Was Spike A Good Man?

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It's not about Angel vs. Spike, who did more evil, who deserves more punishment. It's not about what Angel did without a soul vs. what Spike did. It's about the fact that Spike sexually assaulted Buffy, leaving her battered, bruised and traumatised and then went a sought a soul to manipulate her back.

It's about the fact that Joss Whedon gave no thought to what sexual assault really means, to what the consequences are, to what victims of rape and sexual assault go through. It's about the fact that Joss ignored the gravity of what he had created and sent a gross and insulting message to sexual assault victims that you can easily forgive your attacker so long as he makes a huge gesture to show how sorry he is.

It's about the fact that no two characters with sexual assault in their history should ever be shown to have a loving, healthy relationship.

It's about the fact that I personally know what it's like to be sexually victimised, the fact that I have suffered through sexual assault, sexual manipulation, sexual abuse and rape at various stages of my life, starting when I was six-years-old.

It's about the fact that every time someone tries to excuse Spike for sexually assaulting Buffy, every time a fan tries to say how beautiful their relationship is, every time I watch Buffy sleep in the arms of the man who tried to rape her I feel like someone has spat in my face and told me that my experiences are insignificant. I will never forgive Joss for using something so gross and horrifying as a plot device with no thought to what he was writing.

I'm sorry to go all "Share Anything" here, but nothing makes my blood boil more than people asking me "Oh, but how do you feel about Angel's crimes and how Buffy forgave him?" because that has nothing to do with anything. Angel never sexually assaulted Buffy in his run as Angelus. If he had, I would be singing a different song.
 
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itssmiletime
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It's about the fact that every time someone tries to excuse Spike for sexually assaulting Buffy, every time a fan tries to say how beautiful their relationship is, every time I watch Buffy sleep in the arms of the man who tried to rape her I feel like someone has spat in my face and told me that my experiences are insignificant. I will never forgive Joss for using something so gross and horrifying as a plot device with no thought to what he was writing.

I am very, very sorry to hear what happened to you, and that watching those scenes evokes that reaction within you. Obviously I would never argue that what you feel is somehow insignificant or incorrect. And I am sorry that the show does that to you.


It's not about Angel vs. Spike, who did more evil, who deserves more punishment. It's not about what Angel did without a soul vs. what Spike did. It's about the fact that Spike sexually assaulted Buffy, leaving her battered, bruised and traumatised and then went a sought a soul to manipulate her back.

As I said, I don't bring it up to raise the question of who was worse. My point is: both return with souls, and both are forgiven. I understand the perspective that she should never have forgiven either one of them, or that they both should have left for good, though I don't agree with it, for the sake of the story. But the contradiction allowing for forgiveness to be warranted in one scenario and not in the other truly puzzles me. That's the only point I was trying to make.

but nothing makes my blood boil more than people asking me "Oh, but how do you feel about Angel's crimes and how Buffy forgave him?" because that has nothing to do with anything. Angel never sexually assaulted Buffy in his run as Angelus. If he had, I would be singing a different song.

Of course I never meant to offend you, and I hope you can consider that for the sake of having a productive discussion, I brought up what I believe to be a direct analogy as Angel tried to murder Buffy. Without the intent of offending anyone, I think it is perfectly logical to pose the question of "if you think X is ok, how do you think Y should have been handled." From my perspective, the argument is: what should a vampire do upon returning with a soul, considering he has, while soulless, tried to murder or sexually assault the woman he is now pursuing? That's all.

I hope you aren't truly upset that I asked you to consider such an analogy since I did so for the sake of establishing a productive discussion, and without the intent of triggering your anger. I won't divulge much here but what I can tell you is that I have struggled with both scenarios as well for personal reasons. And I would never expect you to not take issue with this character's forgiveness, just because I decided that I don't--for the same reason.

But most importantly, I wholeheartedly hope you will accept my apology for (unwittingly) upsetting you with my reasoning.
 
[MENTION=11014]Gum Gnome33[/MENTION] - Thank you for your kind words and please accept my apology for going off in the manner which I did. The Spuffy-Attempted-Rape is a very sore point with me and I do have a very bad habit of getting overzealous when it comes to discussions about it.

I understand where you are coming from and for me, it really all boils down to the attempted rape and how badly it was handled. If they had never chosen to go down that path, I would be fine with how everything unfolded in Season 7. I would never ship Spuffy - there is far too much abuse (both ways) in Season 6 for my liking - but given that it was mutual abuse untill the attmpted rape, I think Season 7 would have worked quite well to show the two characters reaching an understanding and forgiving each other for everything that happened in Season 6.

However, the attempted rape changes everything, as it turns Buffy into the victim. Once you have been victimised like that, there is no going back. Much like she cannot ever fully forgive and like Faith for victimising her, she should have shown Spike the same hostility - and that hostility never should have faded.

Again, I am sorry for flying off the handle. I really should stay away from such sensitive subjects.
 
My problem with Spike is not so much him and more the way he's written in Season 7. I absolutely loathe that they tried to redeem him for everything he put Buffy through in Season 6 (in particular the attempted rape)....
He calls her out for her treatment of him in Season 6, which, post the sexual assault, he had no right to do. Look, I believe that Spike became a good man. I believe that with a soul he would never sexually assault Buffy. But I also believe that he should not be anywhere near her after the way he violated her, and it horrifies me that fans can so easily overlook that violation.

I am editing this because I didn't read the posts after you posted the one I quoted here, and so I didn't know you had a personal experience that makes you feel so strongly. I'm really really sorry that you had something like that happen to you. Please know that my personal feelings about characters below have nothing to do with you, personally. This is just how I interpreted the situation between these two characters.

