learned so much over these years. We shouldn't let that go to waste, I will never forget it, nor will I forget you, but we've got to go on, new adventures will await us all.
They're all quiet.
BUFFY
You're right, let's not let it go to waste. And besides we'll see each other again some day.
GILES
So time for the hugs now, I take it?
WILLOW
Oh yeah!
Buffy, Giles, Xander and Willow hugs each other one by one, then they go off.
114 INT. PLANE - NIGHT
ANGLE: WOOD and FAITH in there seats. Faith holds on to Wood as the plane start moving.
WOOD
What's the matter?
FAITH
Nothing!
WOOD
(suspicious)
Have you ever flown before?
FAITH
Only across the room quite a few times.
WOOD
But never in a plane, right? I get it.
FAITH
No never, and you get what?
WOOD
You're afraid of flying!
FAITH
No I'm not!
WOOD
Yes, you are. You're shaking and holding on to me.
FAITH
What, can't a girl hang on to her guy.
WOOD
Yes, she can, specially when she's in a plane and afraid of flying.
FAITH
Ok, so maybe I am a little bit tense. Just hold me alright.
Wood puts his arm around her.
115 INT. PLANE - NIGHT
ANGLE: VI, WILLOW, KENNEDY (in that order) sitting there, ANDREW and DAWN sitting in row behind them, next to a sleeping guy.
ANDREW
I think the planes moving, exciting isn't it?
VI
I've only been on a plane once, on the way here. The view is spectaculair.
KENNEDY
It's nothing special, we had a personal het back at home. Have you ever flow.
WILLOW
Only in my darker days, but that was just my, never in a plane.
DAWN
I've never flown either, I think it's exciting too.
116 INT. PLANE - NIGHT
ANGLE: GILES and KIM.
GILES
Are you nervous?
KIM
No, not really.
GILES
Good
KIM
Could we please change seats?
GILES
Why?
KIM
So I can see the view?
Giles looks at her.
GILES
Sure!
Giles and Kim change seats.
KIM
Thanks, I want to see the view.
GILES
It's no problem, really.
Kim looks at the window as the planes starts moving. Giles looks at her.
GILES
...
Giles decides to be quiet. He just smiles.
117 INT. PLANE - NIGHT
ANGLE: XANDER and BUFFY. BUFFY has her face pressed against the window to see as much as possible.
XANDER
Yes, it's moving.
BUFFY
Ow, the airport looks pretty with all the lights.
XANDER
I don't know, there's some crazy girl pushing her nose against the window, so I can't see.
BUFFY
Sorry!
Buffy moves a bit, and Xander leans over to be able to press his face to the other half of the window.
XANDER
Could we maybe please change halfs of the window.
BUFFY
Why?
XANDER
Because now, only my eyepatch can look throught the window.
BUFFY
Sure.
They change.
BUFFY
Hey, that antenna there on the roof of the airport looks like a guy!
XANDER
You have the wildest imagination, you know that, right?
118 INT. AIRPORT - NIGHT
ANGLE: ANGEL, FRED, GUNN, LILAH, LORNE and WESLEY standing at a big glass window that looks out over the run way, we look to them through the window and we can see the reflection of the lights of the planes in it.
LILAH
And off they go.
GUNN
They were good people.
FRED
They thought I was gay
Everybody gives Fred a look, Lilah takes a step back.
LORNE
Some of them had great voices, but no Slayers they became, not singers.
WESLEY
You think we'll see them again someday?
ANGEL
When they're baked, when they're backed.
118 EXT. AIRPORT - NIGHT (cont'd)
ANGLE: Same as last.
CAMERA MOVES up, close to the window. Untill we reach the roof, then we turn left to see a man standing on top of it, on the edge we moves closer to see that it's Spike.
SPIKE
That's right, off you go then. Fullfilly your prophecy, girl! The dough finally on her way to becoming cookies. Too bad I can't be there when you do. Life's like high school, and I was in an higher grade, so I already had mine, now you're too will have your graduation day. But don't worry, it's not going to be anytime soon, love. You still have lot's of roaring years to come, trust me Slayer, I know. But then, you like that, don't you? Taking on vamps, battling demons, you even like the hurt of the wounds, the stench of the demons and the restless nights full of sorrow, because that is your gift and you'll take it wiht you to your grave, that's why you were and are and always will be the chosen one.
BLACK OUT.
END OF SHOW.
Double Post (next time use the edit button!):
So what did you think? Comments, questions and critisism needed!
65 EXT. BUS - CONTINUING
Giles looks out at the crater.
GILES
I don't understand. What did this?
BUFFY
Spike.
They walk toward the edge of the crater, smoke in front of her, and we
REVERSE: SUNNYDALE is a smoking black crater. In front of it is a sign:
WELCOME TO SUNNYDALE. After a beat, the sign creakingly topples back
into the crater.
We see everyone now, the girls milling about, the core group nearer the
crater, and we push through the smoke to see them: Buffy, Dawn, Giles,
Xander, Willow, Faith coming out to join them. Keep pushing slowly in
as the all look out at the end of Sunnydale...
FAITH
Looks like the Hellmouth is officially closed for business.
GILES
There is another one in Cleveland. Not to spoil the moment...
XANDER
We saved the world.
WILLOW
We changed the world. I can feel them, Buffy. All over. There are
Slayers awakening everywhere.
DAWN
We'll have to find them.
WILLOW
We will.
GILES
Yes, because the mall was actually in Sunnydale, so no hope of going
there tomorrow...
DAWN
We destroyed the Mall? I fought on the wrong side...
XANDER
All those stores gone... The Gap, Starbucks, Toys R Us... who will
remember these landmarks unless we tell the world of them?
We're still pushing in, closer and closer to Buffy, as everyone around
her continues talking...
GILES
We have a lot of work ahead of us...
FAITH
Can I push him in?
WILLOW
You got my vote.
FAITH
I just wanna sleep, yo. For like a week.
DAWN
I guess we all could. If we wanted to.
WILLOW
Yeah, the First is scrunched, so... What do you think we should do,
Buffy?
FAITH
Yeah, you're not the one and only chosen anymore. Just gotta live like
a person. How's that feel?
She looks at Faith.
DAWN
Buffy? What are we gonna do now?
Buffy looks at them, looks back at the crater, and we are in full close
up as she considers the question, a small smile creeping onto her lips
as she decides on her answer.
(BLACK OUT.
END OF SHOW. )
BUFFY
I haven't had a decent holiday in three years. ... I've always wanted to go to the Caribean
Buffy just stares into the crater still with that same smile.
GILES
Might I suggest finding a place to spend the night first?
ANGLE: WOOD
Wood is stumbling out of the bus, Faith hurrying to suport him.
WOOD
Yeah, that would be a great idea plus, I think these girls might apprieciate it if they could finally go home now.
XANDER
So. does anybody know a place, where all of us could sleep, that wasn't in Sunndydale.
Buffy and Faith exchange a look.
FAITH
We off to L.A. then?
BUFFY
Guess so.
WILLOW
Angel?
ANGLE: GILES
Giles is trying to get the girls to get back in the bus.
72 INT. ANGEL'S OFFICE - NIGHT
ANGLE: Angel, Buffy, Giles, Fred and Willow are in, Wesley just enters.
GILES
Well?
WESLEY
They all have a room, some are still in medical care, but they'll be fine.
ANGEL
So what are you going to do with them.
BUFFY
I guess we can finally send them home now.
