What I Hate About Feminist Fiction

Living Dead Boy agrees: According to a recent BB poll, season 6 is most people's favorite, mine included. But I agree with everything else you said.

Thats true, it's interesting cuz I was thinking about this recently, if you look back in polls from before the most recent one (for example: This, where the vote count was allot higher, Season 6 is in 4th place)

there's also another one I wanna resurrect about if Buffy loved Spike and compare the results, cuz I'm forming a theory about something...
 
We actually never had a real stereotypical bad jerk character in the 'verse, did we? You know, the whole, "Hey baby go make me a steak" kind of stereotype that you usually see?

Only Jayne in Firefly really, that I can think of.


If there was any set up for a bad 'guy' in the entire show, only Parker comes to mind. I have to agree with you though, there really isn't a character in the show that does this. That's why I don't really consider it a feminist show. Maybe just a show with feminist themes? I dunno.. I'm hungry.. hahah
 
My apologies, by the way, for not replying immediately.

I think Joss portrays women who are empowered, AND men who are strong. Just because in a particular scene it's a woman who gains control and leads the troops doesn't mean that the rest of the time the men are a bunch of puppets. When Willow takes over in WotW, it's entirely appropriate. Giles had recently been impaled and needed to get to a hospital. Spike was not in a position to lead at that point, most notably because he was not in a position of authority and Buffy was the only one who implicitly trusted him at that point. Obviously Willow trusted him to a great extent as she gave him critical tasks to perform, but the gang as a whole was not prepared to follow his lead. Understandably so.

I'm confused, what exactly is a "side swipe?" The implication is that it comes out of nowhere or is unexpected; how is it that a woman taking leadership in a show that essentially features women in heroic roles qualifies as such?

It’s all about the how, whatever-gender-you-are. Bangel cited evidence supporting me that I didn’t know of, and you didn’t respond to, that he was essentially sexist, and dare I say that’s tinged his portrayals. You don’t seem to notice that the portrayal made the guys look weak in a big way.

I think you're just focused on Willow in the scene, but my focus is broader.



Don't forget: Xander saved the world in season 6. In fact, he had to talk down Willow, a WOMAN, from destroying it. A lot of people actually take issue with this--they say it detracts from the feminist message of the show, and I disagree profoundly. But my point is that Joss does not reserve moments of heroic triumph for his female characters, only.



Well, it's quite hip today to portray fairly unmasculine men as heroic, somehow. The term, I believe, is "beta males." I don't like Xander, really, and I didn't like that scene, but I think it's more a case of my personal prejudice than anything else. Season 6 was my favorite, but that part isn't one that sticks out, and don't feel like criticizing it.

It just dovetails with the theme of role reversals, really--a feminist fave.

In Ats when the more humanistic traits of Angel, a brooding vampire, come to the forefront, it's funny. I think it's just played for a soft chuckle in the midst of a dark show, nothing more. Ultimately it's not meant--I believe--to be somehow mocking Angel, and certainly not men in general.



It was one of the things that I hated about the series, really, and I wondered why they kept doing it. Never really added anything, and actually took away. Thematic dissonance, though, was the main thing I hated, though. WHedon seemed to think the show was about persistence in the face of darkness, but me, I got the sense it was about making tradeoffs, and letting the darkness warp you in return for something. That, and a heavy sense of guilt; when it was cancelled, I concluded it was high time, als.

When Buffy is "gaga" about a guy, she is very silly. It reminds us that she's a young woman, at heart. A lot of seasons 1 and 4 in particular feature her in this light. Angel and Spike take on the more traditionally feminine "giddy" roles in TGiQ, as they fight each other for the promise of someone who they both know, deep down, is attempting to move on. I like that the two brooding, dark vampires are given characteristics that are usually reserved for women in fiction; the writers are comfortable mixing stereotypical gender roles and that is fun to watch. But, yes, Buffy herself assumes this role very many times in the series. Just not in that episode.



Well, I made them look abjectly silly in the process, and does neither of their characters justice. In this case, I think, you seem to be applauding, even defending, bullying.

As for Buffy, name me one episode. Abjectly silly. No magic in sight. No dreams. No arrogant one-lingers.



