What do you think of the episode "Amends"?

Robb Stark

King in the North
Joined
May 30, 2012
Messages
2,588
Location
Tempe
Sineya
I've heard a certain fan of Faith on these boards saying there are some serious flaws to this episode, and I'm curious as to what they are. Personally, this is one of my favorites. It marks a massive character moment for Angel, one that serves as the message and inspiration for his entire spinoff. The speech Buffy gives to him is one of the best moments they have that season. For me, I really enjoy all the intimate Buffy/Angel moments, and this was one of the best.

Some of the issues I've heard that people have with it is that it completes Angel's arc on BTVS and as a result there's no need to have him there any further. While it is true that's Angel's biggest character arc, he's still in a relationship with Buffy by that point (or close enough to make no matter) and the entire season has been teasing about whether they will or won't get back together. This episode finishes the Angelus arc pretty definitively, but it hasn't wrapped up Angel and Buffy (that happens, mostly, in "The Prom").

Plus, there are other terrific aspects of the episode. I thought it was one of the strongest Buffy/Faith episodes of the season, there's a terrific character moment for Xander where he offers to help Angel in any way he can (pretty much putting to rest the tension between him and Buffy over it), the first Angel/Giles interaction in ages is one of Giles' best moments of the series (or at least I think so), and I liked the visions Angel goes through a lot, where we really get to learn more about him. And the dreams Buffy and Angel have together are, aside from working well character wise, pretty hot 😀.

The only area I would have liked differently is if The First's plan for Angel was outlined a bit more clearly. I thought it was pretty hazy.
 
Whenever I hear about peoples problems with Amends its usually pace, and its a bit too sentimental and cheesy.

As for myself, I like Amends alot. Inviting Faith over was pretty cool and nice, I liked how Angel was in this episode, yet if I could change a couple of things, I would change Angelus' gross hair and establish The First a bit more. Buffy line "okay I get it, you're evil'' cracks me up everytime. It's quite interesting that the episode is between The Wish and Gingerbread, two episodes that are quite dark, whereas this episode is quite romantic and slow

A tiny problem I have, as well with The First, is that it kind of ruined Ms Calendar. I can see why Amber Benson said no for Conversations With Dead People. I'd give the episode an 8/10.
 
R
Robb Stark
That line is pure awesome
I just finished watching this episode about 5 minutes ago as of starting to type this, so it's pretty fresh in my mind. I also read the shooting script so I knew where it came from, and it doesn't appear that they changed much of anything -- I didn't notice any significant changes, though I wasn't reading the script alongside the episode, which is how you really get to notice those things.

So, I'm sitting here, trying to get my head around the episode... well, that's not the way to say it, since it's not like there's something that I don't understand, outside of the amount of acclaim that the episode gets.

Let me put this thought out there, and see how everything else builds from here: I don't think that any of the ideas they used in the episode were bad, but I don't think that they all work together.

I've heard a certain fan of Faith on these boards

I would call you reductive, as I have more nuance than that, but... yeah, that is a pretty obvious and defining aspect of me. I seriously cannot talk about the show without things at least reminding me of Faith, so guilty as charged.

And one more thing before I really get going: I'm not trying to change anyone's mind about this episode. I don't want to, really. You have your own opinions about it, and I want you to continue to have your opinions. I'm just trying to explain my own.

It marks a massive character moment for Angel, one that serves as the message and inspiration for his entire spinoff. The speech Buffy gives to him is one of the best moments they have that season.

I'm not going to disagree that much over these points -- this is what starts Angel down his path for Angel (that sentence might be confusing save for the italics), and the speech Buffy gives him is a really good moment between them.

Some of the issues I've heard that people have with it is that it completes Angel's arc on BTVS and as a result there's no need to have him there any further. While it is true that's Angel's biggest character arc, he's still in a relationship with Buffy by that point (or close enough to make no matter) and the entire season has been teasing about whether they will or won't get back together. This episode finishes the Angelus arc pretty definitively, but it hasn't wrapped up Angel and Buffy (that happens, mostly, in "The Prom").