GILES
Off course we do need to get some information from them first, I was wondering wether you could lend me an office, just for a day.
ANGEL
Sure, but what do you need it for?
GILES
Well I'm thinking of going back to England and from there re-build the watcher's council, which off course, will work better, if I actually know where my slayers are.
ANGEL
I guess that'd work better, yeah. How about you Will?
WILLOW
Well Kennedy sure seemed interested in that whole Cleveland deal.
(aside to Fred)
That's my girlfriend.
GILES
I don't want to spoil anything, but I've had a long day and there's still lot's of work to do tomorrow, so if you'll excuse me, I'm off to bed.
As he stands up the others stand up to the door, except for Buffy and Angel.
WILLOW
That's not such a bad idea, are you coming too Buffy?
BUFFY (O.S.)
I'll be right up!
GILES
(calling out)
Would everybody please get back on the bus, please?
ANGLE: BUFFY, WILLOW and FAITH
BUFFY
He does live in an hotel, doesn't he?
ANGLE: GILES
Giles is still trying to get the girls in the bus.
GILES
(calling out)
Please, move, on the bus, please!
VI
Can't we rest for a bit first
KIM (slayer)
You can rest on the bus too!
Some of the girls get on the bus, most of them don't.
BUFFY
C'mon girls. get on.
KENNEDY
Hey, we're slayers too now, can't we make up our own minds?
BUFFY
Sure, but we're going, so unless you wanna walk!
Buffy sees that most of the girls are still doubting.
BUFFY
(doubting wether it'll work)
Last one in is a rotten egg?
Everybody rushes to the bus.
66. EXT. BUS - DAY
ANGLE: BUS DOOR
The last girls going into the bus, only Buffy and Andrew remain.
ANDREW
You can go first, I'm already a rotten egg!
Buffy smiles.
BUFFY
Not anymore, after you.
Buffy gestures Andrew to get in.
ANDREW
Thanks.
67 EXT. BUS - DAY
ANGLE: ABOVE THE BUS
First Andrew gets in and finally Buffy, then the bus drives away, and we follow it untill in dissappears in the horizon.
Double Post (next time use the edit button!):
ACT V.
68. EXT. STREET OF LA - NIGHT
It has just gotten dark. there are still some citizens on the street walking about.
ANGLE: CITIZENS
They look up as a yellow Sunnydale High School Bus passes by.
69. EXT. HYPERION - NIGHT
ANGLE: FAITH and WILLOW standing in front of the bus.
ANGLE: BUFFY walking toward them.
BUFFY
They're nowhere to be found.
FAITH
So, what next?
BUFFY
I don't know, it looks to me like they've moved out.
WILLOW
I hope so.
Faith and Buffy give her a strange look.
WILLOW
Well you know, these thing mostly mean something else, they're never good signs, so I hope they moved.
ANGLE: Oddly dressed Irish guy walking toward them.
DOYLE
They're allright.
Doyle get's a business card from his pocket and hands it over to a confussed Buffy.
DOYLE
Yes, they've moved, this is the adress.
FAITH
(sceptical)
Who are you? How do you know all this?
BUFFY
(confused)
Don't I know you from somewhere?
DOYLE
I believe we've met, yes.
FAITH
(angry)
Hey, you could start by telling us who you are!
Doyle turns around and walks away.
DOYLE
(calling out)
A friend!
FAITH
(yells)
Hey, wait a ..
BUFFY
(interrupts)
It's ok!
Faith gives her a strange look as Buffy watches Doyle walk away.
70. EXT. WOLFRAM AND HART OFFICE - NIGHT
ANGLE: BUS
Almost everybody is out, the rest is coming out of the bus.
WILLOW
Are you sure this is the place?
BUFFY
It says on the card.
FAITH
What did I tell you about that guy?
BUFFY
Maybe we should check inside.
71 INT. WOLFRAM AND HART OFFICE MAIN HALL - NIGHT
ANGLE: THE GROUP NEAR THE ENTRANCE
Everybody is in. All the W&H employees look up at the girls. Buffy walks over to the counter.
BUFFY
Excuse me, I'm looking for someone called Angel.
W&H EMPLOYEE
You are looking for mr. Angel? I don't think so, do you have an appointment?
BUFFY
Off course not!
W&H EMPLOYEE
You have to have an appointment.
ANGEL (O.S.)
No she doesn't.
ANGLE: OTHER END OF THE HALL
Angel, Fred, Gunn, Lilah, Lorne and Wesley are standing here.
ANGLE: OTHER END OF THE HALL
Buffy, Andrew, Dawn, Faith, Giles, Kennedy, Xander, Willow and Wood are standing here, with the girls in the background.
BUFFY
Angel!
They run into each others arms and hugs untill both the Scoobie and the Fang Gang have reached them.
ANGEL
So! How did it go?
BUFFY
It's a long story, right now, we just need a place to stay for the night.
ANGEL
I don't know if, cause maybe, you could
Angel looks at Lilah and she nods.
ANGEL
Done for!
73 INT. ANGEL'S OFFICE - NIGHT
ANGLE: Angel sitting behind his desk, Buffy on top of it.
ANGEL
So, what are you going to do?
BUFFY
Remember how I told you about that cruise to the Caribean?
ANGEL
Sounds ... sunny? ... A little too sunny for my taste.
He stands up, walks around the desk and holds her, ready to kiss. She gently pushes him away and and turns away.
BUFFY
I-I wasn't planning on going with
ANGEL
I see.
Angel steps back. Buffy turns around to face him.
BUFFY
Don't worry about the sun, it might be hot enough to bake the dough.
ANGEL
I hope so, because I sure am hungry for some cookies.
They kiss passionatly.
74 INT. WILLOW AND KENNEDY'S ROOM - NIGHT
ANGLE: The door opening slowly.
Willow silently sneeks in, she turns around to close the door, then turn back again.
ANGLE: KENNEDY turning in the bed, looking at WILLOw.
KENNEDY
You're back.
WILLOW
I'm sorry, I tried to be silent and not wake you up.
KENNEDY
It's ok, I've waited for you.
Willow takes of her shirt.
ANGLE: KENNEDY's face.
KENNEDY
(jokingly)
I'm sorry Will, not now, I'm tired.
WILLOW (O.S.)
Very funny. So are you serious about Cleveland?
KENNEDY
Dead serious, if there's another Hellmouth, someone should be gaurding it, how could do that better then us?
Kennedy yawns.
KENNEDY
Was that what you were talking about?
ANGLE: WILLOW, now in her pyama's with her back turned to the camera, putting away her clothes.
WILLOW
More or less, first we, mostly Buffy, told Angel what happened in Sunnydale and then we had a brief discussion on
Willow turns around.
ANGLE: KENNEDY vast asleep.
PAN OUT to see Willow crawling in bed with her. She kisses Kennedy on the forehead.
WILLOW
Good night sweetie.
TARA (O.S.)
She sure is a sweet girl.
ANGLE: WILLOW's face turning pale.
Willow turns around to see TARA, she jumps up and falls into Tara's arms.
TARA
It's ok baby.
WILLOW
Tara? It's really you!? You're really here?!
TARA
I know, baby, I know.
Willow let's go of Tara.
WILLOW
(teared)
But how and why?
TARA
Ssshhh!
Tara puts her finger on Willow's lips.
TARA
It's not important.
She looks at Kennedy.
WILLOW
Oh, that's ... Kennedy, she my ... new, I'm sorry.
TARA
Don't be, it's ok, she is you know!
