I'm not against it or something, but how could all of them have the romance subplots so interwoven with the character developments and storylines? Why must the protagonist's personal life so indistinguishable from work/fighting/doing interesting things?
The tv shows just follow the example of the comics.
For the longest time comics were just about superheroes punching badguys, giving inspirational speeches/messeges to the readers and writers giving them new and exciting powers week to week, but times change.
Slowly over the 'ages' from Silver to Bronze to Iron writers tried to inject more realism into the lives of these superheroes by giving them more fully rounded lives- dealing with 'real world' issues, inter-team conflicts and luuuvv stuff.
Part of that was giving them romantic subplots- either in the secret ID or romances within a team. For me that really started with Spideer-amn and The X-Men where you had a greater focus on personal arcs and love stories, but not at the expense of other plots going on.
I can't say I really mind it, as long as the balance is right and we get plenty of plot to go along with all that nice mushy stuff.
I think Netfix Daredevil and Jessica Jones gets the balance about right, there are all types of relationships there not just romance. Take JJ for example her childhood friendship with Patsy is way more interersting than her trist with Luke Cage. I'll admit that's rarer to see on television when the main character is female- if that happens romance is almost always prominent. (just like if a show has a male and female lead-partnership then they WILL be hooking up in the future no matter what- Bones, Castle, Blindspot, its so utterly played out I can see it a mile off in 'Limitless', luckily not in 'The Black List' though...)
Part of the reason I like Faith's character arc is that there's rarely any romantic element there which is pretty darn original. It seems like she doesn't need relationship drama in her life because there are other, more important things going on that matter more to her character. I hope that trend continues because its working for her (and contrasts nicely with Buffy's life now being dominated by nothing
but romance drama...).
Is (shipper bait)/(shipper argument provoking) a secret ingredient to lure audience? Is this a symptom of the lack of imagination throughout these three genres' writers? Or is it just a natural thing that I'm too judgmental with?
I honestly think its a little of all three. Romance can humanise a fiction character in a relatable way (to most people) and is a standard 'trope' that can be played with by any and all writers.
Also there is the ratings consideration. Having relationship drama- pretty people smooshing their faces together- pleases some no end. It's why soap operas are so damn popular- 'cause it ain't the storylines!