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In the PopMatters interview Harry Groener says that season 3 finale was shot without a script
PM: As a professional actor working with Joss Whedon as a professional writer/director, what can you say you learned from Whedon while on the set of Buffy?
HG: I wish I could say I learned a lot. I don't know what I learned from [Whedon] specifically. What I learned about the business through him was interesting. He's so brilliant in his work"”in his writing, his mind, and his imagination. You think that everything in television is fairly controlled, and it is. Pretty much. Things don't go so crazy. Yet for the last two episodes [of the third season], we didn't have a script. We were given synopses at the end of the evening about what they were going to film the next day. But no words, no script, no anything. They just said, "Come on in, and when we have it, we'll give it to you."
PM: Sounds a little scary to me! [Both laugh.]
HG: Yes, I've always had a script. There's never been just a synopsis. You go to work, you get ready to work. What Joss was doing was actually writing it as we were traveling, getting there. And we'd wait. Finally, they'd say, "We have the first scene." You'd get the scene; then you'd go and rehearse it. They'd light it. And while they were lighting it or rehearsing it, Joss was over there in the corner on the set, literally over in the corner, writing the next scene. You think, Well, that I've never seen before. You're amazed that that can happen, especially now when you have a room full of people deciding on one little thing. That's fascinating. You learn more about the business and how the mechanism works. [Whedon] did behave like a director sometimes. He'd say, "Don't do the obvious. Go the other way, go the other way." That's something a director can always show you. No matter how old you are or how much experience you have, you can always fall into that trap [of doing the obvious]. It's always good to be reminded [not to do that].