WILLOW
What?
TARA
Yours!
ANGLE: WILLOW turning around to look at KENNEDY sleeping, then she turns back around.
ANGLE: The room being empty.
75 INT. CANTEEN - DAY
ANGLE: Overview of the whole room, all the tables laid for breakfast, food everywhere.
PAN IN: ANGEL and LILAH standing in the corner
ANGEL
Wow, I gotta admit, I never would have imagined that you would've been so quick with this, it's great.
LILAH
So you like it then?
ANGEL
Yeah, absolutly, it's great, just great!
LILAH
What's the matter?
ANGEL
Nothing, everything's fine, just fine?
LILAH
Come on Angel, I'm not stupid, you know that. I was your mortal enemy, I was trained to know when something was bothering you, it's her, isn't it? Did she reject you?
ANGLE: ANGEL's irritated face.
ANGEL
Still haven't lost your infamous feeling for tact, have you?
LILAH
Don't worry, though I'm your former nemesis, even I can see it.
ANGEL
Me being mad?
LILAH
Her still loving you!
ANGLE: ANGEL's confused face
ANGEL
Really
PAN IN: On the content smile creeping upon his lips.
76 INT. CANTEEN - DAY
ANGLE: The whole room is now filled with slayers.
PAN IN: On one of the tables at which most of the character sit.
CAMERA MOVES from one end to the table to the other, as we get bits and pieces from the different conversations.
LORNE
I like George Clooney.
DAWN
How about Josh Hartnett?
ANDREW
You have bad taste, I say Brad Pitt.
FRED
So that's why I run the science department now.
KENNEDY
And you get off on this?
WILLOW
Sorry Fred, you'll have to excuse her, she's in an euphoric mood, you know how this works.
WOOD
I know, the son of a slayer with an actual slayer, who would've thought?
ANGEL
(jokingly)
Well I hope you treat her well. You'd better!
FAITH
Don't worry Robin, he's just a little jealous, it'll blow over.
GUNN
Sounds really cool!
XANDER
Yes it does, but the bill doesn't.
BUFFY
I don't care, you said you were paying, besides this cruise will do us both good.
WESLEY
Well our archives are all open for your use offcourse, aren't they?
LILAH
Whatever you say, boss!
GILES
Thank you, I apprieciate it. I take it you don't want your old job back?
WESLEY
I'm sorry, that I can't help you with.
GILES
It's ok, if you'll excuse me, I have an announcement to make.
Giles stands up.
GILES
(calling out)
Everybody be quiet, please.
It get's quiet.
GILES
Thanks you. So, the battle is over, the war is won, you can finally all go home now.
Everybody chears.
GILES
Please, quiet, but first, I'd like to note down contact information from all of you, so that we can send you a watcher, so I want to ask you all to stop by my office today.
Everybody starts talking again.
GILES
Don't forget, everybody has to come!
77 INT. MAIN HALL - DAY
ANGLE: A lot of girls sitting in the middle of the hall with their bags packed, while more are coming.
ANGLE: Giles stepping out of one of the office.
GILES
First one, please?
KENNEDY
I'll go.
78 INT. GILES' OFFICE - DAY
GILES
Kennedy, where are you going? Home aswell?
KENNEDY
No, I'm going to Cleveland with Willow.
Giles notes this down.
GILES
Just a minute.
Giles picks up the phone and dials a number.
GILES
Lilah? Please cancel the ticket to El Paso and buy one to Cleveland, no, make that two.
79 INT. HALLWAY - DAY
ANGLE: Dawn walking down the hallway and Buffy catching up with her.
BUFFY
Dawn! Wait!
DAWN
Buffy? Is something the matter?
BUFFY
No, I just wanted to talk to you, about the future, our future.
DAWN
It's ok Buffy, I've taken care of it all.
BUFFY
You have? How?
DAWN
I've spoken to Willow, I can go with them to Cleveland, when you get on your cruise.
BUFFY
Are you ok with it? Because, if you want, I could stay here, with you.
DAWN
It's ok, Buffy. You've carried the weight of the world for seven years now, you don't have to anymore, you can choose yourself now, please do so, you shouldn't choose me, you should choose yourself, for once, you deserve it.
They hug.
BUFFY
Really?
She let's go of Dawn, eyes teared.
BUFFY
Big blob of energy or not, you are truly the best sister, anybody could ever wish for.
DAWN
Thanks.
She walks off, but then turns around.
DAWN
Just don't take back home another souled vamp.
They laugh, then she walks of again.
ANGLE: BUFFY smilling.
PAN OUT to see the whole hallway and just buffy standing their with tears of joy.
Double Post (next time use the edit button!):
ACT VI
80 INT. TOILET - DAY
ANGLE: The door opening, KENNEDY walks in. She goes to stand in front of the mirror.
ANGLE: The mirror, Kennedy sighs, turns on the fountain and washes her face
ANGLE: KENNEDY's eyes open, and look frightened.
ANGEL: The mirror, we can see Kendra standing behind her, Kennedy turns around frightened.
KENDRA
(talking as always, in that ridiculous accent of hers)
Are you nervous?
KENNEDY
Who are you? and what are you talking about?
KENDRA
You don't have to answer, I allready know you are. You went into battle without proper training or any powers and you survived. I admire you for it, I was worse in my first battle, I was incredibly nervous, but you schouln't be, you're one of the strongest, stronger then I was.
KENNEDY
You bet I am, I'm a slayer!
KENDRA
So was I.
KENNEDY
You are a slayer?
KENDRA
Don't hide your emotions behind, that though girl masquerade. I can see through it now, and you may be a slayer, but you're also still a girl. It will only make you stronger, that's why Buffy is still a slayer and I'm not anymore.
KENNEDY
You're not a slayer anymore? What are you then?
KENDRA
A friend.
Kendra walks into a toiletbooth, closes the door, but doesn't lock it. Kennedy opens the door, but there's nobody there.
81 INT. LAB - DAY
ANGLE: FRED and WILLOW walking throught the lab.
FRED
Oh and here we're trying to develop flashlight, that emit sunlight instead of normal light!
WILLOW
Oh really? I tried something somewaht similar once.
FRED
Really? Did it work?
WILLOW
Well I tried to cast a small ball of sunlight, instead I got a giant troll. I still need to work on some details.
They walk one.
FRED
Hearing this reminds me, that though magic may be able to do more, I should be glad, that I'm doing science, at least this is predictable.
A bang. In the background something explodes, nothing big, just a lot of smoke.
WILLOW
You were saying.
FRED
I don't like that project. They're trying to make a machine, that can do several easy spell for you. You were saying?
82 INT. LOUNGE - DAY
ANGLE: GUNN walking to the bar and fixing himself a drink. There are very few other Wolfram and Hart employee's in the lounge.
GUNN
So you see it's acutally an improvement, this new thing, you want something?
ANGLE: FAITH and WOOD looking around
FAITH
No thanks, I'm, fine, you?
Faith looks at Wood, sho's looking at something else.
FAITH
What's over there? Something to see?
ANGLE: A woman walking in the hallways, which can be seen through a glass door, leading to the lounge. She enters an office.
ANGLE: WOOD
WOOD
I'll be right back.
ANGLE: FAITH watching him go after the woman.
FAITH
Ok, pour me something! What do you have?
83 INT. OFFICE - DAY
ANGLE: WOOD entering the dark office, looking for thw light switch, when he finds it, he turns the lights on.
