Exactly.Breaking Bad/The Wire and Babylon 5 all had 5 year plans and stuck to them and they were better for it
Exactly.
Fleabag is another. Two seasons, and done. Brilliant show, for anyone who hasn't watched it.
November - do yourself a favour and watch Breaking Bad, it is great. Haven't watched The Wire myself, but friends tell me it is quality T.V.
Haven't seen either myself, but heard Chernobyl was really good!I'd add Chernobyl and The Terror both with Jared Harris too
Both are brilliant and both I recommend to everyone hereHaven't seen either myself, but heard Chernobyl was really good!
Yep, I know all of this. My take was that Joss stopped running Buffy day to day like he did during its 5 first years in order to running it like he always ran Angel: with day to day showrunners and him overseeing plus with final say/veto (so Greenwalt, Minear, Bell, Fury and Noxon never had full autonomy). He still led the overall season arc, story arcs, some episode ideas and, at some point (because he didnt have the time), the story breaking plus rewrites (less than Buffy S4-5 and way less than 1-3) and notes. Espenson said that by those late seasons Joss often gave his notes like in a week.While not on set as much, he was still involved with the scripts and stories and there obvious weaknesses. Nothing got on screen without his say so.
Marti wanted Buffy/Spike to be a 1 and done. It was Joss who wanted the Invisible Buffy sex in Gone with the blow job joke "OK that's cheating"
It was Joss who put the balcony sex scene in Dead Things (Steve DeKnight confirmed this) it was Joss who redid the Church scene in Beneath You.
He did the Buffy part of the Conversations with Dead People story.
Joss did all of Nathan Fillions dialogue in Dirty Girls.
Joss Whedon was still involved and there's a load of his obvious writing weaknesses that show up.
Classic is him ignoring something in favour of the moment.
I'll use the Avengers as an example. In 1 scene Hulk is an out of control monster, the next he's not. Why ??? Reasons
Hell if you want a Buffy show example, simply listen to the Chosen DVD Commentary he even admits it regards how the Uber Vamps are dying really easily compared to the 1 previously.
Interesting thank you. What were peoples thoughts on some of the others who worked there such as Greenwalt and Noxon ?
I agree with you he should've stuck with his 5 year plan but let's be honest if UPN had come to one of us with a load of cash and guaranteed 2 years,we'd do it. So I can't blame him for taking the money even though 6 and 7 were bad TV
Greenwalt was seen as a decent guy. Hardass not asshole. Not the idea man Whedon was, but, hobbled by having to get Whedon approval for everything. Much better manager and boss.
Iv seen the Passion of the Nerd interview with Tim Minear. Its clear Minear didn't think much of him (basically calls him an arse kisser in not so many words).
Ie regards Noxon sleeping with Whedon. I believe her because all the affairs rumoured with such as Hannigan/Dushku/Acker/Glau etc are all good looking actresses. Basically he used his position of power to work out a high school nerd fantasy that he hadn't grown out of. A writer just doesn't fit the bill
Have not watched the interview. Sounds like i need to.
What i know is Greenwalt and Whedon had a rather mixed relationship. Greenwalt started as the Twentieth Century Fox provided adult supervision and they went from there.
By the time Minear was around, Greenwalt and Whedon were arguing alot about ATS. As a creator and showrunner, Greenwalt wanted to run the show. Whedon was not one to delegate.
Also, one of the reasons Greenwalt quit was Whedon took Minear to be be Firefly's Showrunner after promising not to. I am sure Minear wanted the big promotion sooner.
I agree. Many fans assumed he slept with some actress/actresses and a show like this (and then 2, an then 3) had tons of crew and extras.Re: Whom Joss Slept With; Here's the issue, Buffy had twenty or so extras, who were consistently hired to play highschool NPCs to give the show a degree of authenticity. Everyone of them wanted to break into acting, and had no leverage in the industry. If what Kai said is true, it's going to be one of those women, or some nameless PA or backstage employee that would have slept with Joss, not the named actresses we know.
What i know is Greenwalt and Whedon had a rather mixed relationship. Greenwalt started as the Twentieth Century Fox provided adult supervision and they went from there.
By the time Minear was around, Greenwalt and Whedon were arguing alot about ATS. As a creator and showrunner, Greenwalt wanted to run the show. Whedon was not one to delegate.
