Spike: Asylum Writer Interview

Buffy Summers

Yataro
Staff member
Joined
Nov 20, 2001
Messages
35,079
Location
The City of Angels
Sineya
Not Fade Away - Part 1
Lowdown by Fletch Adams, posted August 31, 2006



You're a platinum blond vampire with a soul, living in the city of angels. What's a bloke to do for fun? In IDW's forthcoming 5-issue series, Spike: Asylum, writer Brian Lynch adds a new adventure to William the Bloody's time in LA. Last week Brian took some time to stop by and talk about the series (and, by the way, the part about the lap dances is at the end)"¦

BROKEN FRONTIER: As a cheap and easy warm up question - who is Brian Lynch?

BRIAN LYNCH: Oh man, who is Brian Lynch? That's a question that has plagued mankind since the beginning of me. I'm a 33 years old, blonde hair, fantastic sideburns, 6 foot 3 and a half.

BF: What or who inspired you to be a writer?

BL: Years of watching movies and TV shows and reading comics and wanting to try it myself. Everything from Woody Allen movies to Ghostbusters to Bloom County to David Letterman to Howard Stern has inspired how I write.

I wrote so much before I got an agent and manager that when I finally did sign with someone, I had five or so scripts that were ready to go out to studios. I just like to write, and it's very flattering that people want to read it.

BF: What have you written in the past?

BL: Past writing gig include writing jokes for the movies Scary Movie 3 (sorry) and Robots. I sold a couple of scripts to Warner Brothers, one an original kids' movie, the other a Looney Tunes script.

Sold a horror script to Artisan called Everybody's Dead. They made Blair Witch 2 instead. Who's laughing now, Artisan? WHO'S LAUGHING NOW? Oh, you are. Very good.

Currently working on a movie, and I just sold a TV show.

I got my break writing a Muppet Movie for fun, that Henson actually wound up buying, so that was neat. Haven't met Kermit yet, though. Damn.

Comics-wise, I wrote a story for Spider-Man Unlimited # 1, co-starring Slyde.

I have a comedy website, www.angrynakedpat.com that is the home to many fun comics, animated shorts, and short films. Through the site I have released a bunch of comic books available in your favorite comic book shoppe. They are titled Monkey Man Unleashed and Patchouli. You can see a bunch of comics starring these characters at my site. You should go. I'll wait.

...

See? Fantastic.

BF: I know you've perfected this answer already (as fans of the Buffy the Vampire Slayer magazine know) but for the un-initiated, just who is Spike?

BL: Spike is a character that started out on Buffy as a villain, but proved so popular they slowly made him a hero. He fell in love with Buffy, won back his soul to win her heart. She was all like, and this is a direct quote, "so what if you have a soul, I totally love Angel", but Spike, fool for love that he is, fought side by side with her until the end.

He seemingly died in the final episode of Buffy, but was resurrected on Angel, brought in as one of the main characters for the final year.

Basically, he's the perfect anti-hero. Started out as a completely evil character, slowly came to the side of good. He fights the good fight, but isn't a goody two-shoes like Angel. To awkwardly reduce it into comic terms, he's the Whedonverse's Wolverine.



BF: What challenges does he face in Spike: Asylum?

BL: The Asylum sells itself as a rehab center for anyone supernatural. They take in werewolves, vampires, demons, and try to curb their dark tendencies. Of course, the Asylum believes in tough love, so it's not all group therapy and arts n' crafts. It's actually more like a prison. Jam-packed with monsters.

Spike checks himself in to find a young half-demon girl that is trapped in the Asylum. When Spike enters the Asylum, he finds out that most of the patients there have either been hurt by him, or have heard horror stories about him. So Spike has to find this girl while fending off hundreds of monsters that want to dust him. That's just the first issue, things spiral way out of control from there.

BF: Where does Spike: Asylum fit in terms of the grand scheme of the Buffy-verse?

BL: Spike's at a point where he has his soul, and he's loose in Los Angeles, trying to be a hero. Problem is, he fought for a soul to win a girl's heart, and it didn't work, so now he's at a crossroads. He's been a ruthless killer forever, and now he's a champion, he's not sure what role that fits him best. The whole series deals with him trying to find his place in the world... while fighting tons of monsters, and making fun of anyone that crosses his path.

BF: What has impressed you most so far about Franco Urrus artwork?

BL: Franco's artwork is just perfect all around. No matter what is going on, Franco finds the most interesting way to visualize it. Since Spike is in a monster asylum, there are some scenes that feature literally hundreds of monsters, so Franco has to come up with a lot of different creatures on the fly, and each one is so great, you want to see a spin-off starring them. But even the scenes of Spike talking to someone in the back of a limo, with no big creatures or action beats, is drawn so moody and scary, it's just as interesting as the full-on action moments.