ANGLE: The chair behind the desk is turned with the back to us, it slowly turns, revealing Nikki.
WOOD
(angry)
I know you're not real, we've won, give it up allright!
Nikki stands up and walks towards Wood.
NIKKI
That's my boy, always on guard. I know you've won, that's why I'm here, I think you're mistaking me for someone else.
Nikki touches Wood's face with her hand, he gently grabs her hand wiht his.
WOOD
Mom?
84 INT. LOUNGE - DAY
ANGLE: GUNN, behind the bar, sipping on his drink. FAITH in front of it, sipping on hers.
GUNN
So what do you think is keeping him.
FAITH
I don't know, I've never seen him like
A beat.
ANGLE: A guy walking into the men's room.
ANGLE: FAITH gives her drink to GUNN and follows the guy.
ANGLE: GUNN
GUNN
That's the men's
ANGLE: FAITH dissappears into the men's room.
ANGLE: GUNN, finishes his almost untouched drink, then looks at FAITH's in his other hand, and finsishes it too.
85 INT. MEN'S ROOM - DAY
ANGLE: FAITH looking at the empty men's room, she starts opening all the booths one by one. The first four are empty.
ANGLE: FAITH as she kicks in the door to the fifth and final booth.
ANGLE: The booth, there's ta guy in it, he sitting on the floor with his back to the toilet, he's Sunnydale's former deputy mayor, the amn, that Faith killed. There's a stake in his chest and his shirt is blooded.
ANLE: FAITH, scared to death, backs off.
ANGLE: DEPUTY MAYOR
DEPUTY MAYOR
(blood gushes from his mouth as he speaks)
Please, get it out, it aches.
FAITH
(scared)
...
DEPUTY MAYOR
Please?
ANGLE: FAITH slowly walking toward him. Grabs the stake and as she closes her eyes, she starts to cry. Then she pulls.
DEPUTY MAYOR
Open your eyes.
Faith opens her eyes.
ANGLE: DEPUTY MAYOR, his wound starts to heal, the blood stains in his clothes draw back, the blood from his mouth crawls back in, the hole in his clothes, where the stake was, closes. He stands up and walks out of the booth, he looks at Faith.
DEPUTY MAYOR
Thank you.
ANGLE: FAITH still teared, on her knees, now looks up at him and the hand he's reaching out, she grabs it and stands up.
ANGLE: FAITH and the DEPUTY MAYOR walking to the door to the lounge, he opens it and gestures her to go first, she does so.
ANGLE: FAITH turns around, only to see nobody behind her. She closes the door.
86. INT. LOUNGE - DAY
ANGLE: FAITH walking into the lounge looking up at
ANGLE: WOOD also re-entering the lounge.
ANGLE: FAITH running to WOOD. She jumps into his arms and as she kisses him passionatly, she smiles.
87 INT. CORRIDOR - DAY
ANGLE: ANDREW wondering around amazed by the size of the builidng, he's looking up at the ceiling and doesn't see where he's walking, so he bumps into Jonathan.
JONATHAN
Hey, watch your steps!
ANDREW
Jonathan? Wait a minute, you're not fooling me again, Jonathan dash the First.
JONATHAN
I'm not the First, you stupid.
ANDREW
Like I'd fall for that? Who are you then?
JONATHAN
I'm just me, who else?
ANDREW
Is that the best you've got? You're going to have to do better then that!
JONATHAN
Look, dude, it's me! Allright? Would the First know that you still wore underwear with little teddybears on it in high school?
ANDREW
He knows everything, so he'd know that too ... unfortunatly!
JONATHAN
Is that so? Would he aslo know, that you asked Harmony Kendall to be your prom date, but that she refused and said she'd rather take an actual rotten egg as her prom date?
ANDREW
I guess.
JONATHAN
Would he also know, that you have a crush on Darth Vader?
ANDREW
I have not!
JONATHAN
You woreship Hayden Christiansen!
ANDREW
I don't woreship him, I just think he's cool. Besides, he's Anakin not Vader.
JONATHAN
You just wait untill episode three comes out!
ANDREW
Oh I will, but you're still Jonathan dash the First!
JONATHAN
I was already afraid of it, I guess we're going to have to do it the hard way.
Jonathan smacks Andrew on the head.
ANDREW
Ouch!
JONATHAN
There, the first is incoporeal and thus can't touch, guess waht I just did?
Andrew hugs Jonathan.
ANDREW
You're back.
JONATHAN
Careful now, dead bodies can be fragile.
Andrew lets go.
ANDREW
Sorry
JONATHAN
Oh, Warren sends his regard, unfortunatly he couldn't be here, your destroying the hellmouth, caused some serious infrastructural choas in the afterlife, so now Warren's stuck in a traffic jam.
ANDREW
Oh right, sorry about that!
JONATHAN
Say, what are you going to do next, are you going to Cleveland perhaps.
ANDREW
Why would I?
JONATHAN
Maybe, because Willow and her girlfriend are going there?
ANDREW
So?
JONATHAN
They're lesbians, they're hot, think about it!
ANDREW
I don't know. Beside they probably want to go alone, because they probably want to you know.
JONATHAN
Probably, but they're not going alone, Dawn's going too!
ANDREW
She is? You know what, maybe you're right, I should go to Cleveland.
88 INT. GILES' OFFICE - DAY
ANGLE: The office, Giles at the desk, behind a computer, and Vi in front of the desk.
GILES
Cleveland aswell?
VI
Yes, that's where the Hellmouth is.
GILES
I know, but you do know, that Kennedy has also allready decided to go there?
VI
I know, but we figured, that since the last ttime it took over 50 Slayers to stop it, 2 would be the least we could do.
BLACK OUT
89 INT. GILES' OFFICE - DAY
same ANGLE
RONNA
Home.
GILES
Home? And where might home be?
RONNA
Illinois, Chigaco.
GILES
Ok, if you could just give me your home adress and telephone number and if you have one, your cell phone number.
BLACK OUT
90. INT. GILES' OFFICE - DAY
ANGLE: GILES still behind his desk looking to someone we can't see, annoyed.
ANGLE: CHAO-ANN in front of the desk, confused.
ANGLE: GILES getting a little (understatement) frustrated.
ANGLE: CHAO-ANN still confused, vaguely smiling.
ANGLE: GILES desperate.
BLACK OUT
91 INT. GILES' OFFICE - DAY
ANGLE: The office, with GILES and KIM in it.
GILES
Well you're the last one, go ahead and have a seat. I'm sorry to have to ask this, but what was your name, were you Kim?
KIM
Yes I was, and still am!
GILES
Glad to hear that. Where are you going?
KIM
I don't know.
GILES
What do you mean, you don't know, aren't you going home?
KIM
I don't have a home, my parents were killed by bringers.
GILES
And you don't have any family to go to? Friends? Neighbours perhaps?
KIM
I supposse, I don't really know them too well thought.
GILES
Well, it's better then the streets, here's my number, give me a call, when you have an adress.
Giles hands Kim over a business-card.
KIM
Thanks I guess.
She walks out, waits a second at the door post and then closes the door as she walks out.
92 INT. GILES' OFFICE - DAY
ANGLE: GILES working on the computer, inserting all the data, no lights in the room, except from the monitor.
CAMERA MOVES to see a person standing in the dark, in the corner of the moves, she steps forward.
JENNY
My, my, that I could die to see this day.
ANGLE: GILES looking up from his work, disturbed and shocked, he can't say any thing, he just mumbles.
JENNY
Hello Rupert!
