Gum Gnome33
"Well, yeah..."
- Joined
- Jan 10, 2011
- Messages
- 1,148
So, I realize that this might be a really heavy idea for a thread. But I've been thinking lately about the strong parallels between the scene in which Angel drains Buffy's blood within an inch of her life, and the "attempted rape" scene in Seeing Red. I want to compare them side by side in order to consider whether they are analogous at all, (and how), and whether the reactions of the other characters seem consistent in each case. Please don't read on if the idea of discussing all of this does not appeal to you!
I don't want to turn this into an Angel vs Spike thread. Instead, I want to talk about something that's always bothered me-- that the scene between Spike and Buffy inspires so much controversy and indeed is a pivotal plot point aimed at getting Spike to make his transformation, while the scene between Angel and Buffy is barely discussed by comparison, albeit to acknowledge how "deeply sexual" it is.
First: the scene in season 3. Angel is dying. Buffy insists that he feed off of her, to save his life. There isn't any doubt that this is what she wants. Three convincing punches from her firsts and she's been knocked to the ground and is near death, her former lover lying on top of her--taking what he needs from her, her life at stake. For a moment, neither is who they were just minutes ago; Buffy is unconscious and Angel is not much more than the demon who lives inside of him. He isn't Angel and he isn't Angelus; he's purely a monster, drinking a slayer's blood to save his life. There is a moment where it seems quite clear, (to me at least), that the young girl who'd asked her lover to save himself at her expense has had a change of heart. There is a look of pure anguish and we see her make a slight attempt to push him away, as she kicks out in front of her. We all know what happens next. Angel "snaps out of it," realizes what he's done, (sound familiar?), rushes her into the nearest emergency room and looks guilty enough to stake himself.
I haven't seen this scene compared to rape at all, in the fandom. Maybe I missed it, but I haven't. I don't know that I would do so, directly, but to me the parallels are obvious. A young girl thinks she is ready for something, her lover takes advantage of this and isn't deterred by her obvious discomfort and anguish later on. Was he in his right mind at the time? No. Did it take much to get him out of it? No. Would I call this rape, outright? Certainly not. It is Buffy's idea to begin with, and there are no frank and obvious protests on her part, (though it's clear to the audience that she is in pain). Are there parallels? Yes. What I find most abhorrent are the numerous declarations I've seen about how "deeply sexual" this scene is.
Anyway, all of this profound truth I'm talking about seems to go unnoticed by the other characters. In fact, it's only Xander who makes even one comment,(!), about the event at all. He says, "It's nice to know that when the chips are down, you'll feed off the girl who loves you." Poignant, and true. Because call it whatever you want but at the end of the day, something completely horrible has just happened to Buffy, at the hands of Angel, (again). Why does no one else seem to notice? To care? Is it because they are about to fight the mayor and have yet to figure out how to stop the coming apocalypse? Perhaps. Is it because their friend is unconscious in a nearby room? Maybe. I buy that. But later? Not a peep? Not even from Giles? Let me take a moment to step aside and wipe off my glasses in puzzlement.
Fast forward three years. Spike is a vampire in love with a slayer. He's had a sexual relationship with her, which was not founded on romance or talks of "forever." But he loves her, nonetheless. She says he doesn't love him. He thinks it might have something to do with the fact that he's just slept with her friend. He apologizes for that. She doesn't seem to be very moved. So he tries to make her "feel" the way she did when they were intimate, again. He initiates sex against her wishes. In the beginning, it isn't all that different from the encounters they'd had before, (namely in "Gone" and "Smashed," in which she initiated). A few moments later it's clear that this time, it's different. She doesn't want to continue. But Spike presses on, desperately trying to get back the connection they had, in the only way he knows how. She successfully throws him off of her, and stands horrified in front of her--truly amazed at what he's done. He runs away, and realizes what he must do...