(I don't like The Prom either -- let's not get me started on that. Another episode ruined by the ending.)
I'm the one who said that Angel's arc in Buffy is over at this point. I don't see why it lasts that much longer after this episode, other than contractual obligation. The only times he does anything interesting from here on out is related to Faith, not Buffy, which I think says a lot about the evolution of the characters.

Sorry, staying on target... the continuation of Buffy and Angel's relationship beyond this point exists for... again, probably to give Angel something to do, counting down weeks until his own show starts. (Sorry if I sound like such a cynical, jaded bastard -- I kind of am.) This especially bugs me given the nature of the ending of the episode, which I'll talk about more in a bit...

Plus, there are other terrific aspects of the episode. I thought it was one of the strongest Buffy/Faith episodes of the season, there's a terrific character moment for Xander where he offers to help Angel in any way he can (pretty much putting to rest the tension between him and Buffy over it), the first Angel/Giles interaction in ages is one of Giles' best moments of the series (or at least I think so), and I liked the visions Angel goes through a lot, where we really get to learn more about him. And the dreams Buffy and Angel have together are, aside from working well character wise, pretty hot
(Token mention of how I never would've guessed the last part you said)
Even though I like Buffy and Faith's interactions in this episode, there's really so little of it. I mean, it's not all that much more than their interactions in Homecoming, which I find a lot more interesting than this (I know, I'm really weird). I'll give you the point about Xander -- he's definitely maturing by that point, and it just makes me think of his line in Revelations (I think) about "Angel's our friend -- except I don't like him". Between that and the interactions between Giles and Angel, you see how much Giles and Xander really care about Buffy, I think -- they're willing to help him for her, not so much about for Angel's sake (oh god, did I just open a can of worms? I might have...)

The visions worked well, and I'll talk more about those in a bit.

The only area I would have liked differently is if The First's plan for Angel was outlined a bit more clearly. I thought it was pretty hazy.
(That was a very short bit.)
Okay, completely going to disagree with you. I thought it was pretty straightforward. Use these dreams and visions to drive Angel to embrace Angelus, at which point he'll kill Buffy, and now we're back to one Slayer. I thought it was pretty clear that, even if I elaborated a bit, pretty much all of that was there.

Okay, on to [MENTION=12236]itssmiletime[/MENTION]

Whenever I hear about peoples problems with Amends its usually pace, and its a bit too sentimental and cheesy.

I will definitely agree about the sentimentality and cheese factor -- it's a little much. Probably has something to do with it being set on Christmas and being so... Christmassy. I mean, it's a thing. I'm trying to wrap my head around how to say this in a better way, but at least I'm getting some conversation going on the topic.

It's quite interesting that the episode is between The Wish and Gingerbread, two episodes that are quite dark, whereas this episode is quite romantic and slow

I find this statement quite odd. Not sure if it's because Amends gets quite dark even if it does have a good amount of cheesy sentiment (it goes all over the place in tone), and Gingerbread... just doesn't work at all, so even if it's supposed to be dark, it just doesn't work.

A tiny problem I have, as well with The First, is that it kind of ruined Ms Calendar.

How does it ruin her? I don't really understand that line of thinking.

Okay, now let me talk about my problem with the ending: the Deus ex Machina nature of the ending. That is not a bad thing in and of itself, but that kind of ending needs to work for theme. I don't feel like it works when taken in the context of the rest of the season. Angel is saved by The Powers That Be (I assume) so that he can be on their side in the future, for his role in the apocalypse, at which point he... sticks around in Sunnydale with Buffy, trying to keep their failing relationship going, even though he knows and Buffy has told him that he can do a lot more, that he has the power to hurt the First Evil. He doesn't even contribute that greatly to the fight against the Mayor, so it's not like he needed to be there for that, which I think could've easily been done by the writers, justifying his presence. Had they ended the episode differently, say by an actual action or decision by Buffy or Angel, they wouldn't have needed those thematic elements to work out and could've left the rest of the season as it currently is. So, really, I don't think the elements that they put in were bad ideas, I just think that they didn't necessarily all work together.