GILES
Jenny!?!
Giles catches his grip back, but is still in a bit of a shock.
GILES
How nice of you to stop by .... Would you like some ... tea?
JENNY
No you silly.
Jenny walks over to him.
JENNY
There's just one thing I want.
Jenny kisses him.
JENNY
You.
Giles snaps out of it.
GILES
But how and why? What are you?
JENNY
Rupert, it's not important. It doesn't matter how or why I got here, I'm just me, you've got to trust me on it.
GILES
Allright then, so what do you want?
JENNY
So much for the warm welcome.
GILES
I'm sorry, you caught me on surprise, I have to say.
They hug, she lets go and kisses him again, he turns away.
JENNY
What's the matter?
GILES
I'm sorry, this is all a bit too much.
JENNY
Don't worry, I can forgive you, but there is something I want, that only you can give me.
GILES
And what's that?
JENNY
A child.
A beat.
GILES
A what?
JENNY
A child, and no, don't worry, I'm not trying to turn you into some kind of necrosexual.
GILES
(confused)
Then what are you?
JENNY
Look I'm probably explaining this all wrong. But I don't want you to stop living now that Buffy is leaving. And sure you're going to do the Watcher's Council, but it's not enough. You're going to do that all by yourself, sitting all alone in your big house, day in, day out. And I don't want that to happen to you.
GILES
That won't happen, I promise.
JENNY
You can say that now, but I know it will, and I think you do too. Weren't you releaved that you got to help out when Willow went all evil, and when somone had to collect all the girls. Rupert I know you, I know this is going to happen, that's why I'm here, to help you.
GILES
So what do you want me to do?
JENNY
I think you know.
GILES
I think I do too.
Giles walks out to the door opens and turns around.
GILES
Thank you.
And then leaves.
93 INT. MAIN HALL - DAY
ANGLE: GILES looking at the girls, appearantly, searching for someone, then he walks over to Kim, who sitting near the fountain apart from the group.
GILES
Kim?
ANGLE: KIM turns to see him, her face is teared. Giles sits down next to her.
GILES
How would you like to come to England with me?
ANGLE: She smiles through her tears, he smiles too.
PAN OUT: to see the whole hall, all the girls. There are a lot of people walking about.
Double Post (next time use the edit button!):
ACT VII
94 INT. KARAOKE ROOM - DAY
ANGLE: BUFFY and Lorne sitting on the couch, talking.
BUFFY
This reading, is it like reading my mind or memories?
LORNE
Neither, I read, oh how to explain, your feelings, your emotions, your mood.
BUFFY
My mood, but anybody could tell.
LORNE
You know people, always trying to cover up their true emotions, and that's what I look for.
BUFFY
Ok, so maybe you're rioght, but still. I do know my own feelings, what would I need you for?
LORNE
No you don't, sweety-pie. Often you think you do, but you don't. We have a tendecy of trying to hide our true feeling from ourselves. For various different reasons, sometimes, because we just don't like them or are ashamed of them. That's just the nature of people.
BUFFY
You think so?
LORNE
Why don't you give it a try? Pick a song and I'll read you.
Buffy walks over to the machine and searches for an appropriate song.
BUFFY
You sure?
LORNE
Yeah, go ahead, it's ok.
Buffy pushes a button and the song (Amy Studt - Just a Little Girl) begins to play, buffy sings along, during this the angle changes to see Buffy from different directions, also shows a few shots of LORNE.
LORNE
(stunned)
Wow, that was really ... something. I'm, sorry. I'm really overwhelmed. I haven't seen that much emotion in a long time.
BUFFY
(perky)
So, what did you get?
LORNE
All sorts of emotions, you're a very complicated girl, but some thing stood out most ... confidence, selfawareness and hapiness. You're really amazing.
Lorne stands up and walks over to the bar.
LORNE
So if you'll excuse me, I have to get a drink now, make sure I forget about this, or otherwise I'd never be able to properly read anyone else anymore.
Lorne pours a drink.
BUFFY
(blushes)
So have you ever read Angel.
LORNE
(bitter look on his face)
Yes, I have!
BUFFY
What did you read?
LORNE
Sorry, you're a very sweet girl, but I have a professional code, but I can tell you, his singing was aweful.
ANGEL (O.S.)
Hey, nobody can do Marrilow like Marrilow.
ANGLE: ANGEL standing in the door post.
LORNE
I'm sorry, Angelcakes, but you were the one, who picked him.
(aside to buffy)
I think our guy's a fan of Mannilow.
BUFFY
(laughing)
Really? Oh I gotta tell this.
ANGEL
To who?
BUFFY
(giggly)
Nobody special, just everybody I ever met.
Buffy leaves.
ANGEL
Thanks for that, Lorne!
95 INT. PARKING GARAGE - DAY
ANGLE: XANDER walking through it, to the Sunnydale High School bus, opens the hatch to the luggage department and drags a last bag out then he goes to the front and enters the bus, he sits down in the drivers seat, opens one of the cabinets in search of something.
ANGLE: ANYA standing at the open door, looking to Xander.
ANYA
Hey, busdriver? Where's this bus going?
XANDER
(looks up, amazed)
An !?!
ANYA
That's me. Dead and kicking.
Anya enters the bus.
ANYA
So how are you holding up?
XANDER
(startled)
I was doing fine, 'till you came along.
Anya slaps him in the face.
ANYA
I died and you were doing fine? I'm almost releaved we never got married.
XANDER
(sighs)
Almost?
ANYA
Yeah well, if I would have made it through I might have given you another chance. Instead Andrew got another chance.
XANDER
Why him?
ANYA
Because, he's weak, and you're strong. You can survive without me and he couldn't.
XANDER
I know it may have been the right thing, but it still hurts.
ANYA
I know too. Could you just do one thing for me?
XANDER
That is?
ANYA
Check up on him every now and again, make sure it was worth it.
XANDER
I will.
ANYA
And for now, there something else I want from Captain Xander.
XANDER
Which is?
ANYA
Didn't I ever tell you that I wanted to ride in a bus.
XANDER
That's it? You want to ride on a bus?
ANYA
No.
Anya steps forward to Xander and starts unbuttoning his shirt.
ANYA
I want to ride -in- a bus.
96 INT. MAIN HALL - DAY
ANGLE: FAITH sitting on a bench, watching the slayers. ANGEL sits down to her.
FAITH
Hey, if it isn't my favourite Barry Mannilow fan.
ANGEL
She told you?
FAITH
Hell yeah!
ANGEL
Ok, that's it, I have to kill her.
FAITH
Don't bother trying. I did, and she won.
ANGEL
So?
FAITH
Since, I'm the stronger one of us, you won't win either.
ANGEL
You? The stronger one? Don't make me laugh!
FAITH
You don't believe it? You and me! Right here, right now!
ANGEL
I'm sorry, I can't. Winning from you would make my day, it'd make me happy, too happy.
FAITH
That's the worse excuse, I've ever heard.
ANGEL
I know.
FAITH
So what's on your mind?
ANGEL
Nothing.
FAITH
You're such a bad liar. It's our prinicipal, isn't it?
ANGEL
Well now that you mention him.
Faith laughs.
FAITH
Fire away.
ANGEL
Is he really the one for you?
FAITH
Only time can tell.
ANGEL
But you think he might be.
FAITH
He's the only guy, who I wanted to have sex with twice, he's also the only guy, who ever refused to have sex with me.
ANGEL
Well I guess that's something.