Well, I have to agree with you there! And, for me, another example of that balance I was talking about before.

Not balance--nuance.



Seriously? I mean, forget opinion your just being outright sexist.

You haven't watched the show, and you start with Season 6, you don't know the characters, you don't know what their like, you don't know what they've done and, what, halfway through episode 1 of season 6 you decide the show is overtly feminist because Willow is leading not Giles or Spike?!?



How can you make a statement like that if you don't know the characters history that got them to that point, there's 5 years of character development that got them to that point.



If because Willow is leading is your answer, that answer is plainly sexist, no hiding it.





You're wrong, my friend, and quite possibly because I confused you; my apologies.

As for Willow, I've really no problem with her as acting leader. It makes sense, and have nothing to say about it, but I do have something to say about one scene a the end of the fifth season.

I started watching at the beginning of the fifth season, got to the end, and found that a glaring sideswipe. Watched the previous seasons soon after, and nothing changed my opinion about this.



Why?



I'd like examples of why you don't think Willow would be leader, you've made a few statements now that have no basis in the show I watched, so I'm not sure you've seen all the episodes.

Seen the first six seasons, little of the seventh, and none of the subsequent comics.

Willow has taken over as second leader since season 2 of the show, with numerous examples - see my previous post for the examples and nighshades post adding a further example from the Dark Age. Willow has taken the leader role many times.



Everything about her characterization leads to Willow taking charges in season 6, so please give references to the show that say otherwise?



WIllow as leader at the start of the 6th season makes perfect sense, friend--never disputed it.





Buffy tried out for cheerleading when she was 16, it lasts the whole of 5 minuets, Buffy was constantly mocked for her vanity. In 'I Robot... you Jane' she gets electrocuted and after getting herself back together she is worried about her hair - the rest of the gang look at her like she's an idiot.

I don't remember that specific moment, but it's possible you're right. I'd hafta see it again. WIth ANgel, the jokes mastly came as just silly, but with Buffy, whether she makes a mistake or not, the audience has greater empathy for her than for Angel, not the least because she's a superior character.

There are numerous jokes like that over the course of the show, just as there was on Angel.







Yep:



Never Kill a Boy on the First Date - Buffy puts her slayer duties to one side and obsesses over a boy

bewitched, bothered and Bewildered - Under a love spell, tries to sexually seduce Xander

Something Blue - Love spell between her and Spike

Where the Wild Things Are - Buffy and Riley enter a sex marathon feeding off sexual energy

Gone - Uses Spike for sex all season, especially in 'Gone' where she gets enthralled in the idea of being gone and seems to loose all inhibitions about sex with Spike

Dead Things - Buffy has sex with Spike in the Bronze above her friends heads

Him - Love spell, tries to sexually seduce a student

Season 8 - Fantasizes about Daniel Craig in Speedos

Season 8 - Fantasizes about a threesome with Angel and Spike

Season 8 - Has sex all over the universe with Angel



These are the ones I can remember off the top of my head, Buffy was made to look like a silly horny girl a number of times, just has Spike and Angel were - and they should be, like I said before if it's being done to both sexes it's all good in my book.



One episode. Abjectly silly. No magic in sight. No dreams. No arrogant one-lingers. I haven't seen all of these examples, and none from the 8th, but "Gone" does seem the closest to fit the bill, but not quite. As I said, I empathized strongly with her ordeal in the 6th season, and her behavior wasn't a sideswipe. Hey, I was once messed up bad too, and strong sexual impulse was part 'n parcel.



Wow. Spike is the character you see that overcomes masculine impairment...

Spike, Drusillas-bitch-boy, the clothes stealing, clothes smelling, photo-stalker-collecting, Season-6-bitch-boy, attempted-rapist, season-7-weak-fighter, season-7-yes-man, the one character that follows Buffys every whim without question because he doesn't want to disagree with her. Spike, Loves self declared fool? He's the character that overcomes the masculine impairments?



As I said, he's Whedon's punching bag, but he's his favorite because he keeps getting up off the ground, and what's inspiring. He's persistent, and that's his most inspiring trait; makes me want to be more like him, in that regard, and he's the only one that was able to get under Buffy's skin, really; not something even Angel could pull off.