Does that answer any of your questions? If not, point out what doesn't make sense, and I'll try to make it make more sense.
 
"Amends" is, for me, one of the highlights of Season 3. It was a really huge moment for both Buffy and Angel, and their relationship which was on the rocks during the entire season. When she says "What about me?" as a response to his statement of "The whole world wants me gone.", my heart somewhat breaks. It's such a touching moment for the two of them
 
Okay, on to [MENTION=12236]itssmiletime[/MENTION]



I will definitely agree about the sentimentality and cheese factor -- it's a little much. Probably has something to do with it being set on Christmas and being so... Christmassy. I mean, it's a thing. I'm trying to wrap my head around how to say this in a better way, but at least I'm getting some conversation going on the topic.



I find this statement quite odd. Not sure if it's because Amends gets quite dark even if it does have a good amount of cheesy sentiment (it goes all over the place in tone), and Gingerbread... just doesn't work at all, so even if it's supposed to be dark, it just doesn't work.



How does it ruin her? I don't really understand that line of thinking.

Okay, now let me talk about my problem with the ending: the Deus ex Machina nature of the ending. That is not a bad thing in and of itself, but that kind of ending needs to work for theme. I don't feel like it works when taken in the context of the rest of the season. Angel is saved by The Powers That Be (I assume) so that he can be on their side in the future, for his role in the apocalypse, at which point he... sticks around in Sunnydale with Buffy, trying to keep their failing relationship going, even though he knows and Buffy has told him that he can do a lot more, that he has the power to hurt the First Evil. He doesn't even contribute that greatly to the fight against the Mayor, so it's not like he needed to be there for that, which I think could've easily been done by the writers, justifying his presence. Had they ended the episode differently, say by an actual action or decision by Buffy or Angel, they wouldn't have needed those thematic elements to work out and could've left the rest of the season as it currently is. So, really, I don't think the elements that they put in were bad ideas, I just think that they didn't necessarily all work together.

Does that answer any of your questions? If not, point out what doesn't make sense, and I'll try to make it make more sense.


I just found that Amends sticks out like a sore thumb in season 3. A good episode by itself. I mentioned The Wish and Gingerbread as to me, both a quintessential season 3, episodes: both explore characters, Sunnydale, and give us a bit more about the characters. That's also why I had an issue with The Prom also: a bit too much sentimental, gooey romance, when I kind of wanted to keep the season 3 arc keep moving. And neither won on the comedy front or the scary front, like other season 3 episodes such as The Wish, Gingerbread did. And when it comes to emotion- Consequences and Helpless reign because they so effectively explored characters without the sentimentality.

About Ms Calendar... I dunno, it just changed my perception of her, it just made her seem more... awkward in my mind. When Angel said to Giles ''can't you see her'', it was so awkward I kind of cringed. Amends used too much of her, I would have thought using Angel's sister would have been more effective (even if the backstory hadn't been established).

Anyway, hope my ramblings made some kind of sense. I do like Amends, the Faith/ Joyce moment I will always love, but the episode does, plot wise, does seem a bit off... too happy in its resolutions (Oz and Willow get back together).

I do definately agree with you about the ending though.
 
(I don't like The Prom either -- let's not get me started on that. Another episode ruined by the ending.)
I'm the one who said that Angel's arc in Buffy is over at this point. I don't see why it lasts that much longer after this episode, other than contractual obligation. The only times he does anything interesting from here on out is related to Faith, not Buffy, which I think says a lot about the evolution of the characters.

Sorry, staying on target... the continuation of Buffy and Angel's relationship beyond this point exists for... again, probably to give Angel something to do, counting down weeks until his own show starts. (Sorry if I sound like such a cynical, jaded bastard -- I kind of am.) This especially bugs me given the nature of the ending of the episode, which I'll talk about more in a bit...

I suppose this is just an opinion thing at the end of the day. While I liked Angel throughout S3, I kind of thought they needed to move on from the Angelus arc of S2, and this episode accomplished that. I don't think though that it completed the Buffy/Angel relationship. If anything I thought this signified them getting back together.


