IGNFF: Did it surprise you the reaction that the lack of widescreen for Buffy season four on DVD got here in the U.S.?
WHEDON: People were upset, right? I haven't seen the season four package ... it contains a disclaimer from me as to why it's not in widescreen, that I wrote. It's on it, it comes with it. It's not a widescreen show. We shot it in a TV ratio, and I am very, very specific with the way I frame things. To arbitrarily throw – and I love widescreen, but Buffy was never a widescreen show. It was an intimate, TV-shaped show. To arbitrarily throw wider borders on it, to make it more cinematic when I very specifically framed it. Think of "The Body" – the episode "The Body"...
IGNFF: Right, which I've seen in widescreen and full frame...
WHEDON: How could you have seen it in widescreen?
IGNFF: The U.K. sets are in widescreen.
WHEDON: Good. See, that is not the way I framed it. That's not the way it was meant to be seen, and therefore that's not the way I shot it. I'm preserving what I shot. The DVD is there to preserve what we made, for eternity. What we made, very specifically, was a certain shape. So I'm sure there'll be widescreen copies and there'll be arguments about what's better, but I'm not interested in – and I mean, I love widescreen. I'm a widescreen fanatic, when something's wide. When it's not, then I want to see it the way it was meant to be seen.
IGNFF: Were you not consulted for the U.K. sets?
WHEDON: No, I was not. Buffy was never widescreen. Angel is, Firefly was – and was not aired that way. That'll be nice, that it can be shown the way it was meant to be seen. For me, Buffy is a different animal.