Why Angel or Spike

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That seems about right. So to swing this back round to somewhere near the topic, does it annoy you when Angel is rewarded for his bad actions rather than punished? For example he leaves everyone to a slow and painful death at the Hyperion Hotel, which I'd say is a bad thing. Yet a few years down the line he's rewarded for this with a cheap deal on the place? Then when he erases the memories of his closest friends he's rewarded with a CEO position, penthouse apartment and garage full of super cars.

Even when Angel isn't severely punished for some of his actions, he still has paid for a lot of them. Especially compared to characters like Spike and Willow, who are probably the most beloved characters in the fandom, because they are woobified so much that it tricks people into thinking they're redeemed,* and thus they avoid any severe consequences.

The CEO of Wolfram and Hart thing ended up with him giving up his son, and finding that the best solution to get out of the situation and prevent the Senior Partners from enacting their plan was signing away his reward and likely marching right into his death. Karma catches up to him, and he faces it .
I think people have an easier time forgiving Angel for his sins because being morally shady is the whole point to his character, and he operates in a more screwed up world. The Scoobies, on the other hand, supposedly embrace more idealistic methods that are more in line with Whedon's way of thinking, and yet they pile up quite the body count and face absolutely no consequences or express any guilt (XANDER). One of the reasons Spike's redemption arc was a little better in AtS was because Angel's world rejected the naive "I feel really bad, so I'm totally redeemed" bullshit that BtVS spouts.

*Obviously, Willow is one of my favorite characters, so in her case I'm actually pissed off at this treatment because it robs her of a more interesting storyline.
 
I was being a little mischievous with my last post. I appreciate there was a bit more to it than Angel just picking up a bonus but I simply don't believe the verse shows everyone gets what they deserve. Good stuff happens to good and bad guys and bad stuff happens to good and bad guys.

I also don't really believe the overall redemption idea as well. I don't think vampires with souls need redeeming for soulless actions. I also don't think a character can just be redeemed after making up for a few mistakes. It'll be up to individual in the story how they view the character.
 
Take a breather guys!😱

@The Bronze thetopher was right the mind control was only intended for the parents which is the whole point of that story.

You guys might well be right but I don't think it's stated out right. I remember a mention of feeding off persecution and ignorance but nothing about a spell affecting parents only. I look forward to @thetopher reporting back his findings after his upcoming re-watch.
 
It does actually, but then I see the 'Have You Now Or Have You Even Been' as more of a foreshadowing of his coming schism from the group- the first discovery that Angel might not always have been a goody-goody- broody pants. 😉

But you could also see the whole Hyperion as simply people giving in to their worst instincts (I'm not convinced it was any sort of powerful mind control- just playing on peoples fears, if they were weak enough they gave in, but that's just me) and then getting what was coming to them,
Angel didn't do anything evil exactly, he did try to help them- then was betrayed, then failed to prevent something bad from happeningby just giving up.
It was a dark decision but I understood it, Angel's still a work in progress at this stage.

See - this is where I see a different standard. After more than half a century souled, Angel gets to be a "work in progress" whose actions as an unsouled demon are not held against him. Even as a souled demon, he walked out knowing that by doing that he was sentencing these people to a long, scary and painful death that he could prevent. But there were no consequences, not reparations, no mention really - just an interesting mystery to solve. In fact, I have been told that had that one women he tried to help not betrayed him he would have been a hero after that. No - he needed Buffy to become a hero. Yes, Whistler brought him to Buffy, but it was her light that inspired him. Angelus terrorized and killed (post coital), and tried to end the Earth. Because he had managed to awaken Acathla he had to go into Acathla's hell to save the earth. Buffy didn't do this to punish him - it was a direct consequence of the choice he made while unsouled. Keep in mind that I love Angel - he is half my OTP. I just don't like to see him whitewashed. Letting all those people die was one step in his journey - just like letting all the lawyers die was another step.

Spike also does something evil - though it does not include the deaths of men, women and children. He goes to get a soul. This isn't a simple sale, or running errands. He is burned, beaten, has mega-roaches invading his body inside and out, fights multiple demons, and finally is driven insane by getting his reward. But he is not give the grace of "being a work in progress" for going through that. Mostly, from what I see he is given "not nearly enough - doesn't count for anything" .He makes it back to Sunnydale, and spends weeks in the basement and during those weeks he is shown beating himself for "hurting the girl". He is taken by the First - cut and bled, beaten, tied up, drowned (never did get that one) and psychologically tormented for weeks. This is all dismissed as - no big deal. What I don't get is why, after only a few months being souled at best and after doing all of that in repentance, Spike is never given the escape hatch of being "a work in progress"? If all of this is not even worth noting, then I really can't see that anything would be seen as enough.