I do understand your hatred of the bathroom scene, and I found it extremely distasteful and horrific as well. Buffy did, however, treat him like absolute crap in Season 6. She used him. She was the sexual aggressor in most of their encounters. She repeatedly told him she was done only to come back and sleep with him time after time. Even in the scene on the balcony of the Bronze, when Spike initiates there, he tells her if she doesn't want it, she can stop him. She doesn't. Spike is well aware that Buffy is stronger than him and could stop him if she really didn't want it. The bathroom scene is unfortunate but I really don't think that he went in intending to rape her. I think that he was trying to be close to her again, and it got out of control. Buffy stopped him, he realized his mistake, and he left.

Don't forget that Buffy did go looking for him to take care of Dawn, AFTER this attempted rape, so it looks to me that she really didn't take it that hard, either. She understood it, and got over it. If she can forgive him, and it happened to her, then fans should be able to as well.

He only stuck around in Season 7 because a)The First was controlling him, and b)after that, Buffy asked him to stay.
 
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It's about the fact that Joss Whedon gave no thought to what sexual assault really means, to what the consequences are, to what victims of rape and sexual assault go through. It's about the fact that Joss ignored the gravity of what he had created and sent a gross and insulting message to sexual assault victims that you can easily forgive your attacker so long as he makes a huge gesture to show how sorry he is.

It's about the fact that every time someone tries to excuse Spike for sexually assaulting Buffy, every time a fan tries to say how beautiful their relationship is, every time I watch Buffy sleep in the arms of the man who tried to rape her I feel like someone has spat in my face and told me that my experiences are insignificant. I will never forgive Joss for using something so gross and horrifying as a plot device with no thought to what he was writing.

I think this is the heart of the issue. That the writers of the scene gave less than zero thought to how people would feel about it. They must have known where Spike's arc was heading when they wrote it. They must have known that the ultimate plan was Spike's redemption.

And I'm speaking as a Spike fan here. It annoys me, hell it angers me, that Joss Whedon could be so...arrogant. Regardless of the continuity of what is responsible for what a vampire does without a soul (and I'm very firmly in the camp that character wise, you can't hold Angel or Spike responsible for the acts they committed as vampires. We'd be rooting for serial killers if we did), you're bang on with this post. The message it sends is about as insulting as could be to people who have been through sexual assault, or who have had to watch a loved one go through it.

The fact of the matter is that it doesn't matter that storyline wise Spike the man shouldn't be held responsible. The fact is that the writers and producers showed a likable character try to rape Buffy and then be okay with it. It didn't help that everything about Spike's character beyond his morality, remained the same in S7. It wasn't the same, seeing it, as with Angel because the way Angelus acts is a complete 180 from what Angel says and does. Spike's humor, his interactions with everyone, they all remained virtually the same. That's not a fault of the character, it's a fault of the writing.

I've said this before, but it was a clear cut case of Joss Whedon thinking he's smarter than everyone, when all it really did was make him look like an ignorant jackass.
 
Spike's humor, his interactions with everyone, they all remained virtually the same. That's not a fault of the character, it's a fault of the writing.

Eh, I think that the blame lies with the fandom as well. Joss never made a secret of his opinion on soulless vampires. In every interview he ever gave he always managed to make it clear that a soulless demon can be 'affable and even likeable' but in the end of the day 'eats kittens'. Seeing Red was coming from the beginning of S5, and if the audience was not ready for it after Spike's behavior with Harmony, then with Buffy in Crush ( chaining to the wall), Intervention( Sexbot ), Dead Things (beating each other on the face bloody) and was still enamored with Spike's humor, his interactions with everyone - this was audience fault, not Joss'. He does tend to drive his messages home rather directly. Heck, what should be surprising and appalling is how many still defend the AR, presenting it as something that Buffy was responsible for herself - by engaging in rough foreplay beforehand. Especially how many do this - and honestly consider themselves to be hard-core feminists. This is the part that I find especially twisted.
 
I think it's about the genre. BtVS is quintessential tragedy, the characters are larger than life, and they make larger-than-life mistakes. If we apply real-life laws to them, they all should end up in jail. Including Buffy: in season 7 she gave shelter to Faith who escaped from prison.

That's what makes the characters truly fascinating - the scale of their personalities. The same aspect makes them very easy targets for criticism.
 
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OutForAWalk
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I do understand your hatred of the bathroom scene, and I found it extremely distasteful and horrific as well. Buffy did, however, treat him like absolute crap in Season 6. She used him. She was the sexual aggressor in most of their encounters. She repeatedly told him she was done only to come back and sleep with him time after time. Even in the scene on the balcony of the Bronze, when Spike initiates there, he tells her if she doesn't want it, she can stop him. She doesn't. Spike is well aware that Buffy is stronger than him and could stop him if she really didn't want it.
I'm sorry but this sounds uncomfortably like victim-blaming. Yes, Buffy used Spike. Yes there was abuse (both ways) in Season 6. However, nothing Buffy does in Season 6 warrants what Spike did to her. She did not deserve it, she did not cause it, she should not have been expecting it, it should not have been inevitable. Whatever Buffy did to Spike in Season 6 is insignificant in regards to the attempted rape.

The bathroom scene is unfortunate but I really don't think that he went in intending to rape her. I think that he was trying to be close to her again, and it got out of control. Buffy stopped him, he realized his mistake, and he left
Countless rapes and sexual assaults are not premeditated. Regardless of what his intentions were when he went to her, Spike sexually assaulted her. The circumstances are insignificant. He tried to force himself on her and would not have stopped if Buffy hadn't managed to make him.

Don't forget that Buffy did go looking for him to take care of Dawn, AFTER this attempted rape, so it looks to me that she really didn't take it that hard, either. She understood it, and got over it. If she can forgive him, and it happened to her, then fans should be able to as well He only stuck around in Season 7 because a)The First was controlling him, and b)after that, Buffy asked him to stay.
This just illustrates how badly written the fallout from the assault is and underlines how Joss Whedon has no f***ing idea what rape victims go through. To have Buffy so easily forgive Spike, to have her even contemplate taking her baby sister to someone who has recently sexually assaulted her is gross. It undermines what Buffy went through and trivialises rape and sexual assault.