Spike's got some great moments, you have to admit, and it comes from trying so hard. Yes, he almost raped Buffy, but he got her to move beyond it because of that effort. I'm not advocating rape, but if you can keep the audience on your side despite that?

To me, Spike's the definition of overcoming.

I don't believe that at all, if it's true I'd like a source. I love Harry Potter read them all as they came out, and EVERYONE was speculating that Hermione would be the character that dies, it was EVERYWHERE around the time of the last book.



Not to mention Hermione was constantly the leader of her group, she was the one that often came up with and implemented a plan, example off the top of my head is the Polyjuice potion, she gets hair off girl she wants to become before even telling the other about the plan, or the time turner in Book 3, when Dumbledoor locks them in the room, Harry has no clue what their doing, Hermione leads them through that. Hermione lead that group and Harry did all the big fighting because of his destiny and all that.

I wish I had the quote, and in the story, It's like she's truling hard not to be the leader, though a lot of the time, she logically is, given her competence, and all.



As for BtVS, I do partly agree with you in regards to sloppy story telling in BtVS, the show was enjoyable when it was telling a good story, and not when it was serving as a soap box for a particular ideology that happened to be trendy at the time of writing, a writing style that is akin to propaganda at worse and a cheap writing gimmick designed to translate into trendoid following viewers/ fast cash, at best.
This was the entire point of BtVS, the whole show was a metaphor, everything was a metaphor, it was constantly on a soapbox as it should have been because it was putting message out there and addressing topics that other shows were afraid to address.







Maybe this is your problem, you don't identify with any of the other metaphors in the show, other people do. For some the High School is hell metaphor is the strongest, for others it the bad first time sex or how daunting starting college is, are the strongest.

The difference is, if season 6 is the season you like most because you relate to it, thats why you see less flaws in that season not because there are actually less flaws.

Season 6 is often voted the most disliked season among polls I've seen on here and other places.

You might have a point here.
 
Im not sure what happened with the last post but I got credited with all the posts, lol.

You're wrong, my friend, and quite possibly because I confused you; my apologies.

As for Willow, I've really no problem with her as acting leader. It makes sense, and have nothing to say about it, but I do have something to say about one scene a the end of the fifth season.

I started watching at the beginning of the fifth season, got to the end, and found that a glaring sideswipe. Watched the previous seasons soon after, and nothing changed my opinion about this.

Maybe it was just miscommunication, but you did say in your orignal post:

where Willow takes charge. Joss Whedon, the series creator, was trying to make Willow into a leader, but what of Giles and Spike?

You originally implied that Willow for some reason wasn't fit to lead, why was that a sideswipe how would Spike and Giles have been better ?


I don't remember that specific moment, but it's possible you're right. I'd hafta see it again. WIth ANgel, the jokes mastly came as just silly, but with Buffy, whether she makes a mistake or not, the audience has greater empathy for her than for Angel, not the least because she's a superior character.

Yeah Buffy was only a cheerleader for 1 scene in The Witch she was kicked off the squad because she was under a spell and threw a cheerleader across the room.

I dont agree with your assessment of Angel though. I think the audience had greater empathy for Angel rather then Buffy. Buffy was shown to be a young girl finding her way in the world, decisions like her wanting to go back into the vineyard in season 7 and her terrible logic and decision making behind that are still discussed here. Angel on the other hand has empathy because he is seeking redemption, it's easier to empathise with someone looking to do right after doing bad, and some of the stupid decisions Angel makes don't see to have the same outrage Buffy's bad decisions do.
Just as an example of what I mean, every so often a thread come up asking if Buffy was right in how she lead the scoobies in season 7, but you never see half as many threads on Angels decisions to fire the AI team, or join the Black Thorn without consulting the group.

One episode. Abjectly silly. No magic in sight. No dreams. No arrogant one-lingers. I haven't seen all of these examples, and none from the 8th, but "Gone" does seem the closest to fit the bill, but not quite. As I said, I empathized strongly with her ordeal in the 6th season, and her behavior wasn't a sideswipe. Hey, I was once messed up bad too, and strong sexual impulse was part 'n parcel.