FAITH
With me, it is! Do you think he's prettier then me?
Angel gives Faith a look. Faith laughs.
97 INT. DAWN'S ROOM - DAY
ANGLE: DAWN packing her bags. A person walking up behind her, the person lays her hand on Dawn's shoulder.
ANGLE: DAWN's face, first shocked, then she closes her eyes and smiles. She doesn't turn around.
DAWN
I thought you might stop by.
PAN OUT: to see Joyce's face over Dawn's shoulder.
JOYCE
So you're a psychic too now?
DAWN
No, I just used a little rhyme and reason. Ok, more reason than rhyme, but you get my point.
Dawn turns around and hugs Joyce.
DAWN
It's good to see you again mom, I've missed you.
JOYCE
I missed you too, Dawny.
They let go.
DAWN
Could you give me a hand?
They continue packing Dawn's bags.
JOYCE
You got my message?
DAWN
It was a bit scrambled last time, but I figured it out.
Joyce strokes Dawn's hair.
JOYCE
You understand why, right baby?
DAWN
Mom, I'm not a baby anymore. Yes, I understand, I wouldn't have wanted it any other way.
They stand up, the bags are packed.
JOYCE
I have to go again, I'm sorry, that it could only be be this short.
They hug. Dawn picks up her bags, then she walks to the door, but turns around.
DAWN
I know. When will I see you again?
JOYCE
Hopefully not, in, say, the next seventy years!
Dawn looks down, sad, then to Joyce again.
DAWN
I had a feeling you were going to say that.
JOYCE
You take care now?
DAWN
I will.
Dawn opens the door, and turns around once more.
DAWN
Till the day we meet again.
JOYCE
Till the day we meet again.
ANGLE: JOYCE standing in the light of the opened door, which slowly closes.
BLACK OUT
98 INT. MAIN HALL - DAY
ANGLE: All the girls, from the top.
PAN IN: on Willow, Kennedy and Vi, quarreling, ANDREW standing near by.
KENNEDY
He's just annoying.
VI
But he's trying to do the right thing.
KENNEDY
So are we and he'll surely get in our way.
WILLOW
She's got a point there.
ANGLE: DAWN joining the group.
DAWN
What's the matter?
VI
Andrew wants to come with, to Cleveland.
WILLOW
Which we think might not be the best of ideas.
KENNEDY
That's an understatement.
DAWN
I don't mind, as long as he promise to keep his Star Wars action figures home.
KENNEDY
They got destroyed.
DAWN
Good, then he has got my vote.
VI
Mine too.
KENNEDY
He hasn't got mine.
Dawn, Kennedy and Vi look at Willow.
99 INT. MAIN HALL - DAY (cont'd)
ANGLE: XANDER walks up to Andrew.
XANDER
What's the girl fight about?
ANDREW
Me.
XANDER
Come again?
ANDREW
I asked them wether I could come with the to Cleveland, they're still discussing it, but by the looks of it, I'm going to have to go to Tucker.
XANDER
Excuse me.
Xander walks up to Willow and whispers something in her ear. Then he walks back.
XANDER
Watch.
The girls come even closer together as Willow tells them something, eventually they all nod.
100 INT. MAIN HALL - DAY (cont'd)
ANGLE: WILLOW, DAWN, VI and KENNEDY walk towards XANDER and ANDREW.
WILLOW
(sighs)
You can come.
KENNEDY
There's a few buts though!
Willow gives Kennedy a look.
KENNEDY
(giggles)
What? No harm in trying!
LILAH (O.S.)
(calling out)
May I have your attention please?
101 INT. MAIN HALL - DAY (cont'd)
ANGLE: LILAH calling out. Everyboyd gathers in front of her, WESLEY by her side.
LILAH
(calling out)
Thank you! Ok, here's the deal! We've pulled a few strings so we've arranged seats for everybody on planes to everybody's hometown, or the airports nearest to your hometowns. We've also called your parents to pick you up, there's just one thing, we have to leave for the airport in ten minutes. So everybody get your stuff, the limo's are out front. So go everybody, except you Chao-Ann.
All the girls scatter over the place.
102 INT. MAIN HALL - DAY
ANGLE: Wesley walks toward Chao-Anm with a dictionary in his hand.
WESLEY
³àŠÂ¿Â¡Â´à‚ ³àŠà€à‡ à‡à’¸à“´à ´«à€àŒ à€à–´à™.
(subt. You have your grandmother's eyes.)
CHAO-ANN
³àŠÂ¸Â¦, ±à—·¯³ª ¶ó°à ³àŠÂ´à‚ ¾à†Â´à‚°¡ ³ªà€à‡ à‡à’¸à“´à¸¦ °¨»çà‡à´à‚°¡?
(subt. Thank you, but how do you know my grandmother?)
Wesley looks in his dictionary.
WESLEY
¾îÂ¶Â»Â°à” Â¹à£à€Â» à€Â§à‡à˜ ´à™Â·Â®?
(subt. How much for the night?)
Chao-Ann slaps him in the face. He looks at her angry and hands over the ticket, then walks over to Giles and Lilah.
103 INT. MAIN HALL - DAY
ANGLE: GILES, LILAH and WESLEY watching over the hall as one by one more girls head over to the entrance.
LILAH
That went smooth.
Wesley feels his sore cheeck.
WESLEY
It's not that easy; the slightest change of intonation can change 'I love you' into 'how much for the night' and next to that, I'm not sure wether this dictionary is correct.
GILES
She probably got the message. She survived, so she seems to have managed to do everything we asked or perhaps she didn't and that's the reason she survived.
LILAH
What is?
GILES
She couldn't listen to what we said.
LILAH
Maybe she just pretended, we'll never know. But gentlemen, we need to get going, our limo is waiting.
Double Post (next time use the edit button!):
ACT VIII
104 INT. AIRPORT - NIGHT
ANGLE: Everybody in line to check in one by one. Kennedy is done first and she walks over to Fred.
KENNEDY
So, are you sad, that we're leaving?
FRED
What can I say, it was nice, but you can't stay forever!
KENNEDY
Bet, you wouldn't mind if we did. I have a question for you, it's very easy and I want you to be honest with me.
FRED
Ok sure, what is it?
KENNEDY
How long has it been? I mean did it start right the first second you saw her? or did it slowly evolve?
FRED
What? What are you talking about?
KENNEDY
Oh c'mon, I already know, I'm not mad, actually I feel kind of flattered.
FRED
About what?
Kennedy sees Willow has checked in.
KENNEDY
That you have a crush on the girl I'm dating.
Kennedy leaves Fred stunned and walks over to Willow.
105 INT. AIRPORT - NIGHT
ANGLE: Airport mall, not too crowded, all of a sudden girls start popping up, everywhere. ANGLE changes a few times, to give different shots of the girls shopping.
ANGLE: ANGEL and FAITH walking down an isle.
ANGEL
You know I almost feel like a real dad at his daughters wedding.
FAITH
How's that?
ANGEL
Walking down the isle with you, knowing I'm about to give you away to a stranger.
FAITH
Life's a bitch. Lucky for you, that he's a good guy.
ANGEL
I know, but that's with most guys.
FAITH
This one is special.
ANGEL
I bet a lot of daughters say that to their fathers.
FAITH
Chill, it's not a wedding ... yet.
Faith notices the look on Angel's face and laughs.
FAITH
C'mon, big guy, can't you be happy for once? No, wait, never mind, we don't want happy either.