Heck, what should be surprising and appalling is how many still defend the AR, presenting it as something that Buffy was responsible for herself - by engaging in rough foreplay beforehand. Especially how many do this - and honestly consider themselves to be hard-core feminists. This is the part that I find especially twisted.
This, this, THIS. A thousand times this.
 
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Seeing Red was coming from the beginning of S5,

But that's just it: Seeing Red was NOT coming from the beginning of season 5. It was coming from the end of season 6. At that point, Spike had EVOLVED from the kind of behavior he'd exhibited both before season 5 and at the beginning of season 5, (the sexbot, the kidnapping.)

At the time of Seeing Red, he was coming from a place of taking care of Dawn, being Buffy's consensual partner, being trusted with the life of all of the scoobies, (how many times had he willingly saved their lives from season 5 to the end of season 6? He could easily have refused), insisting to Willow that the Buffybot be reprogrammed to NOT have sexual interest in him after Buffy's death, (see Bargaining for reference). When Seeing Red happened, it happened at a point during which Spike had earned the trust of Buffy and the other scoobies. That's the point. That's why it was particularly shocking. If it happened in season 4 or the beginning of season 5; if it did, as you claim, come right after "chaining and sexbot" Spike, no one in the fandom would have been shocked.

Claiming that the fandom had no right to be surprised by his behavior in Seeing Red is unfair; all of the good that he had done and the trust that he'd earned up until that point makes the reaction more than understandable. Breaking it shocked all of us, and for good reason.

Dead Things (beating each other on the face bloody)

Misrepresenting what actually happened in the scene doesn't actually do much to further the discussion...

and was still enamored with Spike's humor, his interactions with everyone

Spike was funny. He pointed out a lot of things that others were afraid to say. This endeared him to a lot of fans, and I see nothing wrong with that.

Heck, what should be surprising and appalling is how many still defend the AR, presenting it as something that Buffy was responsible for herself - by engaging in rough foreplay beforehand. Especially how many do this - and honestly consider themselves to be hard-core feminists. This is the part that I find especially twisted.

I honestly haven't yet seen an example of this in the fandom but obviously I can see how it would be bizarre.

That's what makes the characters truly fascinating - the scale of their personalities. The same aspect makes them very easy targets for criticism.

Interesting points--I agree.

Look, at the end of the day, the AR WAS a plot device. Which is awful, I agree. But it was there specifically because, beforehand, the writers had done so much to endear the character of Spike to the fandom. When they decided that they wanted to show that he really did need a soul in order to be truly good, this plot device was born.
But blaming the fandom for reacting positively to the evolution of this soulless vampire is--as I've said--unfair. It is precisely what the writers wanted us to feel. "Here's this soulless demon who falls in love and takes care of her baby sister, saves her friends in spite of their disdain for him, and sobs like a baby when she dies." Claiming that it's ridiculous for fans to find any sort of positive reaction to such a character makes no sense to me.
 
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OutForAWalk
I agree with everything you said here.
If we apply real-life laws to them ...

IMHO, 'larger-then life' is a convenient label, specially designed to gloss over the situation of attempted sexual violence portrayed in a piece of television (art). Or to translate from fandom-y to English : (1) Buffy is super-strong therefore the AR was never quite real, (2) Spike was a victim himself because he was weaker, and (3) if we apply 'feminist filter' to the situation he is the 'female' side and Buffy was aggressor and the 'male' side. Seen it a lot - and it taught me to stop reading fanon essays and 'metas'.


Nobody here was trying to imply that RL laws ( what country btw ? what period of time? I work in the field professionally that actually deals with quite real crime and quite real terrorism - I know how amazingly vague and unenforceable/undefinable the RL situations can be ) should be applied to imaginary characters that are product of somebody's imagination.

Yet telling somebody to stop projecting imaginary attempted rape on their real life situation/s because characters are 'larger then life' and therefore should be excused from RL moral judgement is quite absurd. Art is always about projecting. Whats the point of it if we don't?

---------- Post added at 05:59 PM ---------- Previous post was at 05:31 PM ----------

But that's just it: Seeing Red was NOT coming from the beginning of season 5. It was coming from the end of season 6. At that point, Spike had EVOLVED from the kind of behavior he'd exhibited both before season 5 and at the beginning of season 5, (the sexbot, the kidnapping.)

I don't see how a soulless vampire could 'evolve' into anything from anything - if one uses logic and not emotion. I can say Harmony has evolved into prepping Angel a nice cup o blood spiced with otter by the end of AtS S5 - she still betrays everybody without blinking an eyelash by the end of it. It is how the laws of nature supposed to work in the verse - if fandom deluded themselves into 'Spike evolved' without getting a soul, it was fandom's problem, not the writers'.

At the time of Seeing Red, he was coming from a place of taking care of Dawn, being Buffy's consensual partner, being trusted with the life of all of the scoobies

At the time of Harmony's first betrayal of Cordelia she was coming from a cozy nail painting and gossip on a coach and into selling the gang to vampire pyramid scheme withing a couple of days... At the time of Power Play - NFA Harmony was coming from a place of being a trusted partner and secretary, going out for drinks with Fred.

It is a matter of audience actually willing to forget - the guy is soulles - he can turn on anybody at every point - for the sake of pretty high cheekbones and sense of humor. I appreciate the effect charismatic actor can have on willingly deluded audience - but the 'affable and even likeable' and 'eat kittens' aren't cancelled by humor and charisma. And that's what Joss/his team was doing to the audience in S6.


(how many times had he willingly saved their lives from season 5 to the end of season 6?