I don't really see the point of having to exclude all those things, they make up the story. But in Never Kill A Boy on the First Date, she's under no spell, she's just lusting after a boy and doesn't give her duties to right attention
But another magic free example is Homecoming in season 3, Buffy turns into a psycho about becoming Homecoming queen against Cordelia.

As I said, he's Whedon's punching bag, but he's his favorite because he keeps getting up off the ground, and what's inspiring. He's persistent, and that's his most inspiring trait; makes me want to be more like him, in that regard, and he's the only one that was able to get under Buffy's skin, really; not something even Angel could pull off.

What do you mean by get under Buffys skin?

Spike's got some great moments, you have to admit, and it comes from trying so hard. Yes, he almost raped Buffy, but he got her to move beyond it because of that effort. I'm not advocating rape, but if you can keep the audience on your side despite that?

He didn't get her to move beyond that!!
I think every fan will say that entire situation was handled the worst out of moments from the series.

If she did move past it, she wouldn't have moved past it because Spike got her to, it would be because she herself got past. He tried to rape her, there's no way for him to get her to move past it, that's something she would have to do herself.
Also he didn't keep the audience on his side, this destroyed a large part of Spikes fan base at the time.

It definitely seems like you prefer the male characters, since your response to Willow taking charge is to question why Spike or Giles wasn't placed in charge, or how you think Spike helped Buffy get over his attempted rape. He wasn't there while she got past it, Dawn seems to have been her biggest support system that summer.
 
]I'm not sure what happened with the last post but I got credited with all the posts, lol.
Again, my apologies.


Maybe it was just miscommunication, but you did say in your orignal post:



You originally implied that Willow for some reason wasn't fit to lead, why was that a sideswipe how would Spike and Giles have been better ?

SO this is why I'm getting your hostility? For your information, I knew what Whedon's plans for Willow were, and my response wasn't distrust, but curiosity. WHedon clearly liked Willow, and I think it showed at the expense of other characters. Look"”Spike, when we first meet him, takes charge over the Master's old gang in short order, and runs it until he's stuck in a wheelchair, and in comes Angelus.
Me, I take that as a sign that he both knows how to take charge, and likes being in charge. Giles wasn't shown to ever take charge, or like being in charge, but that would have been a prime time to do it. I mean, he's thw full adult, and dealing with folks still of college age.
Beyond that, look at how WHedon initially portrayed Gunn as a tough gang leader fighting vampires. To Whedon just doesn't seem to think of taking charge as a personality trait, and Gunn doesn't show much leadership at all over subsequent seasons. To WHedon, dare I say, making Willow a leader dovetailed with the show's empowerment theme, and he liked her, and he didn't always think about about how moving one piece around affected the others.
My main focus was one one scene"”a particular sideswipe, and my particular criticism of it, namely that Willow was acting out of character it"”supertake"”something not seen in her before or after, at least from what I've seen. You still haven't responded to Bangel, and seem fixated on the idea that I'm sexist because I'm question ing Whedon's motives, and citing evidence. In response, rather than questioning my evidence, you're questioning my motives.
Yeah Buffy was only a cheerleader for 1 scene in The Witch she was kicked off the squad because she was under a spell and threw a cheerleader across the room.

I dont agree with your assessment of Angel though. I think the audience had greater empathy for Angel rather then Buffy. Buffy was shown to be a young girl finding her way in the world, decisions like her wanting to go back into the vineyard in season 7 and her terrible logic and decision making behind that are still discussed here. Angel on the other hand has empathy because he is seeking redemption, it's easier to empathise with someone looking to do right after doing bad, and some of the stupid decisions Angel makes don't see to have the same outrage Buffy's bad decisions do.
Just as an example of what I mean, every so often a thread come up asking if Buffy was right in how she lead the scoobies in season 7, but you never see half as many threads on Angels decisions to fire the AI team, or join the Black Thorn without consulting the group.
I've got an answer, and it's that it's because nobody cares; it's inferior show that inspires inferior levels of scrutiny. I've also another answer: Because the show itself makes clear that Angel's firing his staff was a mistake. One reason Angel ain't as interesting as Buffy is because we're being taught morals in one place, whereas, it's up for us to decide in another.
A sign of passion is a willingness to pick thorough the details, and there ought to be some interesting metrics on that from the forums, of people's willingness to talk of one series, vs. the other. Me, I'd much rather talk Buffy than Angel, and that's because feel much more strongly about it, and I'm sure the numbers would back me up here.
I don't really see the point of having to exclude all those things, they make up the story. But in Never Kill A Boy on the First Date, she's under no spell, she's just lusting after a boy and doesn't give her duties to right attention
But another magic free example is Homecoming in season 3, Buffy turns into a psycho about becoming Homecoming queen against Cordelia.
Not a bad counterexample attempt, here. Here, Buffy, genuinely was acting girlish, but at the same time, at the end, they both grew, and it was for an empowerment message,, and I don't think one can say the same about "The Girl in Question." The point of it wasn't Skpike and an Angel rising above pettiness, really, like Buffy and Cordy did; I find that a key difference. Andrew tells them to grow up, but the story ends with it unclear that they learn it, if you ask me.