This is the double standard that drives me insane. Once again, Angel bases his whole life in Sunnydale on Buffy, and that is love. Spike gets his soul and dies because of Buffy, and that is Spike being selfish again. Huh?

Just FYI - karma is not about punishment - it's about learning. Life presents challenges. When you master them you get a whole new challenge. When you don't master them - you get the same challenge in a new and harsher form.
 
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Skanky Vamp
Skanky Vamp
because really, who doesn't like alittle postcoital killing and terrorizing.
There is a double standard in S7 about how Spike and Buffy are treated about their different behaviours and nobody seems to be able to give me an explanation as to why- so fine, in that instance Spike is given a get out clause, nobody brings up what he did to Buffy after that one episode. She is made to feel bad and his behaviour is forgotton- that's vile in and of itself seeing as we're talking about attempted rape but lets move on.


Spike goes from 'crazy, hurting himself' in a basement guy to 'swaggering former big bad' in a matter of months, which tells me he has an incredibly shallow understanding of all the evils he remembers commiting.

He also has a hazy understanding of what being reformed actually means- since that he straight facedly tells Faith in their first meeting that he 'reformed' way before she did. Refering to all his actions since mid-season S4 soulled Spike obviously doesn't care about all the evil things that 'he' did, even thouse from just one year ealier- such as trying to murder somebody when he thought his chip was no longer working, or the demon egg trafficking, or the rape attempt- all part of his reformation, according to soulled Spike.

By those standards he holds himself to then yes, I'd say that he's worse than Angel- he's not a 'work in progress, he's simply, to put it politely, a piece of work.
He's skipped a hundred years of self-analysis in a matter of months. Not really a deep thinker indeed.

And yet, even though he has the memories of murdering for well over a hundred years, and he has the memories of loving Buffy for two years, what informs his character more? What mattes to Spike most of all?
All that blood on his hands? Not likely, he's not like that dull-ass Angel, brooding and feeling the weight of his victims- what a poof!

Spike is a romantic. it's all about Buffy. He fought for his soul so that means he doesn't HAVE to care at all for what he has done.
(Except to Buffy herself of course, in the comics he seems genuinely upset about the way he did treat her during their realtionship. Everybody else? Not so much- this man's morality is so deeply cofused its almost pitiful)

This is why Spuffy does a disservice to Spike's character. Always has and always will, it greatly acclerates his characters 'coping process' so that 1) We don't have to trastically change Spike's 'cool' character in any meaningful way.
2) we can all get to the 'important' Spike/Buffy shipping.


So the way I see it the Spike/Angel comparison does come back to Buffy an awful lot, because away from Buffy Angel becomes more interesting and because of Spuffy Spike is (inadvenrtantly) portrayed as horribly unpleasent, petty, shallow, uncaring, sociopathic jerk.

For the record I used to like Spike, I liked seeing his development, his snarking and brawling, his journey, I wondered what he would become. Unfortunately I did not ike what he turned into- at the end of the day that the difference in the comparison between Angel and Spike.

I look at Angel and see a man who struggles daily with his demon, who falls but always gets up. I see a man perhaps doomed by his own flaws. (Yes, Angel has plenty of flaws)
I look at Spike and really just see a mass of flaws trying to find a character, a purpose. That purpose still seems to be hanging around Buffy without any clue as to a purpose beyond her.

This is the double standard that drives me insane. Once again, Angel bases his whole life in Sunnydale on Buffy, and that is love. Spike gets his soul and dies because of Buffy, and that is Spike being selfish again. Huh?

You know what drives me insane? Being accused of saying things I have never actually said. 😡
I have never, ever said that Spike sacrificing himself for ALL OF SUNNYDALE (it intensely demeaning to say he just did it for Buffy- part of his growth is that he's giving his life, using his soul to save the world.) was selfish. That's a stupid thing to say, untrue and in this case inaccurate because I've never said it.

I may have said that, in a pinch, somebody else COULD have taken Spike's place with the amulet, but the sacrifice itself still would have been a noble, important one.

