nerd4hire
Certified Uncloneable
- Joined
- Nov 13, 2002
- Messages
- 9,102
Recently I was thumbing through an old magazine from the early 70s, and I saw this article where they were discussing whether or not the sexual revolution would produce any great women writers.
Looking past stuff like Jane Austen, the idea was that as the writing of women was becoming more accepted in the mainstream, they wouldn't have to battle their way into the all-boy network, and could show what they could really do.
This other guy was saying there will never be a female Shakespeare.
I remember an article from this Canadian Poet guy, who was writing in the same period. He made a statement something like "Women have babies. Men have ideas".
You could get away with statements like that back then. You can't now.
Here's a question I'm curious about though... Have those sexist claims made by the male chauvinist pigs of the late 60s and early 70s concerning the quality of male writing versus female been sufficiently disproven.
This may be subjective, but I have to admit, there was a time when I believed I could notice a difference between what I will call male writing, and female.
It seemed like male writing was usually more, what I'll call active. It could be seen in something like the rapid succession of unusual ideas with Vonnegut, or the economic and quicker deliverance of the action as with Hemingway.
To me women writers seemed more concerned with atmosphere than the average male writer.
Is that a good thing, or a bad thing, I don't know, but it did seem to be a thing, and really it shouldn't suprise, because apparently the male and female brain do operate in a physically different manner . There's that whole right to left brain thing.
There was a time when I used to believe I could watch a TV show and tell you which one was written by a man, which one by a woman.
I admit to something here. At the time, my general opinion was that male TV writing was better than female.
For one thing, it appeared to me female TV writers used to fall into that whole trap of cheaply denigrating the character to present something they seemed to think was clever, but really was pretty much cliched. They were big fans of embarrasment humour.
I could identify female writers with what I thought of at the time as pinpoint accuracy by looking for that kind of thing. Certainly male writers were doing the same thing, but with women writers it was more the boldness, repetiveness, and lack of fresh, that the bad ideas were presented.
My theory was proven wrong though, when I discovered Buffy the Vampire Slayer.
I couldn't pick a writer like Jane Espenson as a female writer with any kind of accuracy at all. I could get stuff like Superstar, or early Season 4 no problem, but then there was stuff like Earshot that I'd choose as male written and be proven wrong. I would have bet you money Storyteller was written by a guy, and would have lost.
Then there was Drew Z Greenberg. I would have lost a lot of money on him.
There was a time I was certain Drew Z Greenberg was female. The name didn't throw me, because, you know, Drew Barrymore. Then Drew Goddard turned up, and I had him pegged as a guy. So I had to look up the lesser Drew to attempt to prove to myself I could still pick the female from the male writers. I couldn't. Drew Z Greenberg is a guy.
So does this mean my whole theory there was a qualitive difference between male and female TV writers was incorrect, and lacked any merit whatsoever? I'm not sure. I think there may be another explanation.
It's possible that as women writers began to break into television writing in a big way they had to rely on abilities other than writing talent to get in. Stuff like schmoozing, or other forms of manipulation.
It's also possible they were dealing with certain expectations of the old boy's network that demanded certain behaviours. Executives seem to want hackneyed, cliched, broadly written stuff. Perhaps they were cracking the whip, and female writers had to make more concessions to the PTB of television than the average male writer did.
I do have to admit, I can no longer pick the male writers from the female on TV with the accuracy I once thought I could. To be honest, I can't lay claims to any kind of current accuracy at all. So what happened?
Do you think there's any such thing as male writing or female writing, or is there just writing? And if there is such a thing as a sexual style, is one better than the other?
Looking past stuff like Jane Austen, the idea was that as the writing of women was becoming more accepted in the mainstream, they wouldn't have to battle their way into the all-boy network, and could show what they could really do.
This other guy was saying there will never be a female Shakespeare.
I remember an article from this Canadian Poet guy, who was writing in the same period. He made a statement something like "Women have babies. Men have ideas".
You could get away with statements like that back then. You can't now.
Here's a question I'm curious about though... Have those sexist claims made by the male chauvinist pigs of the late 60s and early 70s concerning the quality of male writing versus female been sufficiently disproven.
This may be subjective, but I have to admit, there was a time when I believed I could notice a difference between what I will call male writing, and female.
It seemed like male writing was usually more, what I'll call active. It could be seen in something like the rapid succession of unusual ideas with Vonnegut, or the economic and quicker deliverance of the action as with Hemingway.
To me women writers seemed more concerned with atmosphere than the average male writer.
Is that a good thing, or a bad thing, I don't know, but it did seem to be a thing, and really it shouldn't suprise, because apparently the male and female brain do operate in a physically different manner . There's that whole right to left brain thing.
There was a time when I used to believe I could watch a TV show and tell you which one was written by a man, which one by a woman.
I admit to something here. At the time, my general opinion was that male TV writing was better than female.
For one thing, it appeared to me female TV writers used to fall into that whole trap of cheaply denigrating the character to present something they seemed to think was clever, but really was pretty much cliched. They were big fans of embarrasment humour.
I could identify female writers with what I thought of at the time as pinpoint accuracy by looking for that kind of thing. Certainly male writers were doing the same thing, but with women writers it was more the boldness, repetiveness, and lack of fresh, that the bad ideas were presented.
My theory was proven wrong though, when I discovered Buffy the Vampire Slayer.
I couldn't pick a writer like Jane Espenson as a female writer with any kind of accuracy at all. I could get stuff like Superstar, or early Season 4 no problem, but then there was stuff like Earshot that I'd choose as male written and be proven wrong. I would have bet you money Storyteller was written by a guy, and would have lost.
Then there was Drew Z Greenberg. I would have lost a lot of money on him.
There was a time I was certain Drew Z Greenberg was female. The name didn't throw me, because, you know, Drew Barrymore. Then Drew Goddard turned up, and I had him pegged as a guy. So I had to look up the lesser Drew to attempt to prove to myself I could still pick the female from the male writers. I couldn't. Drew Z Greenberg is a guy.
So does this mean my whole theory there was a qualitive difference between male and female TV writers was incorrect, and lacked any merit whatsoever? I'm not sure. I think there may be another explanation.
It's possible that as women writers began to break into television writing in a big way they had to rely on abilities other than writing talent to get in. Stuff like schmoozing, or other forms of manipulation.
It's also possible they were dealing with certain expectations of the old boy's network that demanded certain behaviours. Executives seem to want hackneyed, cliched, broadly written stuff. Perhaps they were cracking the whip, and female writers had to make more concessions to the PTB of television than the average male writer did.
I do have to admit, I can no longer pick the male writers from the female on TV with the accuracy I once thought I could. To be honest, I can't lay claims to any kind of current accuracy at all. So what happened?
Do you think there's any such thing as male writing or female writing, or is there just writing? And if there is such a thing as a sexual style, is one better than the other?