ANGEL
I'm happy for you, not too happy, but still happy. You deserve a good guy.
FAITH
Thank you! You like chocolate ice creams? My treat!
Angel gives her a look, the Faith drags him to an ice cream stand.
PAN OUT: to see a lot of girls walking around, having fun aswell.
106 INT. AIRPORT - NIGHT
ANGLE: XANDER and ANDREW sitting on a bench.
XANDER
I got, a Hawaii shirt, sunglasses. And I was still looking for cool eye-patches, but I haven't found any here yet.
ANDREW
I have StarWars Episode 4,5 and 6 and 1 and 2 on DVD and I still want something to decorate my room with, have you seen any cool posters?
XANDER
Not exactly, depends on what you're looking for, I mean I saw a really cool poster on the other block, with pirates on it, you like pirates.
ANDREW
So does, it like really bother you much?
XANDER
(confused)
You think I like this?
ANDREW
No, but I mean, you joke about it, are you over it?
XANDER
There will probably be some advantages to this.
Andrew looks at Xander, surprised.
Then three blonde stewardesses walk to Xander and sits down next to him.
STEWARDESSE #1
Oh my god, is that real?
XANDER
Yeah, that's real.
STEWARDESSE #2
How did it get there?
XANDER
I used to work in the wildlife, I had to wrestle a gorilla once.
STEWARDESSE #1
Really, oh poor baby, that must have hurt.
XANDER
Yes it did, not everybody could handdle.
STEWARDESSE #3
Let us make sure that you get some proper care on your flight.
PAN OUT: To see the girls talking to Xander some more, who's obviously enjoying the moment.
107 INT. AIRPORT - NIGHT
ANGLE: BUFFY's face browsing through stuffed animals at a shop, she looks up facing Dawn.
BUFFY
Dawn? Hi, I didn't see you.
DAWN
So, stuffed animals, huh? Not really surprised!
BUFFY
All mine got destroyed, I need a new one.
DAWN
So have you seen any?
BUFFY
I like this one.
Buffy picks up a black panter and a pteranodondactyl, then she walks over to the counter and buys them. She walks back to Dawnb and hands over the pteranodondactyl.
BUFFY
Here, going away present.
DAWN
Aw, it's so cute!
They walk out of the store.
BUFFY
So this is it, again. Goodbye.
DAWN
Third one already, isn't it?
BUFFY
I lost track.
DAWN
But this time it's real!
They hug. Buffy starts to cry.
BUFFY
I'll miss you, Dawny.
DAWN
I'll miss you too, Buff, but you'll come to visit sometime, right?
BUFFY
Sure!
DAWN
Great, then dry your eyes now, there's a piece of good looking hunk walking this way, and he has layed his eyes on you I believe.
Buffy laughs through her tears. Then Dawn let's go, puts her thumbs up and then walks of.
108 INT. AIRPORT - NIGHT (cont'd)
ANGLE: BUFFY standing there, wiping of her face, as Angel walks toward her. He stands still right in front of her, he holds her hands.
ANGEL
(sighs)
So!
BUFFY
So?
ANGEL
So? What now?
BUFFY
I don't know, this is really akward.
ANGEL
I know.
BUFFY
Just hold me?
Angel holds her. Buffy, in his arms, closes her eyes.
BUFFY
They say a touch can say more then a thousands words. I would take back ever word I've ever said, if I could make this moment last.
ANGEL
If it works, let me do it, I'm older, I've said more, it'll last longer.
BUFFY
Maybe we both should just be quiet, and enjoy it while it lasts.
ANGLE: changes to see different shots of Angel and Buffy in each others arms, music 'Close your Eyes' playing.
109 INT. AIRPORT - NIGHT
ANGLE: DAWN with her stuffed pteranodondactyl, walking through an isle, looking at all the slayers shopping. XANDER joins her.
XANDER
So, this will be goodbye for us too.
Dawn doesn't speak.
XANDER
Are you jealous of them?
DAWN
On one hand yes and no on the other.
XANDER
Explain yourself!
DAWN
Well, offcourse they're all superstrong and supercool now. But they also have a responsibility now, I may be on the same side, but I don't have that responsibility, I'm free to quit anytime I want to, they can't.
XANDER
But you won't quit, will you?
DAWN
Not yet, then if I did I would be replaceable.
XANDER
So are they nowadays, we're equal, we couldn't survive without them, they can't survive without us. They provide us with protection and eyepatches.
Dawn laughs.
DAWN
And what do we provide them with?
XANDER
Friendship.
110 INT. AIRPORT - NIGHT
ANGLE: GILES, WESLEY and LILAH standing near the gates to the terminals. KIM standing 20 feet away. BUFFY walking toward her.
BUFFY
(angry)
Word has it, that you stole my watcher.
KIM
(nervous)
Euh, I ... I didn't mean to.
BUFFY
(angry)
But you did!
KIM
(scared)
I'm sorry.
BUFFY
Now the moral question is, should I hold up this masquerade and continue pretending to be mad, to see you squirl some more or should I just let it go and tell you that I was just kidding. This is a though one, because it's fun, but for this once I'll just put my hand over my heart.
Kim sighs.
BUFFY
Really got you there, huh?
KIM
Yeah, you did, so you don't mind that he's my watcher now?
BUFFY
No, he thaught me every he could, there's still much for me to learn, but I've got to learn teacht it to myself. And I think that you, my young apprentice, could do with some training.
KIM
I guess, I hope that one day I could be as good as you. Do you think Giles could teach me the same things he thaught you?
BUFFY
And more. You can be just as good as me, but it'll take you seven years, and a whole lot of blood, sweat and tears. And offcourse, there's a few other things that you'll need, unfortunatly, you need to acquire most of them yourself, but there's a one more thing I can help you with.
KIM
Which is?
Buffy searches her handbag for some thing, then grabs her stake and hands it over to Kim, who looks surprised.
KIM
Your stake, but isn't that like-
BUFFY
One of the Slayers most personal processions? Yes it is, but I have a scythe now. So you can take care of mr Pointy for me.
KIM
(laughing)
Mr. Pointy?
BUFFY
That's his name. Be sure to pollish it ever day!
KIM
(laughing)
I will!
Kim shuts up and looks at Buffy, who is staring to someone out of the camera-sight.
BUFFY
(shocked)
Good, I have to go now.
Buffy walks off.
111 INT. AIRPORT - NIGHT (cont'd)
ANGLE: BUFFY walking to a guy at an donut and cookie stand, he's looking down.
guy
What can I get you?
Then he looks up, he looks exactly like Spike.
BUFFY
You-you're ... Spike.
The guy points at his name tag, which says JET.
JET
Nope, sorry, name's Jet. What can I get you?
BUFFY
But, you have his scar.
Buffy touched the scar on his eyebrow.
JET
Yeah, well, long story how I got that one.
BUFFY
I know with the Chinese one.
JET
Bloody hell, how do you know that? I didn't even know she was Chinese, I just knew she was an Asian. She was good, but a little to freaky for me, she bit me, a bit too hard.
BUFFY
What?
JET
I though you knew the story, when her and I slept, she liked to bite me. To each his own.
BUFFY
No, she didn't!
JET
Bloody hell, she did!
BUFFY
You even has the same accent.
JET
I'm sorry, you've lost me here, maybe you mistaken me, or you're confusing my name with someone else.
BUFFY
Oh my god, I'm sorry. I'm sooo sorry.
JET
It's ok, I have one of those faces.
Buffy gives him a look.