I believe it was rather straightforwardly mentioned in every episode from S4 that Spike had a chip in his head and therefore could not do anything *willingly* as in by 'Free Will'. Chip == lack of free will. No chip == free will. That's why it is removed in S7. So, no, not willingly. Under duress.

That's the point. That's why it was particularly shocking. If it happened in season 4 or the beginning of season 5; if it did, as you claim, come right after "chaining and sexbot" Spike, no one in the fandom would have been shocked.

What can I say ? I was not shocked. I saw a soulles vampire under duress and willing to adapt. Remove part of the duress ( came back wrong == can hit) Soulles nature comes out. Do not blame the writers for being (willingly) fooled.

Claiming that the fandom had no right to be surprised

Fandom ( or parts of thereof) has every right to be surprised at anything it wants to be surprised at. What I was saying is that there was plenty of warning. If you want to blame the writers/Joss, please do so. It is just in my opinion they were not that wrong to do it. You have been given plenty of warning, preamble, you choose to be deluded.

Misrepresenting what actually happened in the scene doesn't actually do much to further the discussion...

Beating each other bloody in the face was quite literal... I don't misrepresent, I describe.

Spike was funny. He pointed out a lot of things that others were afraid to say. This endeared him to a lot of fans, and I see nothing wrong with that.

Harmony was funny, and blunt. She endeared a lot of audience to herself in S5 before she made that final heel-face-turn.

Look, at the end of the day, the AR WAS a plot device. Which is awful, I agree. But it was there specifically because, beforehand, the writers had done so much to endear the character of Spike to the fandom. When they decided that they wanted to show that he really did need a soul in order to be truly good, this plot device was born.

Sorry, I disagree. See above. The whole truckload of vampiric lore of the verse disagrees. I am not trying to say you have no right to be deluded by not seeing it the way I see it. But I honestly think Joss and Co were in their full right to rudely awaken the fandom by driving home point that 'no soul' == 'no morality'. Can be affable and likeable and still eat kittens - try to get the girlfriend to love you by forcing her. The nature of demon is the nature of demon.

But blaming the fandom for reacting positively to the evolution of this soulless vampire is--as I've said--unfair.

I said I am not blaming per se - you have every right to react the way you want. I am saying in the end of day the writers turned the tables on you, and you have to be honest with yourself and not blame them for not seeing it was coming.
 
But that's just it: Seeing Red was NOT coming from the beginning of season 5. It was coming from the end of season 6. At that point, Spike had EVOLVED from the kind of behavior he'd exhibited both before season 5 and at the beginning of season 5, (the sexbot, the kidnapping.)

This annoys me so much, you are completely changing situations to meet your desired result.

You say Spike evolved but the show tells you he hasn't.

By the attempted rape happening, it's proof that there wasn't any real evolution of Spike - he never had a soul he couldn't tell right from wrong the same way he could have with a soul.

The Chip effectively tricked him into acting like he had a soul, and thereby tricked others into believing he was harmless. But he proves once he has no chip he doesn't have the same understanding of whats right and wrong as he would if he had a soul, which is why he goes to get a soul

Not to mention as ladydorotea mentioned earlier there are a number of cases between chip and soul that Spike did horrendous stuff, that gets cast off because of the comedy surrounded by it.

For example the scene where he's chained Buffy to the wall, switch Spike with Angelus and you have a completely different scenario, but technically there shouldn't be a difference, both were Vampires without a soul. But it doesn't get held against Spike because he's "different", Seeing Red is the proof he was never that different, he just had a chip.
 
I don't see how a soulless vampire could 'evolve' into anything from anything - if one uses logic and not emotion.

He evolved in the sense that his behavior and his values changed, pure and simple. Did they do a complete 180? No, but they absolutely did change for the better, until we are shown otherwise.

At the time of Harmony's first betrayal of Cordelia she was coming from a cozy nail painting and gossip on a coach and into selling the gang to vampire pyramid scheme withing a couple of days... At the time of Power Play - NFA Harmony was coming from a place of being a trusted partner and secretary, going out for drinks with Fred.

I don't think anybody actually trusted Harmony, except maybe Cordelia, for one episode. Certainly nobody expected that Harmony would go out of her way to save their life, as they did Spike. Harmony wanted to fit in, to whatever extent that entailed playing the part of dutiful vampire. And as you said, at her first chance, she turned on them. This did not happen with Spike who acted favorably for quite some time before he regressed, hence the surprise.

It is a matter of audience actually willing to forget - the guy is soulles - he can turn on anybody at every point - for the sake of pretty high cheekbones and sense of humor.

Yes, this is just it: he CAN turn on anybody at every point, and he DOESN'T. Not until the AR, when he turns on Buffy, hence the surprise and shock.

I believe it was rather straightforwardly mentioned in every episode from S4 that Spike had a chip in his head and therefore could not do anything *willingly* as in by 'Free Will'. Chip == lack of free will. No chip == free will. That's why it is removed in S7. So, no, not willingly. Under duress.

When was it mentioned that the chip had some sort of magic powers that FORCED Spike to actively SAVE others? And to not go out of his way to get someone else to harm them? As I've stated many times, nothing was stopping Spike from destroying their lives, setting their beds on fire, getting minions to eat them. Certainly not the chip. When Giles calls out for Spike to help him as a vampire is about to eat him, did the chip FORCE Spike to stake the vampire and save Giles? Nope.

What I was saying is that there was plenty of warning.

What I'm saying is that had the AR happened right after Crush, then yes, I'd agree that there was plenty of warning. I'd be the first to hop on that train. But it didn't. It happened after many episodes in which Spike did GOOD things. By choice.

If you want to blame the writers/Joss, please do so. It is just in my opinion they were not that wrong to do it.