Very dark, violent stuff happens in this book, and Franco nails it each time. When something bad happens to a character, you feel it. But on the flip-side, the lighter, funnier moments are also done perfectly.

I'm very lucky to be working with him. He's a master of his craft, and I hope we can work together again.

Source: BrokenFrontier.com

Part 2:

Not Fade Away - Part 2
Lowdown by Fletch Adams, posted September 14, 2006

Broken Frontier - How did you get involved with this project?

Brian Lynch - Chris Ryall, editor-in-chief at IDW, used to run www.moviepoopshoot.com, where I had a strip called Monkey Man. We met because of that, but became good friends, and when IDW got the Angel license, I e-mailed him up and down and cyber-cried until he was like "fine, do you have any ideas for a five issue limited series starring Spike?"

Luckily, I did, I wrote a pitch detailing each of the issues' events, Fox approved it, and I started writing.

BF - What sort of reaction have you been getting from Buffy-verse fans on the book so far?

BL - They've been nothing but supportive. I get a lot of e-mails and myspace messages about the series, and all but maybe two were positive, most were ecstatic. People love these characters, and they're just happy to see them continue on in any medium.

And I truly believe the two e-mails I received that were not supportive were written by drunkards. When they sobered up the next day, I bet they felt really bad.

BF - Why do you think the Buffy-verse characters (and Spike, in particular) have been so enduring?

BL - Not to sound stupid, but it's a combination of everything being done very well. The writing, directing and acting on Buffy and Angel was top-notch.

Spike's been through so many changes that had to be handled just right, or it would come off as really silly and unbelievable. Psycho killer to full-on hero is a tough evolution to pull off, and it's a testament to everyone involved that it was done so well. And James Marsters (Spike) deserves a boatload of the credit. Everything they put him through, and never a false moment.

BF - What unique challenges have you found writing a licensed comic?

BL - Honestly, it's been smooth sailing. Fox has approved everything I've written without incident, except for two lines, and they were minor.

I've worked on established franchises before, and it's just a question of watching the previous works starring the characters and getting a feel for them. Plus, I love Whedon's characters so much and seen every episode of his show so many times that it was second nature to write an adventure that takes place in his world.

That said, I'm glad I wasn't working on the Muppets again while writing Spike: Asylum, because that might get confusing. We could have wound up with Spike disemboweling the Swedish Chef or Miss Piggy becoming a lesbian witch.

Actually, you know what? That would rule. I wanna see a Muppet/Spike crossover, STAT!

BF - Having done writing for various media, and as a fan of comics, what's your take on where the industry is today?

BL - I look forward to getting new comics every week. Marvel and DC have great stuff going right now, from anything Dan Slott writes to Superman and Batman, both of which are better than they've been in years.

Beyond the big two, there are amazing books like Scott Pilgram and The Walking Dead and The Great and Secret Show that are better than anything in movie theaters or on TV right now.

But seriously, damn DC for killing Blue Beetle, Booster Gold and Maxwell Lord. Three of their most interesting characters, gone. Damn damn damn.

Especially Blue Beetle. I mean, come on. Must be strong, I promised myself I wasn't going to cry...

BF - A quick fanboy question to wrap this up - favorite Buffy or Angel episode and why?

BL - That's a great question, but there's no way I could pick just one, so...

I love the episodes of Buffy leading up to and including the Graduation. The Mayor was a brilliant villain and the whole arc was really epic.

Also loved "Once More With Feeling," so original and unexpectedly awesome. The last story arc of Buffy ever, with all the potentials and the destruction of Sunnydale was amazing.

As for Angel, I loved the entire run of the series, but the arc involving Holtz and Angel's baby and Wesley's banishment/redemption is my favorite.

Close second is the impending birth/birth/domination of Jasmine. That was pretty sweet.

"Smile Time" was awesome and a great way to introduce people to the series if they've never seen it, for example, if someone's writing a Spike comic book and they want their girlfriend to watch the series so she knows what the hell he's so excited about, he should and did put this episode in and she'll be won over.

I love the last episode of Angel. It's triumphant and damn depressing at the same time.

And even though you didn't ask, my favorite episode of Cleopatra 2525 is the one where Cleo has to give a lap dance to free herself from some ropes. I don't remember what else happened in the episode, I just remember being very involved in the story for those two or three magical minutes.

Source: BrokenFrontier.com
 
Back
Top Bottom