I find this just a terrible episode, and it's because here two main characters act out of character for a whole episode, for the sake of doing so. In Buffy's case, I find her actions much more understandable.
What do you mean by get under Buffys skin?

Look at just how many scenes Spike steals. With Angel, there's too much love and understanding for high and lows, but with Spike, when isn't he pushing her buttons, surprising her, angering her, making her reconsider? Buffy and Angel are The Couple of Destiny, but Spike is just more interesting than Angel, because friction is story.



He didn't get her to move beyond that!!
Well, I guess your response I what Ideserve not having seen all of season 7, and comment like I just did.

I think every fan will say that entire situation was handled the worst out of moments from the series.

If she did move past it, she wouldn't have moved past it because Spike got her to, it would be because she herself got past. He tried to rape her, there's no way for him to get her to move past it, that's something she would have to do herself.
Also he didn't keep the audience on his side, this destroyed a large part of Spikes fan base at the time.
It definitely seems like you prefer the male characters, since your response to Willow taking charge is to question why Spike or Giles wasn't placed in charge, or how you think Spike helped Buffy get over his attempted rape. He wasn't there while she got past it, Dawn seems to have been her biggest support system that summer.

Well, I found Spike's actions wrong, though understandable; he miscalculated, trying to use rough sex, but it backfired. For crying out loud, we're talking rape! How was the scene mishandled, you think? Seriously.

Oh, and by getting over it, I mean she was willing to have sex with him again.
Also, if Whedon and other feminists are truly into gender struggle, then count me a partisan; for the record, I love "Little Red Corvette."

Notice, too, how when I start questioning Whedon's motives, you start questioning mine. Suspiicions aside, my prime criticism of Willow's taking charge was a scene, the how, with the why following. Like a lot of liberal men, he seems to have a masochistic view of masculinity, and I think it shows--why shouldn't I be suspicious of him, friend? Isn't that healthy?

Didn't IU make clear to you that I was against a specific depiction from the get-go? You act like I haven't.
 
SO this is why I'm getting your hostility? For your information, I knew what Whedon's plans for Willow were, and my response wasn't distrust, but curiosity. WHedon clearly liked Willow, and I think it showed at the expense of other characters. Look"”Spike, when we first meet him, takes charge over the Master's old gang in short order, and runs it until he's stuck in a wheelchair, and in comes Angelus.
Me, I take that as a sign that he both knows how to take charge, and likes being in charge. Giles wasn't shown to ever take charge, or like being in charge, but that would have been a prime time to do it. I mean, he's thw full adult, and dealing with folks still of college age.

Beyond that, look at how WHedon initially portrayed Gunn as a tough gang leader fighting vampires. To Whedon just doesn't seem to think of taking charge as a personality trait, and Gunn doesn't show much leadership at all over subsequent seasons. To WHedon, dare I say, making Willow a leader dovetailed with the show's empowerment theme, and he liked her, and he didn't always think about about how moving one piece around affected the others.
My main focus was one one scene"”a particular sideswipe, and my particular criticism of it, namely that Willow was acting out of character it"”supertake"”something not seen in her before or after, at least from what I've seen.

Your questioning why Willow was put in charge based on curiosity that Whedon likes her, and why he would put her in charge at the expense of other characters?
But Willow taking charge is exactly what the her character would have done.