I blame them for using sexual assault as a plot device. For everything else, I don't blame the writers, I credit them. You say they weren't wrong to turn on their heels yet you don't actually think they did, since you don't believe that they wrote Spike as a character who had earned people's trust beforehand.

Beating each other bloody in the face was quite literal... I don't misrepresent, I describe.

Buffy beat Spike and left him to die. This isn't meant to be a "let's count up the number of things they each did to each other" but misrepresenting what happened; ie implying that it was a mutual act does little to support the argument. Spike was trying to ensure that Buffy didn't go to prison for an accident, and she beat him into a pulp for doing so, and he let her. This obviously has nothing to do with the AR or, as you've claimed that others do, some justification of it. My point is that if we're going to analyze these characters, let's do justice to what they actually did and didn't do.

But I honestly think Joss and Co were in their full right to rudely awaken the fandom by driving home point that 'no soul' == 'no morality'. Can be affable and likeable and still eat kittens - try to get the girlfriend to love you by forcing her. The nature of demon is the nature of demon.

I too am ok with the fact that they decided to bring home this message--I just don't like HOW they did it. I don't mind that they wanted to point out the tragic duality of a demon and a man attempting to fight for control of a creature and that their final message is that the demon always wins. If anything, I like that message--it makes perfect sense to me. As I've said, I do believe that Spike wasn't actually good without a soul even though he consistently performed good acts. What I'm saying is that the fact that they used this kind of violation of Buffy's trust--of the trust of the audience--is the thing with which I take issue.

---------- Post added at 06:25 PM ---------- Previous post was at 06:19 PM ----------

This annoys me so much, you are completely changing situations to meet your desired result.

It annoys me that you are accusing me of doing something that I am not. Just because you may not understand what I'm trying to say does not mean that I am "changing situations."

You say Spike evolved but the show tells you he hasn't. By the attempted rape happening, it's proof that there wasn't any real evolution of Spike - he never had a soul he couldn't tell right from wrong the same way he could have with a soul.

Case in point. I said that the show clearly shows his evolution up UNTIL that point. Which is why the scene is so profoundly shocking. It proves that Spike could only go SO FAR without a soul, not that the things he did without a soul were ALL bad.

For example the scene where he's chained Buffy to the wall, switch Spike with Angelus and you have a completely different scenario, but technically there shouldn't be a difference, both were Vampires without a soul. But it doesn't get held against Spike because he's "different", Seeing Red is the proof he was never that different, he just had a chip.

And it seems you are missing my point when I talk about evolution which clearly happened progressively, AFTER Crush, when Spike realized he'd have to change his behavior if he were ever to be near Buffy again.
Again, Seeing Red proves that in spite of the progress he'd made, he could still fall back on old habits. Not that he never did good things for others.

Again, explain to me please how the chip FORCED him to save the scoobies, and to not send minions after them? It didn't. It altered his diet; the rest was a decision he made, until ultimately he succumbed to his demon in Seeing Red.

To reiterate, in case I'm still not clear for some reason: what Spike did in Seeing Red does not actually negate the good things he did up until that point. Similarly, the good things he did do not negate the horrendous things he did throughout his life. But to resist acknowledgement that he DID take care of Dawn, DID actively choose not to harm the scoobies--rather, to save them, even in Buffy's absence, is beyond frustrating. Again, the AR proves that these deeds did not make him a good man. It proves that he was not ENOUGH. But it doesn't change them, and, again, that is why fans of his felt so betrayed and shocked when it happened. The progress was halted and stunted.

---------- Post added at 06:43 PM ---------- Previous post was at 06:25 PM ----------

Just wanted to add: It seems part of the problem others are having with my argument is that it is predicated on the notion that a person can both evolve AND regress. That life is not black and white and a person's actions do not always conform to a linear progression in one direction or another. That a person can do very objectively good things, and then can do very, very bad things. The bad things are not evidence that the person wasn't really doing good things. They are merely evidence that perhaps this person isn't truly good after all.

This notion is not contradictory, it is in fact very logical and very truthful to life.
 
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Moscow Watcher
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Again, explain to me please how the chip FORCED him to save the scoobies, and to not send minions after them? It didn't. It altered his diet; the rest was a decision he made, until ultimately he succumbed to his demon in Seeing Red.

When he first got chipped, he went straight to the scoobies for help. He thought he wasn't able to do any harm, to humans or demons.
He was forced to save the scoobies because they were helping him, they were using his services and information for cash and he liked to fight so he got to get paid to do it. They were his source of income and something for him to do.
It wasn't till Doomed that he knows he can hurt demons, What stopped him sending minions at this point?
By not sending demons at this point he seems to have done all him evolving in the 4 episodes he's been chipped for.

He didn't kill them at first because they were his only way to keep surviving, and he adjusted to that being his life, but he was always still a vampire underneath it all

Just wanted to add: It seems part of the problem others are having with my argument is that it is predicated on the notion that a person can both evolve AND regress. That life is not black and white and a person's actions do not always conform to a linear progression in one direction or another. That a person can do very objectively good things, and then can do very, very bad things. The bad things are not evidence that the person wasn't really doing good things. They are merely evidence that perhaps this person isn't truly good after all.

This notion is not contradictory, it is in fact very logical and very truthful to life.

I'm confused because that's kinda our point, Spike wasn't truly good after all, the things he did during season 5 and 6 are no less good, but he wasn't really good during that time, you had made the point that Spike had evolved, so the attempted rape was so shocking. Whereas I don't think it was that shocking as Spike was never truly good, so the attempted rape was in character for him.
 
