Jeff Bell Goes to Adam Baldwin Cop Show

nerd4hire

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OK correct me if I'm wrong but didn't Jeffery Bell showrun the last season of Angel?

I know he went from Angel to work on Alias with Whedonverse alumn Drew Goddard. Alias is cancelled. Drew is going to Lost, and apparently Bell is going here...

DAY BREAK (ABC) - Victoria Pratt (Shalimar Fox on "Mutant X") is the latest addition to the drama pilot, about a cop (Taye Diggs) who's trying to stop the murder of a loved one while trying to find the person who framed him for murder. She joins the previously cast Adam Baldwin, Moon Bloodgood, Meta Golding and Ramon Rodriguez in the project, which Rob S. Bowman is directing from a script by creator Paul Zbyszewski. Also signing on is Jeffrey Bell ("Alias"), who will executive produce the Touchstone Television-based hour along with Matthew Gross and Zbyszewski.

Thefutoncritic.com
 
Huh. OK. This is sounding more interesting, if it's got sort of a "high concept". I guess it could even be sort of noir-like, if it's dealing with issues of memory and frame-ups...

Also an executive producer on "Angel" was Jeff Bell, who has just signed on to executive-produce Baldwin's ABC/Touchstone pilot "Day Break." A murder mystery with elements of "Groundhog Day" and "Memento," the drama stars Taye Diggs, whom Baldwin says is a friend of Jay Harrington, who co-starred on "The Inside."

http://www.mercurynews.com/mld/mercurynews/entertainment/gossip/14103662.htm
 
Yeah, I'm kind of looking forward to this one. I like the fact that all these quality Genre people seem to be getting involved. This suggests to me they're serious about the Genre aspects of the series.

It isn't like what we were talking about with The Unit, were CBS fires Amy Acker, because they don't want a Genre connection.
 
What works: The idea of having a show about the same day repeating over and over is a bold one, and I'm happy to say "Day Break" lives up to its ambition. The above summary doesn't do it justice - there's literally a half-dozen subplots introduced in the first 20 minutes alone, all or none of which could turn out to be related to his predicament. Plus the concept of him having lived through each "day" is pretty clever, meaning he can't do this ad nauseam and presumably if he dies, he's dead. It's also quite refreshing that the "mysterious figures in every sci-fi TV show/movie" are just as in the dark as he is about the day repeating, making the audience no more ahead of the plot than Hopper himself. As for Diggs, he's your typical tough guy lead - complete with witty comebacks like "you need a breath mint" - and carries the bulk of the show effortlessly. The real thrill of the show however is that you definitely get the sense something bigger is going on as various innocuous seeds are planted - like, why does a bearded man (Clayton Rohner) keep on staring down Hopper each "day?" - and each time you watch, you catch something new.

What doesn't: As one might expect from this type of show, you can smell the fumes from it starting to paint itself into a corner. While the pilot's three "days" are decidedly different, one wonders if by episode 17 seeing the same set of events transpire might get stale. There's also a lot of "wink, wink, did you catch that?" in terms of "random" events repeating - the Dodgers rally to win what appears to be a blowout, a news broadcast mentions a truck full of diapers overturned on the 405, etc. - to that point that hearing them every week could get annoying. Nevertheless, one can't help but have high hopes for this show - TV needs shows like this, whether they crash and burn or not. And the tweaks to the usual "time travel/repeating day" formula certainly gives you the sense you're not going to be disappointed with what's ahead.

The challenges ahead: Already on track to spell "Lost" on Wednesday nights in the winter, will viewers give "Day Break" a shot?

http://www.thefutoncritic.com/rant.aspx?id=20060710
 
It sounds cool to me...and since Lost will be off for 12 weeks I might as well try to enjoy it.
 
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