As we all know, this scene is referred to as "attempted rape." On the boards, I call it the "AR" as well, for the sake of argument. But I believe this phrase is inappropriate, as it doesn't represent what happened. Saying that Spike attempted to rape Buffy implies that he intended to, from the beginning; that it was his goal, all along. In fact, his goal was to apologize to her and, shortly thereafter, to have sex with her again as they had many times before. I think of this scene as a "possible, would-be" rape. What I mean is that in spite of the fact that Spike didn't intend to rape Buffy, that is potentially what he would have done had she not thrown him off of her. Yes, the act didn't appear to be all that different than their previous encounters but the difference is that this time she'd said "no." Continuing might have lead to rape. And if he were actually successful, this would have been rape, regardless of initial intent. But, (and this is really important), the fact that Spike doesn't make any further attempts to complete the act after he is thrown off and realizes that indeed, this time is different, serves as further proof that this is not an "attempt" at rape. It is a near rape by circumstance, which is stopped short and whose perpetrator makes clear that he hadn't wanted it to happen that way. I mean, one could just as easily call the scene between Angel and Buffy "attempted murder." But I wouldn't.
What about the reactions? Xander threatens to go after him. This time, he wants more than to point out what was done to Buffy. Buffy herself implies in "Beneath You" that he'd have been successful is she hadn't stopped him. She doesn't acknowledge that, yes, she stopped him initially but he stopped himself after that. As for Giles and Willow? We don't know for sure if they ever find out. But the former certainly has no qualms about having Spike killed a few episodes later. This is the man, of course, who said nothing to Angel after he'd sucked his slayer dry, a year after killing his own girlfriend.
Now what about the parallels between these two scenes? I tend to see quite a few more than the scoobies apparently do. And that bothers me. A lot. Because something major happened in each instance, and only one is ever addressed.
Vampire loves slayer. Vampire selfishly takes something he needs from the slayer. The first does it because he was asked to, (or one could argue that he was "forced" to, but--three punches? Jury's still out on that). The second does it because, initially, it is meant to recreate the same encounter they'd had many times before--when he was, in fact, on the other side as a willing participant. Ultimately, (lame 3 punch excuse aside), I see these both as understandable reasons for the initiation of each act, respectively. The first is not slowed down by the anguish-filled screams and other various noises coming from the slayer, (arguably, he is not himself). The second is not slowed down by the slayer's obvious protests. Both, when able to "snap out of it," are immediately terrified and repulsed by what they've done. One goes off to wallow, (after helping the slayer avert an apocalypse), and the other changes his composition for the slayer's benefit. Both vampires have taken something from the woman they love. The first has directly endangered her life, and the second has at the very least taken away her trust.
Now of course there are some very poignant differences between these two scenes. In the first, Buffy is unable to stop Angel--clearly she is too weak though she does try to kick at one point. But, more to the point, it's also probable that she is too conflicted to make any further effort--she's clearly terrified and in pain but ultimately wants this for Angel as it will save his life. In the second scene, any initial conflict or delay seems to come from the fact that Buffy wants to believe that Spike will stop on his own, (my personal take), and the obvious fact that what Spike is doing to Buffy is not for the sake of his survival.
It boils down for me like this: Spike wanted, in the beginning, what they'd had before. He initiated in the same way Buffy had with him, on more than one occasion. Angel started out innocently as well. He refused to bite Buffy. When he finally did, it was merely a survival instinct that had kicked in, on behalf of his darkest side. One was soulless and arguably not in complete control of his inner demon, (or his "id," one could say). The other was acting in spite of his soul, and in that moment chose his life over hers. For me, those are the biggest differences.
Anyway, I believe it's important to consider why the two scenes don't receive similar reactions, on the show or in the fan-verse. Why isn't Buffy horrified when she realizes that Angel can so easily be convinced to bring her within an inch of her life? Though she's relieved that he's alive, doesn't a part of her resent him for this? What about the rest of us? Don't we feel that if we can react to the bathroom scene with horror and disgust, that we can feel similarly about the scene in Graduation Day?