I don't understand why you think it's out of character, thats the main thing I can't get my head round, Willow took over teaching a class in highschool, she took charge on restoring Angels soul, she went after Glory, we've seen loads of examples of her taking charge?

Spike didn't really lead, he took over but he brought in The Judge, it always seemed like Spike wasn't interested in leading a gang, he just needed people to get Dru back.
I also don't see any scenario where Spike would have lead the scoobies, he wasn't their friend, they never would have taken his orders, why do you think Spike could lead the scoobies other than he ran a gang for a short while.

Your Giles argument also doesn't make sense to me, if you think Willow was out of character and you don't think Giles is a natural leader, wouldn't it have been out of character for him to lead?

You still haven't responded to Bangel, and seem fixated on the idea that I'm sexist because I'm question ing Whedon's motives, and citing evidence. In response, rather than questioning my evidence, you're questioning my motives.

Thats not true, you've made statements like it was out of character for Willow to take lead, and I asked for evidence of why it was out of character. Your evidence is based on out of show stuff, Whedons opinion. None of what you said can be backed up with in show evidence.
The evidence you've given also doesn't fit, like Spike leading a gang of vampires isn't the same as leading the scoobies, but you seem to take the fact that he once lead to mean he should lead.

I've got an answer, and it's that it's because nobody cares; it's inferior show that inspires inferior levels of scrutiny. I've also another answer: Because the show itself makes clear that Angel's firing his staff was a mistake. One reason Angel ain't as interesting as Buffy is because we're being taught morals in one place, whereas, it's up for us to decide in another.
A sign of passion is a willingness to pick thorough the details, and there ought to be some interesting metrics on that from the forums, of people's willingness to talk of one series, vs. the other. Me, I'd much rather talk Buffy than Angel, and that's because feel much more strongly about it, and I'm sure the numbers would back me up here.

I can see your point on that, it may well be that people don't want to discuss the Angel as much as they want to discuss Buffy.

Not a bad counterexample attempt, here. Here, Buffy, genuinely was acting girlish, but at the same time, at the end, they both grew, and it was for an empowerment message,, and I don't think one can say the same about "The Girl in Question." The point of it wasn't Skpike and an Angel rising above pettiness, really, like Buffy and Cordy did; I find that a key difference. Andrew tells them to grow up, but the story ends with it unclear that they learn it, if you ask me.

I find this just a terrible episode, and it's because here two main characters act out of character for a whole episode, for the sake of doing so. In Buffy's case, I find her actions much more understandable.

This again doesn't make sense to me. Everything about this was in character.
Both Angel and Spike turn into idiots when dealing with Buffy,
Both Angel and Spike turn into idiots when they are competing with one another, we that loads throughout the show.

This episode combines both of the things that turn them into idiots, so it makes perfect sense that they acted like they did.
It's not my favourite epsiode, but everything about their characters ring through, ever since season 2 of Buffy they were squabbling like children.

Well, I found Spike's actions wrong, though understandable; he miscalculated, trying to use rough sex, but it backfired. For crying out loud, we're talking rape! How was the scene mishandled, you think? Seriously.

I think the scene was mishandled because I think it didn't seem to care how Buffy was feeling about Spike trying to rape her. We saw how bad Spike felt and how he dealt with it, but we don't see it from the side of the only person who should matter in a case like that.

Oh, and by getting over it, I mean she was willing to have sex with him again.

No she didn't?
Buffy hasn't had sex with him since before the attempted rape...


Notice, too, how when I start questioning Whedon's motives, you start questioning mine.
The only reason I'm questioning yours is because everything that happens is backed up in the show, each point your using has an in show explanation.
 
Again, my apologies.
I've got an answer, and it's that it's because nobody cares; it's inferior show that inspires inferior levels of scrutiny. I've also another answer: Because the show itself makes clear that Angel's firing his staff was a mistake. One reason Angel ain't as interesting as Buffy is because we're being taught morals in one place, whereas, it's up for us to decide in another.
A sign of passion is a willingness to pick thorough the details, and there ought to be some interesting metrics on that from the forums, of people's willingness to talk of one series, vs. the other. Me, I'd much rather talk Buffy than Angel, and that's because feel much more strongly about it, and I'm sure the numbers would back me up here.