(Token mention of how I never would've guessed the last part you said)
Even though I like Buffy and Faith's interactions in this episode, there's really so little of it. I mean, it's not all that much more than their interactions in Homecoming, which I find a lot more interesting than this (I know, I'm really weird). I'll give you the point about Xander -- he's definitely maturing by that point, and it just makes me think of his line in Revelations (I think) about "Angel's our friend -- except I don't like him". Between that and the interactions between Giles and Angel, you see how much Giles and Xander really care about Buffy, I think -- they're willing to help him for her, not so much about for Angel's sake (oh god, did I just open a can of worms? I might have...)

Lol, yeah, I'm VERY okay with those scenes...

No, I agree with you on Giles and the crew doing what they did for Buffy. I think Giles is mature enough to realize the shades of grey that came with the Angel/Angelus scenario and he recognizes how much Angel means to Buffy, but for sure, it's for Buffy, not Angel.

I will definitely agree about the sentimentality and cheese factor -- it's a little much. Probably has something to do with it being set on Christmas and being so... Christmassy. I mean, it's a thing. I'm trying to wrap my head around how to say this in a better way, but at least I'm getting some conversation going on the topic.

Okay, now let me talk about my problem with the ending: the Deus ex Machina nature of the ending. That is not a bad thing in and of itself, but that kind of ending needs to work for theme. I don't feel like it works when taken in the context of the rest of the season. Angel is saved by The Powers That Be (I assume) so that he can be on their side in the future, for his role in the apocalypse, at which point he... sticks around in Sunnydale with Buffy, trying to keep their failing relationship going, even though he knows and Buffy has told him that he can do a lot more, that he has the power to hurt the First Evil. He doesn't even contribute that greatly to the fight against the Mayor, so it's not like he needed to be there for that, which I think could've easily been done by the writers, justifying his presence. Had they ended the episode differently, say by an actual action or decision by Buffy or Angel, they wouldn't have needed those thematic elements to work out and could've left the rest of the season as it currently is. So, really, I don't think the elements that they put in were bad ideas, I just think that they didn't necessarily all work together.

Does that answer any of your questions? If not, point out what doesn't make sense, and I'll try to make it make more sense.

Well, the the Christmas theme is a huge part of this episode. The major undertones of the episode are about finding personal peace and redemption with yourself. I'm about the most un-religious person you'll ever meet, but I can connect with a lot of that personally, so I'm sure that plays a part in why I like it so much. That's probably the heart of it, now that I'm reflecting on it a bit more.

Structurally, I understand what you're saying about Steven Spielberg ending, but for me, it worked. I'm trying to find a way to phrase this properly. I don't know if I've ever identified more with Angel than in this episode. There are times in life when things seem SO crushing and SO insurmountable that you feel like you can't deal with them. I don't want to go into detail, but I really, truly understood the character in the speech he has with Buffy. I always thought Angel was cool, but that was the "IT" moment for me.

And the ending with the snow? For me (this is really hard to explain in a way I'm hoping others will understand), there was a time where I wanted some sign from something, anything (not god. I hate the concept of god, but that's a another complicated mess), that it was worth it. That fighting, that keeping going, was worth it. That, combined with Buffy, kind of fulfilled that for me. It was a lot like the LOST ending. I know not everyone feels that way, and that's fine, but it gets me. The first time I saw it, in high school, I just like it for the romantic elements, but now, on the other side of of a lot of things, it hits home in a lot of ways. There are so many parts of Angel I identify with, and "Amends" represents putting things behind you, something I've never, ever been good at. The themes of Angel's show, which are directly coming from the speech Buffy gives him, are a big, big part of how I try and live my life, the "Let's go to work", "We live as though the world were as it should be" elements. And to me, that all stems from "Amends". Being totally honest, I can get pretty emotional with this one, and I have no shame in saying that.