So how do you all feel about this? What's your personal take on the similarities/differences between these two scenes? Did the characters react consistently? Fairly? Do you think it's crazy to even compare them at all? If so, why??
I don't want to turn this into an Angel vs Spike thread. Instead, I want to talk about something that's always bothered me-- that the scene between Spike and Buffy inspires so much controversy and indeed is a pivotal plot point aimed at getting Spike to make his transformation, while the scene between Angel and Buffy is barely discussed by comparison, albeit to acknowledge how "deeply sexual" it is.
First: the scene in season 3. Angel is dying. Buffy insists that he feed off of her, to save his life. There isn't any doubt that this is what she wants. Three convincing punches from her firsts and she's been knocked to the ground and is near death, her former lover lying on top of her--taking what he needs from her, her life at stake. For a moment, neither is who they were just minutes ago; Buffy is unconscious and Angel is not much more than the demon who lives inside of him. He isn't Angel and he isn't Angelus; he's purely a monster, drinking a slayer's blood to save his life. There is a moment where it seems quite clear, (to me at least), that the young girl who'd asked her lover to save himself at her expense has had a change of heart. There is a look of pure anguish and we see her make a slight attempt to push him away, as she kicks out in front of her. We all know what happens next. Angel "snaps out of it," realizes what he's done, (sound familiar?), rushes her into the nearest emergency room and looks guilty enough to stake himself.
I haven't seen this scene compared to rape at all, in the fandom. Maybe I missed it, but I haven't. I don't know that I would do so, directly, but to me the parallels are obvious. A young girl thinks she is ready for something, her lover takes advantage of this and isn't deterred by her obvious discomfort and anguish later on. Was he in his right mind at the time? No. Did it take much to get him out of it? No. Would I call this rape, outright? Certainly not. It is Buffy's idea to begin with, and there are no frank and obvious protests on her part, (though it's clear to the audience that she is in pain). Are there parallels? Yes. What I find most abhorrent are the numerous declarations I've seen about how "deeply sexual" this scene is.
Anyway, all of this profound truth I'm talking about seems to go unnoticed by the other characters. In fact, it's only Xander who makes even one comment,(!), about the event at all. He says, "It's nice to know that when the chips are down, you'll feed off the girl who loves you." Poignant, and true. Because call it whatever you want but at the end of the day, something completely horrible has just happened to Buffy, at the hands of Angel, (again). Why does no one else seem to notice? To care? Is it because they are about to fight the mayor and have yet to figure out how to stop the coming apocalypse? Perhaps. Is it because their friend is unconscious in a nearby room? Maybe. I buy that. But later? Not a peep? Not even from Giles? Let me take a moment to step aside and wipe off my glasses in puzzlement.
Fast forward three years. Spike is a vampire in love with a slayer. He's had a sexual relationship with her, which was not founded on romance or talks of "forever." But he loves her, nonetheless. She says he doesn't love him. He thinks it might have something to do with the fact that he's just slept with her friend. He apologizes for that. She doesn't seem to be very moved. So he tries to make her "feel" the way she did when they were intimate, again. He initiates sex against her wishes. In the beginning, it isn't all that different from the encounters they'd had before, (namely in "Gone" and "Smashed," in which she initiated). A few moments later it's clear that this time, it's different. She doesn't want to continue. But Spike presses on, desperately trying to get back the connection they had, in the only way he knows how. She successfully throws him off of her, and stands horrified in front of her--truly amazed at what he's done. He runs away, and realizes what he must do...