When he first got chipped, he went straight to the scoobies for help. He thought he wasn't able to do any harm, to humans or demons.
He was forced to save the scoobies because they were helping him, they were using his services and information for cash and he liked to fight so he got to get paid to do it. They were his source of income and something for him to do.
It wasn't till Doomed that he knows he can hurt demons, What stopped him sending minions at this point?
By not sending demons at this point he seems to have done all him evolving in the 4 episodes he's been chipped for.
He didn't kill them at first because they were his only way to keep surviving, and he adjusted to that being his life, but he was always still a vampire underneath it all

Yep, all of this describes perfectly his motivation in season 4. Not harming the scoobies kept him alive; that was his only motivation. Actively saving their lives, (New Man), was purely for cash. None of Spike's positive transformation takes place in season 4 and I never claimed that it did. My point is that he CHANGES, slowly after Crush, (s5), and certainly by Intervention. Spike's motivation for not harming the scoobies, and for actively choosing to save them is his love for Buffy. He nearly dies because of it. There's a great example of evolution right there: when he's first chipped, he refuses to harm the scoobies soley because his primary motivation is survival. By Intervention, he has progressed to the point where he'd actually DIE in order to protect Dawn. His values have progressed from favoring survival above all, to favoring loyalty and a willingness to die for it. Seriously, how can one deny/ignore that evolution?

I'm confused because that's kinda our point, Spike wasn't truly good after all, the things he did during season 5 and 6 are no less good, but he wasn't really good during that time, you had made the point that Spike had evolved, so the attempted rape was so shocking.

We are on the exact same page here. Never claimed that Spike was good before the soul, just that he had evolved to the point at which he was doing truly good things for others, like putting his life before theirs. The AR proves that that wasn't enough; that a soulless being could never be wholly good without a soul. It was a regression, to prove a point. Again, no contradiction in that train of thought, simply a string of actions in a non-linear direction.

Whereas I don't think it was that shocking as Spike was never truly good, so the attempted rape was in character for him.

The difference in our opinions here, is mainly that I was surprised because he violated the trust which he had very clearly earned, and therefore the AR was out of character at that point in his story. As I said, had it happened in season 4 or earlier, I'd have been no more shocked than you. But given that it happened after he had done many good things, I no longer considered the act to be in character for him, given the progress he'd made. It's not like when Angelus killed Jenny Calender and nobody was surprised; Angelus had never been anything other than what he was. Spike had been Buffy's confidant, he had fought by her side.
 
But wait.... without a soul he succumbed to torture rather than give up information that would hurt someone he cares about, he risks his life to help dawn try and raise joyce (even though he doesn't think it's a good idea, just because it would make her happy), he grabs the blade of a sword to help buffy... etc....

and, this all means nothing?
 
Gum Gnome33
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Moscow Watcher
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I don't believe that Spike truly evolved without the soul. I think he stayed true to who he is but with the presence of the chip viewers were tricked into thinking he changed and grew when in reality he was simply confined. Some points to consider:

1. Spike has always retained some humanity
This has been commented on by several other characters over the course of the show. Note that Spike is not the only vampire to ever retain their humanity (or at least some semblance of it) however he is the most notable case.

Without a chip or a soul it is easy to dismiss Spike’s humanity, to overlook it. Once the chip has been shoved into his brain, his humanity becomes more apparent now that the violence and impulses that go with violence are forced to stop, making it appear that he has changed.

2. Spike has always and will always protect and comfort the ones he loves
This is a big part of Spike’s personality, as a human and as a demon. He will always try to do what he thinks is right by the ones he loves (even if it actually isn't). Again, Spike is not unique because he can love without a soul (we have seen other vampires and demons who love) but he is unique in that he does tend to love a little more selflessly than other demons – I stress a little, because Spike’s love can be incredibly selfish at times.

We see him turn his mother because he wants to cure her. We see him protect and love Drusilla with an affection and devotion that is actually quite touching.

This then means that he will protect Buffy, Dawn and Joyce (three people he cares about) and by extension, The Scoobies. Note that he never seems to care nor take notice when The Scoobies are injured (Tara’s mind sucking, Giles getting speared etc.) but he will help protect them because he loves Buffy. This is not growth as it completely fits in with Spike’s character and who he is as a person. Yet, once again because of the chip it is far more noticeable.

3. Spike is not a sadist
Spike revels in violence, in heat-of-the-moment fights. He enjoys chaos and anarchy and delights in causing mayhem. Without the soul he has no conscience and therefore feels no guilt for his crimes, however he has never, souled or non-souled, chip or no chip, revelled in the pain, anguish and downfall of others the way Angelus, Darla and even Drusilla do. He is not an evil mastermind nor does he ever seem to enjoy big master plans (The Judge was Dru’s doing, Acathla was Angelus’s, Spike just happened to be there for the ride).

This means that once the chip is activated his main desire, his main pleasure in life – the violence and mayhem – is taken from him. Spike is a creature of violence. Take that away and other aspects of his personality start to come through clearer and make it look as though he is evolving. This is a big part of why he fights alongside the Scoobies. Going after demons gives him an outlet for his violent urges and after awhile fighting with the Scoobies seems to just become routine. He has had to adjust to a new way of life and so he does but this does not mean that he has evolved.

Well, that’s my two-cents, anyway. Additionally, this is all without a soul. Once he’s re-ensouled there is quite a lot of growth for Spike, especially once he moves to AtS.
 
The reason I bring up Angel's actions, is because I genuinely want to know, from those who think Spike shouldn't have stayed in season 7 and who believe Spike should never have been forgiven--what the preferable course would have looked like? Because it certainly isn't Angel's, given the striking similarities in both deeds, and reactions.

There are definitely quite a few people who vehemently argue that Angel should not be held responsible for anything that Angelus does, on the grounds that Angel and Angelus are two separate characters. To them, the atrocities that Angelus committed over the two centuries before having a soul forced on him as a punishment are totally irrelevant, but it is an indication of Angel's sterling character that he sees himself as somehow responsible for, and needs for some reason to make amends for them. In that group, there are quite a few people who contend that Spike is Spike, with or without a soul, and should be held responsible for every transgression that he has made from the moment that he clawed his way out of he ground to the present. They see no significance to the fact that, at least partially, if not fully, because of his attempting to rape Buffy in Season 6, Spike willingly accomplished what, as far as we know, what no other vampire has ever done, fought for and attained his own soul.