As for the romantic parts, I understand if some people don't like them, but I've made no secret that I've always been a sucker for that kind of stuff when it involves characters I like and care for. I am aware that a big part of what turns some people off about the Buffy/Angel romance is that it gets sappy, but what can I say? I think it improves the show.

I deliberated with myself a little bit about this last part, but I kind of came to the conclusion that the personal train has already left the station on this post, so what the hell. I really like Buffy and Angel, and the emotional stuff between them in particular, because aside from loving the characters, there are echoes of me in there as well. I get passionate when it comes to my own love life, and I've had to leave a girl I really, really cared about, who was a bit younger than me, because of circumstances we couldn't control. Add in that I've always had a thing for Buffy, and I guess I just connect with it.

So there you have it, the reasoning behind Garth's Buffy/Angel appreciation, and why I dig "Amends" so much. Think I got deep now? Watch me take shots and get into "I will remember you", Jack and Kate from LOST and Robb Stark from Game of Thrones.

---------- Post added at 02:26 AM ---------- Previous post was at 02:16 AM ----------

Also, I've very aware that the reasons I've presented are purely subjective and personal, and that they aren't going to apply to everyone. I get that.
 
NeonNightLight
NeonNightLight
[No message]
One of my favorite episodes of BTVS. I love everything about Angel and how this is a huge part of his journey that will go on in LA. I like all scenes between Angel and Buffy (HOW COULD I NOT??), I just think it shows their hearts better than anything else. And it sums up where they are now. The fact that this leads to The Prom is not shocking and it does makes sense to me...even if you can't imagine it in this episode, the break is kinda inevitable. The walk at the end...has something so comforting and safe...no matter what, they're always gonna be there for each other.
 
S
Sweet J
took the words right out of my mouth, and said it better than I could ever.
I just watched it again the other night. I love everything about this episode. Of course the scene with Buffy & Angel on top of the hill is amazing & Sarah & David's acting is brilliant but I also love the scenes with Buffy & Faith and I love seeing Faith & Joyce together. Everyone was so happy for the most part & it's such a nostalgic episode for me. I also love Willow trying to seduce Oz, so funny & cute. I love the idea of it snowing for the first time in Sunnydale, proving that Angel really is meant to be back & does have a purpose. The snow in far away shots does look kinda fake but up close, you can't really tell. Just everything about this episode makes me want Christmas to come again & cuddle up in a warm blanket while it's snowing outside 😀
 
R
Robb Stark
You got the Barry working for you...
"Strong is fighting! It's hard, and it's painful, and it's every day. It's what we have to do. And we can do it together."

That line by Buffy was the sublime payoff for an otherwise unremarkable, perhaps mediocre, episode. That is, arguably, the core philosophy of the entire programme summed up very nicely.
 
Speaking of philosophy of the show, I found a great site that discusses it all at a very deep level. All pretty heavy!
http://www.atpobtvs.com/
http://www.atpobtvs.com/32.html#310

The snow was not evil! The snow was good. It was hope (joss, Dec 15 22:17 1998).

So, if we're going to take the big guy's word for it, the Powers that Be prevented Angel from killing himself by keeping the sunrise from coming, and are likely the ones who brought Angel back from hell.

It is less clear that Angel has a "calling" to do good in the same sense that Buffy does. He has struggled with exactly what his purpose is, or if he has one at all (see, for example, Lover's Walk). Sometimes he has come close to believing that only the forces of evil have a purpose in mind for him; this is the conclusion the the First Evil tried to convince him of in Amends. He knows the Powers that Be expect him to be a warrior for Good, and that he has a destiny of some sort, but the forces of evil also believe he may still be swayed to their side in the end. It could still go either way. Angel is constrained by his vampire nature (although now there is a cure for that--a cure he chose to reject). His human desire to do good pulls in the other direction. But what happens when Angel no longer believes that humanity can be saved and that he can be saved? For one who finds it not so easy to embrace evil, there are only everyday acts of compassion.