Btw- It amazes me how people who claim to be Spike fans boil it down to 'he did it for his girl'. Rubbish. He got his soul for her but he sacrificed himself for something more- otherwise he would've gone running back to Buffy as soon as he was recorporealised. He didn't, he had grown beyond the 'I'll be everything for the girl' fantasy that led him to put on the coat of somebody he'd murdered (he still wore it though, and complained bitterly when it was destroyed. But he got a replacement so, presumably, he could still attempt to relive those fond New York memories).

Just FYI - karma is not about punishment - it's about learning. Life presents challenges. When you master them you get a whole new challenge. When you don't master them - you get the same challenge in a new and harsher form.

I have no idea why this is directed at me, since my point in general was about the shows using the dramatic story-telling tool of people being seen to pay for their bad decisions. Sometimes it isn't used and that bothers me- especially when there are direct coralations with how different characters are treated.

I look at Faith, Wesley, Angel, hell even Buffy. And then I look at Anya, Willow, Andrew and Spike and sadly I don't see any parity there. 🙁
 
See - this is where I see a different standard. After more than half a century souled, Angel gets to be a "work in progress" whose actions as an unsouled demon are not held against him. Even as a souled demon, he walked out knowing that by doing that he was sentencing these people to a long, scary and painful death that he could prevent. But there were no consequences, not reparations, no mention really - just an interesting mystery to solve. In fact, I have been told that had that one women he tried to help not betrayed him he would have been a hero after that. No - he needed Buffy to become a hero. Yes, Whistler brought him to Buffy, but it was her light that inspired him. Angelus terrorized and killed (post coital), and tried to end the Earth. Because he had managed to awaken Acathla he had to go into Acathla's hell to save the earth. Buffy didn't do this to punish him - it was a direct consequence of the choice he made while unsouled. Keep in mind that I love Angel - he is half my OTP. I just don't like to see him whitewashed. Letting all those people die was one step in his journey - just like letting all the lawyers die was another step.

Spike also does something evil - though it does not include the deaths of men, women and children. He goes to get a soul. This isn't a simple sale, or running errands. He is burned, beaten, has mega-roaches invading his body inside and out, fights multiple demons, and finally is driven insane by getting his reward. But he is not give the grace of "being a work in progress" for going through that. Mostly, from what I see he is given "not nearly enough - doesn't count for anything" .He makes it back to Sunnydale, and spends weeks in the basement and during those weeks he is shown beating himself for "hurting the girl". He is taken by the First - cut and bled, beaten, tied up, drowned (never did get that one) and psychologically tormented for weeks. This is all dismissed as - no big deal. What I don't get is why, after only a few months being souled at best and after doing all of that in repentance, Spike is never given the escape hatch of being "a work in progress"? If all of this is not even worth noting, then I really can't see that anything would be seen as enough.

This is the double standard that drives me insane. Once again, Angel bases his whole life in Sunnydale on Buffy, and that is love. Spike gets his soul and dies because of Buffy, and that is Spike being selfish again. Huh?

Just FYI - karma is not about punishment - it's about learning. Life presents challenges. When you master them you get a whole new challenge. When you don't master them - you get the same challenge in a new and harsher form.

Angel being a "work in progress" is actually a fairly believable result of his story. A sadistic demon cursed with a conscience after a century of inflicting murder, rape and psychological torture has to deal with those issues, especially since he still has his innate demonic feeding urges and sadism creating conflicting desires with what his soul tells him is right or wrong. The fact that he stumbles and falls so many times makes the whole thing seem more authentic, dark and operatic. Angel is capable of great heroism and selflessness, but he can also be a coward and still has some sadistic urges, he just aims it at more deserving targets (as wrong as it was, the W&H lawyers totally had it coming). In short, he's actually interesting because he's such a mess.

Spike doesn't struggle. He becomes what his lady love needs him to be, and he hasn't had any relapses. His vampiric urges for human blood and hunting don't seem to be tempting him at all, and he isn't placed in many morally compromising situations where he has to make a tough choice. And yet, Whedon says he's the more "evolved" vampire and his fandom points to him being morally superior and special even before he gets a soul. The whole thing makes him seem like a fanfic Mary Sue who farts rainbows. It's easy to come out looking better when the writers are too afraid to go to any really dark places with him post-soul. Not to mention his triumphs make it seem that Angel's struggles seem pointless in comparison, and that's kind of insulting to those who are already invested in Angel's storyline. Or someone like Faith, who has more of an effective and believable redemption arc than Spike does, because she has temptations to fall back into her old ways.