I have no problem whatsoever with the theory that possession of a soul makes a totally new character, with a clean slate, who is not held responsible for what the soulless monster he formerly was committed. No problem at all. Likewise, I have no problem with the contention that the soul simply acts as a muzzle, rendering the monster relatively harmless, but he remains the selfsame monster, soul or no soul, and should still be held accountable for everything that he has ever done. Once more, no problem whatsoever.

My biggest problem lies with those people who seem determined to apply one standard to Angel, and something totally different to Spike. Either accept the fact that Angel is responsible, and should be punished for, everything that Angelus did, or accept the fact that Spike is totally free of blame for what "Spike-us" did, including the attempted rape. A clean slate for both ensouled vampires, or equal condemnation and punishment for both. Either that, or the admission that Angel just can't cut it if he has to measure up to a REAL champion.
 
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Moscow Watcher
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There are definitely quite a few people who vehemently argue that Angel should not be held responsible for anything that Angelus does, on the grounds that Angel and Angelus are two separate characters. To them, the atrocities that Angelus committed over the two centuries before having a soul forced on him as a punishment are totally irrelevant, but it is an indication of Angel's sterling character that he sees himself as somehow responsible for, and needs for some reason to make amends for them. In that group, there are quite a few people who contend that Spike is Spike, with or without a soul, and should be held responsible for every transgression that he has made from the moment that he clawed his way out of he ground to the present. They see no significance to the fact that, at least partially, if not fully, because of his attempting to rape Buffy in Season 6, Spike willingly accomplished what, as far as we know, what no other vampire has ever done, fought for and attained his own soul.

I have no problem whatsoever with the theory that possession of a soul makes a totally new character, with a clean slate, who is not held responsible for what the soulless monster he formerly was committed. No problem at all. Likewise, I have no problem with the contention that the soul simply acts as a muzzle, rendering the monster relatively harmless, but he remains the selfsame monster, soul or no soul, and should still be held accountable for everything that he has ever done. Once more, no problem whatsoever.

My biggest problem lies with those people who seem determined to apply one standard to Angel, and something totally different to Spike. Either accept the fact that Angel is responsible, and should be punished for, everything that Angelus did, or accept the fact that Spike is totally free of blame for what "Spike-us" did, including the attempted rape. A clean slate for both ensouled vampires, or equal condemnation and punishment for both. Either that, or the admission that Angel just can't cut it if he has to measure up to a REAL champion.

I hear what you're saying, and you're right, it's dumb how people do that. But the reason some people do do that is because of the way the characters, all "four" of them if you will, are written.

Angel and Angelus are written so differently and independently of one another that the most casual fan can tell that there's no way Angel and Angelus are the same guy.

Spike, and "Spike-us" (I like that term 🙂), run into a problem. They're written the same, or very, very close to one another. Their humor is the same. Their actions are the same (mostly), their chemistry and relationships with the Scoobies are the same (minus Buffy). Now, it's easy to see why this was done. Spike was an extremely popular character for years on the show and they didn't want to radically alter the things people like about him, which is understandable. But to a casual fan, when the only difference for the purposes of watching the show between Spike with a soul and Spike without one is them just telling us "he has a soul", and he continues to make the same jokes and have the same relationships, it's hard for some people to see the difference. ESPECIALLY when there was such a massive difference between Angel and Angelus, the only reference point fans have for that situation.

That's why what [MENTION=12223]EffyStonem[/MENTION] said makes so much sense to me. The message it sends is horrible. The writers basically saying "he has a soul now" when NOTHING else visibly changes looks terrible, especially with a rape arc. To fans who love and analyze the show, to you and me, we can differentiate. But to the average fan, which makes up the bulk of the BTVS fan base at the time, it sends a message that if you say you're sorry and try real hard, sexual assault isn't that big a deal. Does what I'm saying make sense?

But what you said is true, and it's a point of view I go with as well. It makes sense, and I like Spike. I don't hold Angel or Spike accountable with souls for what they did without souls. That's the only way to think about it that makes sense to me, in multiple ways.

And as a P.S., you outlined just about every reason why I like Angel 🙂
 
I don't believe that Spike truly evolved without the soul. I think he stayed true to who he is but with the presence of the chip viewers were tricked into thinking he changed and grew when in reality he was simply confined. Some points to consider:
1. Spike has always retained some humanity
This has been commented on by several other characters over the course of the show. Note that Spike is not the only vampire to ever retain their humanity (or at least some semblance of it) however he is the most notable case.
Without a chip or a soul it is easy to dismiss Spike’s humanity, to overlook it. Once the chip has been shoved into his brain, his humanity becomes more apparent now that the violence and impulses that go with violence are forced to stop, making it appear that he has changed.
2. Spike has always and will always protect and comfort the ones he loves
This is a big part of Spike’s personality, as a human and as a demon. He will always try to do what he thinks is right by the ones he loves (even if it actually isn't). Again, Spike is not unique because he can love without a soul (we have seen other vampires and demons who love) but he is unique in that he does tend to love a little more selflessly than other demons – I stress a little, because Spike’s love can be incredibly selfish at times.
We see him turn his mother because he wants to cure her. We see him protect and love Drusilla with an affection and devotion that is actually quite touching.
This then means that he will protect Buffy, Dawn and Joyce (three people he cares about) and by extension, The Scoobies. Note that he never seems to care nor take notice when The Scoobies are injured (Tara’s mind sucking, Giles getting speared etc.) but he will help protect them because he loves Buffy. This is not growth as it completely fits in with Spike’s character and who he is as a person. Yet, once again because of the chip it is far more noticeable.
3. Spike is not a sadist
Spike revels in violence, in heat-of-the-moment fights. He enjoys chaos and anarchy and delights in causing mayhem. Without the soul he has no conscience and therefore feels no guilt for his crimes, however he has never, souled or non-souled, chip or no chip, revelled in the pain, anguish and downfall of others the way Angelus, Darla and even Drusilla do. He is not an evil mastermind nor does he ever seem to enjoy big master plans (The Judge was Dru’s doing, Acathla was Angelus’s, Spike just happened to be there for the ride).
This means that once the chip is activated his main desire, his main pleasure in life – the violence and mayhem – is taken from him. Spike is a creature of violence. Take that away and other aspects of his personality start to come through clearer and make it look as though he is evolving. This is a big part of why he fights alongside the Scoobies. Going after demons gives him an outlet for his violent urges and after awhile fighting with the Scoobies seems to just become routine. He has had to adjust to a new way of life and so he does but this does not mean that he has evolved.