I'd think that the post-Amends Angel is more likely to believe in God than the pre-Amends one. ...In Amends, Buffy's argument that Angel's life was worth something didn't fly with him...it wasn't until some supernatural force intervened that he abandoned his suicidal intentions, leading me to believe that the atheism of Sartre and other existentialists wasn't really working for him (Mircalla, Jun 6 20:57 1999).
 
I like this episode a lot. Basically because this is were the First is first introduced (what a sentence lol).
 
also a favourite of mine!!!Season 3 really rocks with so many amazing episodes, like this one!!!
 
I find the concept of The First, sin itself in this episode to be brilliant and I enjoyed the Angel backstory; the gypsies casting the curse upon him and the introduction of Whistler who set the scene for Angel's series (These weren't in a different episode were they, oh that would be embarrassing).
Still Angel's purpose remains pretty unclear at this point as to begin with The First was giving him the opposite idea of where his series ends up going. To lose his soul again, kill Buffy and be what he is. By the end of the episode he's even more confused than ever. But remember the prophecy in his series which he'd stolen from Wolfram & Hart? It spoke of "The vampire with a soul", that he would stop the apocalypse and then be restored to human.

To set it at Christmas was cheesy and pretty much unnecessary, the only thing it really accomplished was that it showed a more innocent, vulnerable side of Faith. If that even had any significance.
The way the episode ended was a main concern, it wasn't clear what the snow was supposed to symbolize but the way I interpret it is possible a blend of two aspects; that Angel was not meant to die that way and tied in to the several references in the episode to Willow's family being Jewish. The Jewish equivalent of Christmas, Hanukkah celebrates the miracle of the impossible. A day's worth of oil somehow burned in the minora for eight. Born and raised in California I know that it can't snow in SoCal or most of the state for that matter. Possibly only an area or two in NorCal. All of this can actually be summed up into one word, hope.

it just made her seem more... awkward in my mind. When Angel said to Giles ''can't you see her'', it was so awkward I kind of cringed. Amends used too much of her, I would have thought using Angel's sister would have been more effective (even if the backstory hadn't been established).

Respectfully I disagree with this. First of all, you are aware that this was not actually Jenny Calendar? I think she was the most effective form for The First to take, the descendent of the one whom his curse begun with, his last victim. His sister would have been random. No one would have known who she was which would somewhat provide an interesting era of mystery but in this case I believe the lack of backstory takes away from what she could have brought to this role. The entire point of these hauntings was the significance of the victims presented; a young man about to marry, a mother, a relation to the ones who cursed him.

Michlings said:
(I don't like The Prom either -- let's not get me started on that. Another episode ruined by the ending.)

Well said. As a hopeless romantic and a Bangel fan, the end of that relationship was difficult to watch. Besides that which apart from being heartbreaking had good lead ups and lines the theme of the episode was meaningless. Call me inhuman but I never saw the significance of prom. Maybe it's because I am just not the fru-fru type which is also why I got nothing from Cordelia having absolutely no role in this episode but mooning over a dress. Though I see how it means a great deal to her particular brand of character.
 
I
itssmiletime
Yes I aware :) My opinions have kinda changed since I posted my comment.
My biggest problem: the bangs!

Gah worst bangs ever!!! Buffy's bangs ruin the entire episode for me. Maybe that's silly but its true. SMG looks like a 4 year old who tried to cut her own hair and ended up going nearly bald up front. Someone please fix her hair!
 
Bluebird
Bluebird
Bahaha! So true!
I loved this episode, and for me it was a brilliant illustration of joss's absurdist philosophy... even though it incorporated a Christmas miracle
 
I love this episode more for the Scooby interactions and info than the progression of the Buffy/Angel relationship. I love that we learn that Xander trusted Cordelia enough to tell her about his family problems - something he hadn't even told Willow - and that we learned that Xander sleeps outside on Christmas. I love that Buffy invited Faith upon her mother's request to her house. I love that Oz realized Willow wasn't ready to lose her virginity and reassured her that he was going to wait until she was ready. I loved that Giles and Xander tried to help Buffy save Angel despite their hatred of him just for Buffy. I also loved that Xander admitted he wasn't a good friend to Buffy when it came to Angel.
 