There is the torture at the hands of the First, but that (like Willow being harmed by Gnarl) seems to be kind of gratuitous and manipulative in trying to get the audience to feel sorry for him in a half assed attempt at atonement. That, coupled with the copious amounts of misogyny present in his season 7 arc (both he and Buffy point to the abusive affair being all her fault, not his, and barely any mention is made of the rape attempt) just makes it seem like there is a lot of pandering in his favor. In comparison, Buffy's feelings in the aftermath of Angelus are given precedence, the show makes it clear that her tendency to blame herself for the situation isn't accurate or healthy, and Angel never once blames her but instead puts all the blame on himself and/or the curse.

About the Buffy/Sunnydale thing: yeah, Angel was all about Buffy while he was there, and then he left and forged relationships and had character arcs that had nothing to do with her. Spike was obsessed with her for three seasons on her show, "winning" Buffy (ugh) was a significant factor in his rivalry with Angel, and if you think the comics matter, he's back with her again and not doing anything else. Spike hasn't had an arc where Buffy hasn't in some way played a part, and it got old.
 
thetopher
thetopher
100% spot on analysis.
@Kana They are the only two vampires to have an intimate relationship with Buffy, they have a far more profound impact on Buffy and her development than any other intimate relationship she had (Riley), .

Yes, but they exist independently from their relationship with Buffy. I like Angel well enough on Btvs, but I grew to like him even more on his own show. I also enjoyed his development over 4 years before Spike joined Ats. Based upon this, I like Angel independently of how I feel about Spike and Buffy respectively.

they are the only two vampires in known lore (during tv) to have souls (these are not inconsequential things, they are central points for the show), even though the Shanshu prophecy competition was initiated by Lindsey the writers obviously wanted to put Angel and Spike at odds (again) and play with the audience's feelings about them against each other, make the audience ask themselves who they would prefer the Shanshu was about or who they thought it was for, etc. etc.

I'm not dismissing these things, I'm just saying that it's a disservice, in my opinion, to define the characters simply in terms of each other. Their relationship was a huge arc within the Buffyverse, I fully acknowledge that, but it's not the be all and end all as far as I' concerned.

On top of all of that they are two characters that stand in stark contrast from each other personality-wise and else. And the points where Angel and Spike are in opposition to each other have to do with some of the most important things about the show (e.g. relationship to Buffy...which from what I understand is still a lingering issue in the comics, etc.).

As I said, this discounts other important arcs for Angel. In fact it used to irritate me, when fans would almost ignore years of development for either character (ok, mainly Angel) and say it mostly comes to down to "Angel or Spike".

I definitely think that the show played them off and against each other to get the audience to think about those things. And they played them off each other in so many other contexts too (e.g. Spike and Angelus S2, etc.) that I think it became very natural for many people to see it as an either/or, even if strictly speaking it wasn't contextualized that way all of the time.

I addressed the Spike and Angelus arc in Season 2. It was enjoyable to watch, but personally, I wasn't really cheering either one of them on. In fact, at times, I perhaps empathized more with Spike, because his reaction to the situation was perhaps something to which I could relate more. However this was miles apart from how I felt about Angel on his own show.

I think you downplay and dismiss too quickly the points of contrast that Spike and Angel had in relief with each other.

I'm not trying to dismiss anything, I just don't think necessarily an "either/or" scenario is inevitable for all fans. For example I happened to like Angel more, but I don't care if he can beat Spike in a fight or whether or not Buffy loved him more etc, because there are other reasons why I connect with his character.

And just because they are not in shared-space conflict all of the time doesn't necessarily mean they were not intentionally meant to be considered that way anyway, at least in part.

I think this may be the main point. I certainly recognise rivalry between the two, but I'm responding to the OP by arguing we don't always have to 'pick' between the two. For example many Angel fans tend to argue his moral superiority to Spike, whereas I don't. I actually couldn't care if he's morally superior to Spike, as I tend to prefer anti-heroes anyway.

Angel's romance with Buffy was in S2 and 3 and Spike's was S5/S6/S7, so the competition didn't happen on-screen with shared time, but it was there anyway. Spike referred to Angel several times in jealosy during his conversations with Buffy at the time they were "doing it" and Angel clearly was put off by it when it came up several times...and from a large big picture perspective I felt that Spuffy S5/S6/S7 was meant to be considered against Bangel S2-3. To me at least it seems obvious, but it is interesting that many people don't think so. I really think the writers and Whedon meant for them to be considered against each other.

