I agree with
zobothehobo and
Insane Mystic; Spike is an insanely complex character with many layers. He is both a lover
and a fighter, and has fulfilled different roles at different times in the series. In season 4, he's the antihero, and is clearly not supposed to be interpeted as actually dangerous, and the audience is intended to sympathize with him as he is basically harmless.
At his core, Spike is a romantic, a poet, and a lover. After he was turned, he invented the punk rock image in an attempt to destroy everything he disliked about himself, mainly his sentimental, effete mediocre poet (even Williams last name, "Pratt", suggests "prat" - British slang for idiot).The bad boy thing is just a smokescreen. In other words, Spike is a poser. Now, don't get me wrong, Spike
is dangerous, and clearly competent, but I think we'll all admit that the whole bad boy thing was always posturing.
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Spike's character has never worked that way for me. He's not the kind of character who you can just put a label on and walk away, because when you come back, he's something totally different. The dangerous predator one moment, the solicitous protector and defender of his loved ones the next. Spike, as he developed over the course of his 5 years on Buffy, was almost the classic example of the Japanese concept of Samurai, the cultured warrior, just as skillful with a pen, writing poetry as he is with a sword in combat. Just as caring and loyal a friend as he is a deadly warrior. He's a character with more facets than a diamond. (I didn't come up with that bit about the facets, Joss did, but I thought that it bore repeating)
Exactly. Well said. And worth noting is Joss' comment that out of all of his characters, Spike was the most developed.
As for the scene with Willow and Spike in the dorm room, it started out as terrifying, and ended up absolutely comical. Willow feeling inadequate because even the monster vampire wasn't interested in her, then him assuring her that he found her totally "bite-able." Then she assures him that, yes, she did find him frightening.
Yeees. That's my whole point. We're not supposed to believe that Willow is in any
real danger in this scene, and the whole sexual impotence/biting analogy makes that obvious.