Also, one of the reasons Greenwalt quit was Whedon took Minear to be be Firefly's Showrunner after promising not to. I am sure Minear wanted the big promotion sooner.
I think Anya made a comment about it.As to how badly written season six was to end up with Dark Willow as the Big Bad, this is an interesting theory that I basically came across in a piece of fanfic, "Done" by Aragorn II Elessar.
The writers in season six regularly ignored seasons 1-5 in order to bludgeon their storylines into working. Reading "Done", it seems they also ignored season six to do so.
Consider.
After Warren Mears killed Tara, Willow went to the Magic Box to drain all the magic from the books to go on her rampage of revenge.
Rephrasing that to take season six into consideration.
After Warren Mears killed Tara, Willow went to a shop run by a newly re-empowered vengeance demon, one who specialised in granting wishes for women wronged by men. Wishes that had a proven ability to change the past, and said vengeance demon had recently tried to get Willow and Tara to ask for wishes, in the definite belief that she could grant them.
Could the entire end of the season, including "Seeing Red" and notable chunks of season seven, have been rewritten simply by not ignoring what had already been written a few episodes prior in that season and having Willow go "I wish..."?
"Good Rationship" is relative. Whedon & Greenwalt had all kinds of problems. Whedon wanted to bring his pure vision of Buffy to TV & Greenwalt wanted to bring the commercially successful version of Whedon's vision to TV. Greebwalt 'championed' making Angel a vampire with a soul so he could romance Buffy, and, by putting two of the most gorgeous peoe on tv at the time together, drive ratings way up. Whedon hated both ideas, and never forgot/forgave that 20th picked Greenwalt's vision over his. The massive financial success smoothed over a lot of the rough spots, but, a lot of their getting along was Hollywood acting for the employees & public.I guess they had a pretty good relationship during their 6 years working together: 3 side by side and 3 from upstairs (Buffy writers room) to downstairs (Angel writers room) or from Santa Monica (Buffy sets and all 3 writers room) to Paramount (Angel set). From Greenwalt's leaving until today, I have no idea.
"Good Rationship" is relative. Whedon & Greenwalt had all kinds of problems. Whedon wanted to bring his pure vision of Buffy to TV & Greenwalt wanted to bring the commercially successful version of Whedon's vision to TV. Greebwalt 'championed' making Angel a vampire with a soul so he could romance Buffy, and, by putting two of the most gorgeous peoe on tv at the time together, drive ratings way up. Whedon hated both ideas, and never forgot/forgave that 20th picked Greenwalt's vision over his. The massive financial success smoothed over a lot of the rough spots, but, a lot of their getting along was Hollywood acting for the employees & public.
ATS made their disputes worse. Greenwalt was an unsuccessful showrunner (Profitt lasted 5 eps) who wanted to prove himself. Whedon was a control freak. Greenwalt expected to be THE showrunner (I believe they used the term Chief Producer back then) for ATS while Whedon expected him to be a kind of super line producer. Then the whole Tim Minear & pay cut & Greewalt quit.
So, they got on, but, didn't. Both shows benefitted from the creative competition & suffered from the interpersonal disputes.
There were times it was quite adversarial & times it was not. It was less adversarial in the beginning & more adversarial in the end. They had to work together & tried to make it work. It helped that they were both making a lot of money.I dunno if it was as adversarial as you claimed. When the Sabrina writer said about making fun of her pregnancy in the Job interview, it seems both Whedon and Greenwalt did it.
Plus Tim Minear in his Passion of the Nerd interview basically has Greenwalt as a yes man arse kisser
Many years go, I would have said argued that no, and said that more episodes of Buffy is better than less episodes of Buffy... but now? I'd agree with you.Your thoughts?
I wasn't aware there was a group of fans demanding a love interest. No wonder S6 was looked upon as fanfic more than anything..
The phrase "Love Interest" was Network. It was referring to the extremely effective online campaign to bring Buffy & Spike together as a couple."Love Interest" sounds more like a Network demand than a fan demand. Making attractive people kiss was an important feature of early seasons, and, presumably, UPN wanted those type of ratings. I'm sure bona fide Spuffy shippers were a thing at that time, but that's not what season 6 seems like.