As we all know, this scene is referred to as "attempted rape." On the boards, I call it the "AR" as well, for the sake of argument. But I believe this phrase is inappropriate, as it doesn't represent what happened. Saying that Spike attempted to rape Buffy implies that he intended to, from the beginning; that it was his goal, all along. In fact, his goal was to apologize to her and, shortly thereafter, to have sex with her again as they had many times before. I think of this scene as a "possible, would-be" rape. What I mean is that in spite of the fact that Spike didn't intend to rape Buffy, that is potentially what he would have done had she not thrown him off of her. Yes, the act didn't appear to be all that different than their previous encounters but the difference is that this time she'd said "no." Continuing might have lead to rape. And if he were actually successful, this would have been rape, regardless of initial intent. But, (and this is really important), the fact that Spike doesn't make any further attempts to complete the act after he is thrown off and realizes that indeed, this time is different, serves as further proof that this is not an "attempt" at rape. It is a near rape by circumstance, which is stopped short and whose perpetrator makes clear that he hadn't wanted it to happen that way. I mean, one could just as easily call the scene between Angel and Buffy "attempted murder." But I wouldn't.
What about the reactions? Xander threatens to go after him. This time, he wants more than to point out what was done to Buffy. Buffy herself implies in "Beneath You" that he'd have been successful is she hadn't stopped him. She doesn't acknowledge that, yes, she stopped him initially but he stopped himself after that. As for Giles and Willow? We don't know for sure if they ever find out. But the former certainly has no qualms about having Spike killed a few episodes later. This is the man, of course, who said nothing to Angel after he'd sucked his slayer dry, a year after killing his own girlfriend.
Now what about the parallels between these two scenes? I tend to see quite a few more than the scoobies apparently do. And that bothers me. A lot. Because something major happened in each instance, and only one is ever addressed.
Vampire loves slayer. Vampire selfishly takes something he needs from the slayer. The first does it because he was asked to, (or one could argue that he was "forced" to, but--three punches? Jury's still out on that). The second does it because, initially, it is meant to recreate the same encounter they'd had many times before--when he was, in fact, on the other side as a willing participant. Ultimately, (lame 3 punch excuse aside), I see these both as understandable reasons for the initiation of each act, respectively. The first is not slowed down by the anguish-filled screams and other various noises coming from the slayer, (arguably, he is not himself). The second is not slowed down by the slayer's obvious protests. Both, when able to "snap out of it," are immediately terrified and repulsed by what they've done. One goes off to wallow, (after helping the slayer avert an apocalypse), and the other changes his composition for the slayer's benefit. Both vampires have taken something from the woman they love. The first has directly endangered her life, and the second has at the very least taken away her trust.
Now of course there are some very poignant differences between these two scenes. In the first, Buffy is unable to stop Angel--clearly she is too weak though she does try to kick at one point. But, more to the point, it's also probable that she is too conflicted to make any further effort--she's clearly terrified and in pain but ultimately wants this for Angel as it will save his life. In the second scene, any initial conflict or delay seems to come from the fact that Buffy wants to believe that Spike will stop on his own, (my personal take), and the obvious fact that what Spike is doing to Buffy is not for the sake of his survival.
It boils down for me like this: Spike wanted, in the beginning, what they'd had before. He initiated in the same way Buffy had with him, on more than one occasion. Angel started out innocently as well. He refused to bite Buffy. When he finally did, it was merely a survival instinct that had kicked in, on behalf of his darkest side. One was soulless and arguably not in complete control of his inner demon, (or his "id," one could say). The other was acting in spite of his soul, and in that moment chose his life over hers. For me, those are the biggest differences.
Anyway, I believe it's important to consider why the two scenes don't receive similar reactions, on the show or in the fan-verse. Why isn't Buffy horrified when she realizes that Angel can so easily be convinced to bring her within an inch of her life? Though she's relieved that he's alive, doesn't a part of her resent him for this? What about the rest of us? Don't we feel that if we can react to the bathroom scene with horror and disgust, that we can feel similarly about the scene in Graduation Day?
So how do you all feel about this? What's your personal take on the similarities/differences between these two scenes? Did the characters react consistently? Fairly? Do you think it's crazy to even compare them at all? If so, why??