Because I was more interested in Angel's journey, I didn't really care about shipping. If anything, if Bangel were to happen on the televised series, then it would have meant the end of Ats and I certainly wasn't interested in that. I actually enjoyed both relationships and like how they were different for Buffy.

And just to repeat, I really like both Spike and Angel, for the most part.

Well we certainly agree on that! 🙂.

oh, and just because two characters get along (like Angel and Spike latter half of Angel S5) doesn't mean they are not placed in contrast with each other anyway. I can think of many books I like where two characters get along the whole time but they are still very much intended to be thought in contrast to each other and against one another.

It depends what you mean by "against each other". I recognise there are still issues of conflict (as there would be in many interesting relationships) but I also look at how they can compliment each other.

They might not be an either/or for many people anyway, but I definitely can see a strong argument that the creator of the show and the writers had it in mind from a big picture narrative perspective that the two characters would contrast each other dramatically, and they suceeded in my view.

I suppose I can see that, but I still feel as though when people place so much emphasis on their rivalry, it can sometimes discount the journey that both characters have gone through, independently of each other.

Which is why I think there is a greater tendency on the part of the fans to take sides, because the contrast kind of encourages it. It kind of does. 
sorry about the repetition. Phone posts, can't always read while I type quickly on the go.

All I can say is "Wow, good job!"
 
AnthonyCordova
AnthonyCordova
Good points. We have a different view of things obviously
Why does always seem like a choice has to be made between Spike or Angel?

I keep banging my head on the idea that you can only chose one or the other - Angel or Spike. But that's the message that keeps popping up here. If you say something nice about Spike, then you must be down on Angel. If you say something bad about Angel the you must be a Spike fan. If you say something nice about Angel, then you must be down on Spike If you say something bad about Spike the you must be a Angel fan fan.

I started as a rabid Spike fan - my first time through I was mesmerized by his arc and Marsters performance. So I sat down and rewatched the show trying to figure out how the hell that was done and taking copious notes.. (Not really creepy - I'm an author, so I do that when something really works for me. Market research.) I ended up still a Spike fan, but with a more realistic image of all the show, the characters, lessons and dynamics. I still love Spike - he's original. He has obnoxious down to an art form, and he doesn't care if you like him...except when he does. He likes to be underestimated - and he can screw up big time. He is weirdly honest at times and effectively manipulative in others. He is alert and savvy enough to be able to break the Scooby gang down in one afternoon. He's mercurial and he likes it that way - he's full of contradictions.

I also watched AtS twice - found that I loved it...and I had a new appreciation, affection - yeah, I fell for Angel. He's got those subtle and not so subtle mannerisms on the surface and he's wrestling against the darkness in himself so strongly below the surface. Yeah, he like to believe he's in charge, and he is the one in charge. He carries the heavy burdens, and each time he falters he gets back up. He wants to atone more than he wants redemption - he is in it for the right reasons. He's not only out there helping, at the start he's also learning how to live and work with humans - how to connect - a skill he has never needed. He's learning who he can be on his own. I love the moody, the angst, the wicked sense very dry humor, the mistakes, pain, strength. There's someone still young and unsure inside, and that's tough to play. Boreanaz really grew as actor - and I think it bears the best fruit during Angel.

Between them there's over a hundred years of knowing each other no matter how often or seldom they meet. There is Darla, and Dru, and a shared history. They're all relatives in the sense that they know each other much more deeply than anyone else can know them.

So it's never an either/or choice to to me. Saying Angel did something bad doesn't mean I am comparing him to Spike. nor does it make Spike better than Angel. It not an owie or a hero contest. I tend to support Spike here on the board since he's the one more often attacked, but defending him is not attacking Angel. When I talk about believing that the two are seldom judged by the same yardstick, I am not saying one is better than the other. I like their shiny spots and their warty spots.I do ship them together but I also love them apart. Bangels and Spuffies have some bad blood between them, yeah. But I don't see Buffy as a trophy and I don't care who or if she chooses. There are reasons to dislike actions and choices both of them make. So why does comparing the two seem like it always has to have a winner?
nice post and i agree, there's no need to attack one to show how great the other is. i like them both but i lean more Angel. Part of the problem is whom fans want Buffy to be with, but as an angel fan it really doesnt matter cus i see Angel storyline and life beyond any links to Buffy. Their relationship pretty much ended when she got her new buck in season 4, and angel stopped think about her. At most Angel and buffy's relationship is like friends with benefits, they were together, they broke up and moved on, and when they meet eachother from time to time, they might hook up till one of them leaves, (i know, angel cannot have sex with buffy, but you know what im saying).