JET
Ok, so maybe not. You want one? a bag of cookies for on the flight?
BUFFY
Sorry, I've spend all my cash already.
JET
It's on the house.
BUFFY
Thanks!
Jet gives her the cookies.
JET
I think you should better get to your friends, they're waiting for you.
Buffy looks over her shoulder to see that everybody has already gathered.
BUFFY
Thanks again and goodbye.
JET
Farewell!
Buffy walks off. Then Jet turns around, facing some guy in a uniform that goes with the colors of the stand.
cookie guy
Who are you? and what are you doing behind my stand?
112 INT. AIRPORT - NIGHT
ANGLE: Everybody assembled near the gates to the terminals.
LILAH
So now that everybody has his or her ticket, Buffy has a few words to say.
Buffy takes place in front of the group. She sighs.
BUFFY
Ok, speech, I used to be good with them, but right now, I'm a bit blank. So much has happened the last 48 hours, the last few weeks, the last few months and for some of us in fact even the last seven years. And now it's over, goes beyond my comprehension, but that aside, I do know and feel, that we've done extremely well. We've beat evil, not for good, I know, so there's still work left for you. But we saved the world, what better way for you to start your Slayer resumée? We won this battle, not to get cocky, but we rocked!
All the girls cheer!
Unfortunatly, it didn't go to well for everyone of us. We didn't all survive, let's not forget, those who died.
ANGLE (sequentially) on WILLOW, WOOD, ANDREW, GILES, XANDER, DAWN and then back on BUFFY.
But let's not forget how and why they died! They died giving their life for the safeness of this world, the world we live in, they gave their life in a battle against evil, so in their honour, let's continue, that battle. And from now, not only one of us can do that, but all of us can. So let's go, spread over the world, and defend every piece of land and see from evil. We all have a journey to go on, not only by plane, but also a spiritual one, and I wanna wish everyone good fortune on it.
Everyone applaudes.
BUFFY
And one more thing. You think you know? What you are? What's to come? You haven't even begun.
BLACK OUT
113 INT. AIRPORT - NIGHT
ANGLE: Everybody walking down the hall to their own terminal. BUFFY, GILES, WILLOW and XANDER walk together.
WILLOW
I liked your speech!
BUFFY
You did? Phew, I didn't really know what to say.
XANDER
Yeah, I liked it too.
GILES
I think I could have done better.
BUFFY
Xander, smack him on the head for me, please!
WILLOW
Hey huys here's my plane.
GILES
Oh right, almost forget, mine's on the other side. And yours?
XANDER
A little further.
BUFFY
So, this is it, six and a half year have we lasted.
WILLOW
And now we go our own ways.
XANDER
Sometimes, I wish I could turn back time, so we could still be in high school.
WILLOW
I might know a spell for that.
GILES
I don't. Well I don't know about the spell, I'd have to look it up, but I don't want to go back,
WILLOW
What?
GILES
Don't misunderstand me, it have been the best years of my life, and I will miss them. I will miss you guys even more. They were good times, but past times. We've changed as time changes, it would work again. That's just the way life is, we've learned so much over these years. We shouldn't let that go to waste, I will never forget it, nor will I forget you, but we've got to go on, new adventures will await us all.
They're all quiet.
BUFFY
You're right, let's not let it go to waste. And besides we'll see each other again some day.
GILES
So time for the hugs now, I take it?
WILLOW
Oh yeah!
Buffy, Giles, Xander and Willow hugs each other one by one, then they go off.
114 INT. PLANE - NIGHT
ANGLE: WOOD and FAITH in there seats. Faith holds on to Wood as the plane start moving.
WOOD
What's the matter?
FAITH
Nothing!
WOOD
(suspicious)
Have you ever flown before?
FAITH
Only across the room quite a few times.
WOOD
But never in a plane, right? I get it.
FAITH
No never, and you get what?
WOOD
You're afraid of flying!
FAITH
No I'm not!
WOOD
Yes, you are. You're shaking and holding on to me.
FAITH
What, can't a girl hang on to her guy.
WOOD
Yes, she can, specially when she's in a plane and afraid of flying.
FAITH
Ok, so maybe I am a little bit tense. Just hold me alright.
Wood puts his arm around her.
115 INT. PLANE - NIGHT
ANGLE: VI, WILLOW, KENNEDY (in that order) sitting there, ANDREW and DAWN sitting in row behind them, next to a sleeping guy.
ANDREW
I think the planes moving, exciting isn't it?
VI
I've only been on a plane once, on the way here. The view is spectaculair.
KENNEDY
It's nothing special, we had a personal het back at home. Have you ever flow.
WILLOW
Only in my darker days, but that was just my, never in a plane.
DAWN
I've never flown either, I think it's exciting too.
116 INT. PLANE - NIGHT
ANGLE: GILES and KIM.
GILES
Are you nervous?
KIM
No, not really.
GILES
Good
KIM
Could we please change seats?
GILES
Why?
KIM
So I can see the view?
Giles looks at her.
GILES
Sure!
Giles and Kim change seats.
KIM
Thanks, I want to see the view.
GILES
It's no problem, really.
Kim looks at the window as the planes starts moving. Giles looks at her.
GILES
...
Giles decides to be quiet. He just smiles.
117 INT. PLANE - NIGHT
ANGLE: XANDER and BUFFY. BUFFY has her face pressed against the window to see as much as possible.
XANDER
Yes, it's moving.
BUFFY
Ow, the airport looks pretty with all the lights.
XANDER
I don't know, there's some crazy girl pushing her nose against the window, so I can't see.
BUFFY
Sorry!
Buffy moves a bit, and Xander leans over to be able to press his face to the other half of the window.
XANDER
Could we maybe please change halfs of the window.
BUFFY
Why?
XANDER
Because now, only my eyepatch can look throught the window.
BUFFY
Sure.
They change.
BUFFY
Hey, that antenna there on the roof of the airport looks like a guy!
XANDER
You have the wildest imagination, you know that, right?
118 INT. AIRPORT - NIGHT
ANGLE: ANGEL, FRED, GUNN, LILAH, LORNE and WESLEY standing at a big glass window that looks out over the run way, we look to them through the window and we can see the reflection of the lights of the planes in it.
LILAH
And off they go.
GUNN
They were good people.
FRED
They thought I was gay
Everybody gives Fred a look, Lilah takes a step back.
LORNE
Some of them had great voices, but no Slayers they became, not singers.
WESLEY
You think we'll see them again someday?
ANGEL
When they're baked, when they're backed.
118 EXT. AIRPORT - NIGHT (cont'd)
ANGLE: Same as last.
CAMERA MOVES up, close to the window. Untill we reach the roof, then we turn left to see a man standing on top of it, on the edge we moves closer to see that it's Spike.
SPIKE
That's right, off you go then. Fullfilly your prophecy, girl! The dough finally on her way to becoming cookies. Too bad I can't be there when you do. Life's like high school, and I was in an higher grade, so I already had mine, now you're too will have your graduation day. But don't worry, it's not going to be anytime soon, love. You still have lot's of roaring years to come, trust me Slayer, I know. But then, you like that, don't you? Taking on vamps, battling demons, you even like the hurt of the wounds, the stench of the demons and the restless nights full of sorrow, because that is your gift and you'll take it wiht you to your grave, that's why you were and are and always will be the chosen one.
BLACK OUT.
END OF SHOW.
Double Post (next time use the edit button!):
So what did you think? Comments, questions and critisism needed!