Hmm, I found the ending pretty cheesy. Especially as it was snow that stopped Angel's suicide attempt. Not Buffy's words, really - but snow. Not that I'm against cheese, but there's a time and a place and I don't think it fit here.

This episode actually reinforced how much of a Spuffy shipper I really am. The final scene with Buffy trying to convince Angel not to kill himself felt over dramatic and cliched to me. You could replace Buffy and Angel with any two overly passionate "star crossed" lovers and you'd get the same result. Spuffy is the opposite of all that, which is why I love it so much. Whiny!Angel isn't really my bag either. He's a lot better on his own show. No offence to any Bangel shippers out there.

I liked the concept of the First, like others have mentioned. The idea of a Big Bad, literally being all the evil and the hate in the world is a pretty cool idea and works well in this episode. Shame S7 doesn't follow through with this idea and develop it, but that's another story.

The highlights of this episode for me were the Scoobies. Willow and Oz's scenes were great, it was adorable watching them get back together and Willow's attempt to show Oz that she really is his. Comparing attitudes to sex on TV in 1999 to now..things really have changed. I just can't imagine this more conservative view of teenage sex and virginity being portrayed these days. But Oz turning Willow down and his reasons for it were cute. I think this is one of my favourite Oz moments.

Giles' bitterness towards Angel well portrayed and good to see, contrasted with his and Xander's willingness to help Buffy despite all this, this just intensified the love I have for the Scoobies this episode! 🙂
 
[MENTION=12359]Yosso[/MENTION],

That's cheesy, but Spike begging Buffy to kill him, attempting to claw his soul out of his chest and then collapsing in a Christ-like way over a massive cross isn't? Come on now.

Both Angel and Spike have plenty of those types of moments. Maybe it's because I enjoy them both, but I hardly think that Spike and Buffy were any less over the top than Angel and Buffy.
 
[MENTION=12359]Yosso[/MENTION],

That's cheesy, but Spike begging Buffy to kill him, attempting to claw his soul out of his chest and then collapsing in a Christ-like way over a massive cross isn't? Come on now.

Both Angel and Spike have plenty of those types of moments. Maybe it's because I enjoy them both, but I hardly think that Spike and Buffy were any less over the top than Angel and Buffy.

True, but there are more cheesy melodramatic Bangel moments compared to Spuffy.

The only other one I can think of that even remotely whiffs of cheese is Spike's "You make me feel like a man" line in "The Gift". With Bangel - off the top of my head, there's the "when you kiss me I want to die", their arguing in "I Will Always Remember You" and a lot more. Wesley and Cordelia's Bangel parody, to me, epitomises their relationship in my eyes. The whole tone of the relationship is melodrama. I much prefer the more muted Bangel moments, like their dance in "The Prom" and "You still my girl? Always." But their melodrama overshadowed these moments.

Spuffy, on the other hand, is all about how messy and dirty a relationship can be. How two people gradually grow together and grow to love one another, without it being depicted as though it was destined, or whatever. To me as a viewer, Spuffy was domestic and real and there were far fewer melodramatic moments. And when they occured they were more subtle and less over the top and in your face.
 
NeonNightLight
NeonNightLight
Not to make this a shipping war, but it seems like spuffy was thrown in the audience's face quite a lot. Especially Spike himself.
Sorry to all those who love this episode, but it comes across as Joss trying to write an episode of "Buffy the Vampire Slayer meets the Waltons", which is what I would be watching if I didn't gag over the melodrama. It does introduce The First and the Bringers who are prominent in Season 7. I like the scene where Willow is trying to seduce Oz and in true Whedonverse style, all romantic events crash and burn.

There isn't the same sense of melodrama with Spuffy, which is why I prefer it to Bangel.

I thought the most important point in retrospect is that Faith was sitll capable of responding to kindness, before she went over the edge. Overall, not a bad episode and it does move the overall plot forward a little, but not on my list of favourite episodes.
 
Y
Yosso
[No message]
Back
Top Bottom