This is truly fascinating. While at first glance I don't entirely agree, it is certainly the argument I've seen that counters my own perspective which I am most likely to accept. It definitely makes me think--really great points!

I think the biggest issue here, at the core of the argument, is that while we agree that Spike always acts for love above all, in one case he does so for the affection of a vampire, and in the other, for a human.

When Spike acts to please Drusilla, he is a vampire doing the will of another vampire. When he works to help Buffy and to save her friends, he is a vampire doing the will of a human. I can understand the argument that there is no evolution there because his motivation is consistent, but there is one issue that I can't ignore: in the latter case, he is a vampire doing the will of a human.

Isn't that progress in and of itself? We have a vampire who loves other vampires in a humanistic way which is progressive for his kind, but that's about it. He is now a vampire who loves a human in a humanistic way who betrays his vampiristic impulses in order to please her. The very fact that a vampire should want to please a human, for any reason other than extreme masochism, indicates to me that said vampire has progressed. His values have actually changed.

I mean why does Spike love Buffy? Why is he drawn to her? Would he have been drawn to her 100 years ago? If the answer is truly yes; if we believe that Spike truly would have fallen just as madly for Buffy upon his siring as he did in 2000, then ok--point made, no progress, no evolution. But if Spike begins to strive for Buffy's love only after a certain point in his life, (and no doubt the chip is a catalyst), there is undeniable evolution there.

I think that characteristics such as indifference to the suffering of scoobies in spite of his help are mere evidence that indeed Spike is not truly good and perhaps an indication that he might regress. But it doesn't indicate to me that he is merely following marching orders and has not shifted his own values, by himself. In other words, I don't think they negate the seemingly independent value shifts such as risking his own life in favor of withholding Dawn's identity, for example.

To find more evidence of this evolution in spite of his underlying nature, I look at the summer during which Buffy was dead. Spike is known for keeping his word, sure, and that explains his compulsive need to continue looking after Dawn in the absence of Buffy. But do you think the Spike of say, 1970, would have continued to patrol with the scoobies, actually saving their lives instead of merely getting his kicks somewhere else? There are, what, 12 cemeteries in Sunnydale--why go to the one which confronts him with the task of saving the scoobies lest he stay on their good side, (assuming he even cares about doing so now that Buffy is gone). Why not get his rocks off by going to another and fighting demons there? No pesky moral dilemmas to deal with if all you want is violence. This, to me, is evolution.

That summer as well, Spike insists that Willow get the 'bot to stop flirting with him. He can't bear it. As we've said, yes, it's chalked up to predictable Spike love. But it's something more--it's humanistic love; it's more representative of a human being loving another human being than a vampire loving whomever. I just can't believe he'd have had the same kind of consideration for Drusilla.

Another example is how he handles the aftermath of his breakup with Buffy. He does so far more like a human than a vampire. He doesn't get angry and he doesn't retaliate against her. "As You Were" he didn't go and torch Buffy's house in retaliation to what she and Riley did to his crypt. That's what I think a vampire would have done. He didn't stalk her and try to change her mind. He did that with Dru, of course. In "Hell's Bells," he actually seems genuinely happy for her. "You glow," he says, though he gets nothing else from it.

Anyway, to sum up: in one case we have a vampire doing the will of another vampire, despite the fact that it is done so lovingly. As a result, he does terrible things in the name of love. But he doesn't have to fight his nature to do it; it comes naturally to him. Later, we have a vampire doing the will of a human, fighting by her side. He is fighting his nature to do so, and the result is a list of good deeds done with free will. It's difficult to determine when the desire to please stops and the actual shift in values, (however modest), kicks in. We know of course at which point it becomes clear that love isn't enough to transform a demon, (the AR). But before that moment, I see a shift in understanding.
 
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Spike, and "Spike-us" (I like that term 🙂), run into a problem. They're written the same, or very, very close to one another. Their humor is the same. Their actions are the same (mostly), their chemistry and relationships with the Scoobies are the same (minus Buffy). Now, it's easy to see why this was done. Spike was an extremely popular character for years on the show and they didn't want to radically alter the things people like about him, which is understandable. But to a casual fan, when the only difference for the purposes of watching the show between Spike with a soul and Spike without one is them just telling us "he has a soul", and he continues to make the same jokes and have the same relationships, it's hard for some people to see the difference. ESPECIALLY when there was such a massive difference between Angel and Angelus, the only reference point fans have for that situation.

I thought this was interesting, because I did see a difference in Spike's behavior and appearance in Season 7. It seemed like he wasn't wearing the eyeliner anymore, which gave him a "softer" appearance. Did anyone else notice this? I wonder if it was done on purpose. As far as his behavior, it seemed as though his demeanor was more reserved. He didn't seem to have as much as the quippy sarcasm that he had had in previous seasons.
 
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