Spike is a great character on his own right. He's not an Angel cloned, and yet he follows angel's footsteps. It would had been great to see him on his own show cus we know less of him than Angel. For me his best season was angel season 5 cus he seems more like himself, he's not there for Drusilla or BUffy but for himself. He and Angel made a great team especially when they went on missions together.
 
I'd just like to add a little something that really just confirms my Spike/Angel 'all about Buffy' theory.

Now that the Buffy comic is firmly Spuffy for the next arc or so somebody (a confimed Spike fan) immediately asked on the comic thread what Angel would think about Spike 'enjoying' some Buffy cookies, or words to that effect.
Because Spike's clearly won right? He got the prize, the 'prize' of course being Buffy.

When it comes down to it, it's 'war of the ships'. That simple. 🙁
 
I'd just like to add a little something that really just confirms my Spike/Angel 'all about Buffy' theory.

Now that the Buffy comic is firmly Spuffy for the next arc or so somebody (a confimed Spike fan) immediately asked on the comic thread what Angel would think about Spike 'enjoying' some Buffy cookies, or words to that effect.
Because Spike's clearly won right? He got the prize, the 'prize' of course being Buffy.

When it comes down to it, it's 'war of the ships'. That simple. 🙁

The ships - there are at least three in that triangle. Personally, I ship the two who are not Buffy. So it's really Bangels and Spuffies you are talking about. Fuffys, Cangels, Spesleys, and other ships with names that kinda sound like skin diseases, are not involved. (Oh crap, my spuffy is itching so hard and my bangel bleeds if I touch it. Anyone have a tube of that Killow cream?)

So some person in the Spuffy crowd made a cookie dough comment - it must be war. Or not. I do agree that this can be a very Bangel and Spuffy mechanic. There have been all sorts of Spike is a loser in the comics comments (which don't bother me since I don't read them). Now there's - nyah,nyah, Spuffy rules. I suspect this was mostly about the comics ( IDW or whoever) wanting to mine a new demographic. I tend to get more cynical with an ongoing concern so it just seems like another marketing ploy. 🙄
 
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Maybe the writers should take a hint from the old classic "Story Of Superman Red And Superman Blue," have Buffy permanently divided into two characters, then have each Buffy get her very own ensouled vampire, then they can all live happily ever after.
 
Maybe the writers should take a hint from the old classic "Story Of Superman Red And Superman Blue," have Buffy permanently divided into two characters, then have each Buffy get her very own ensouled vampire, then they can all live happily ever after.

Well, that's just gross. Why can't Buffy just make a choice and decide what she wants? Oh, right, shippers.
 
Well, that's just gross. Why can't Buffy just make a choice and decide what she wants? Oh, right, shippers.

What's so gross about it? It solves the problem, makes both groups of shippers happy, and might even be a viable end for the franchise. It worked great for Superman Red and Lois Lane, and also for Superman Blue and Lana Lang, pleasing two groups of shippers far older than the Spuffies and Bangels.
 
'Oh, hey look. Now both Angel and Spike have their very own Buffy. What a perfect end to the franchise!'

Seriously? 🙄
That's kinda...mising the whole point of the entire Buffyverse and turning it into another Twilight saga.
 
That's kinda...mising the whole point of the entire Buffyverse and turning it into another Twilight saga.
No, that would be anti-twilight.. in Twilight she chose one. So maybe she needs to pick one, have a daughter and then let the one she snubbed fall in love with her daughter. Now THAT would be Twilight. Now that I think about it Spike does have a little Oedipal complex. So Buffy needs to choose Angel, and Spike can fall in love with Buffy's daughter then once they are married Spike can call Buffy mum. I think he would like that. Spike can lament to his friends (wait, does he have any?) how his mother in law is a hottie and his father in law is the bane of his existence. It sounds like a wacky sitcom to me.
 
You guys are no fun whatsoever.

Of course, if it ever really happened, the two Buffys would fight over Spike, and the loser would have to settle for Angel.

(Now, that oughta stir up the coals and get this fire to blazin' again)
 
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