Now this I don't agree with (I appreciate the shoutouts though. I changed my name 🙂). I do seem to be in the minority on this, but I think that Angel is the better overall show, and that Angel himself is just as interesting and complex as Buffy, if not more so.

The character depth on Angel is far greater than the core Scoobies by the end of BTVS. Maybe not in the early seasons, but by the time both shows are done, every character on Angel has an entrenched role, arc and development. They all fit with one another, each has their own unique dynamic with every member of the group. On BTVS, by S7 things are, to be blunt, a mess in the way the Scoobies act around and with one another.

The messages sent out about friendship, personal growth and morality (especially morality) are far clearer, far deeper, and honestly, far better than what we get from BTVS, or at the very least, BTVS during S6-7.
 
E
EffyStonem
I have always thought that AtS is the superior show.
S
Sweet J
AtS is the more consistent show in terms of quality, it may not have burnt as bright as BtVS in S2-3 but AtS was always good.
Alright, I have read through this entire thread and have come out the other side ... well, completely confused as to where the OP is coming from/what their point is. I have picked up that the OP does not like the fact that Willow was put in charge simply because she is female (even though other members have pointed out, quite soundly, that Willow was the logical choice). They also seem to disregard any heroic act from Beta Males, indicating that they possibly believe that only Alpha Males are truly strong. And there seems to be a large ignoring of the many flaws, faults and follies (hehe, completely unintentional alliteration there) shown in the female characters and is instead fixating on the flaws shown in male characters and trying to use this as an indication that Joss is sexist towards men. This whole thing seems very one-sided.

Allow me to play devil's advocate.

I actually don't believe that Joss is a true feminist and I find a lot of his writing to be quite misogynistic. All one has to do is look at the way he treats his female characters in comparison to his male characters. Some things to think on (lifted from one of my posts from a similar thread on another Forum I frequent):

  • Both the main female characters on AtS die from mystical pregnancy (I know Fred wasn't technically "pregnant" with Illyria, but it had the same concept as Jasmine). They are both violated and degraded in death and neither is given a proper grieving period. Compare this with the way males go out on the show; Doyle dies in a heroic self-sacrifice and Wesley is allowed to go out fighting as is Gunn.
  • Anya. Just "“ Anya. A woman who loses herself entirely in a relationship, to the point where being "His Mrs" is all there is to her identity. Not to mention the fact that Xander doesn't exactly treat her properly (which is condoned) and she not only puts up with it but accepts it and rationalises that it is to "help" her and her non-human ways.
  • Buffy returning to a man who terrorised her and her friends for months (Angel) Buffy running after a man who projected his own misogynistic insecurities onto her and sexually undermined her (Riley) Buffy returning to a man who sexually assaulted and victimised her (Spike).
  • No "good" female character is allowed to have casual sex and have it portrayed in a positive light. Buffy has casual sex and Parker turns into an ass. Cordy has casual sex and gets impregnated, coming to term overnight. Faith has casual sex and it is portrayed as a bad thing, plus she is the "evil" slayer. Lilah has casual sex but again, she's "evil". Darla has casual sex but she's also evil.
  • By contrast, Xander is allowed to have casual sex with Faith and (in the early stages of Season 4) with Anya, with no bad consequences. It is mentioned on AtS that Wesley has casual sex ("You have sex last night with a bleached blonde"). Angel has casual sex with Nina and (when under a spell) with Eve, neither of which produce bad consequences. Gunn has casual sex with Gwen with no repercussions. On Firefly Jayne is shown to have casual sex left, right and centre, with no consequences.
  • Using rape and sexual assault as plot devices (almost always having females as the victims). We have the Spuffy attempted rape, Bethany's molestation at the hands of her father in the AtS episode Untouched, and the unfilmed storyline in Firefly where Inara is brutally gang-raped by Reavers (which would have been used to further her and Mal's relationship).
  • His treatment of female abuse victims. The way Buffy handles Debbie in the BtVS episode Beauty and The Beasts is appalling. Whose brilliant idea was it to have Buffy physically reprimand an abuse victim? Not only that, but she gives Debbie a heavy dose of victim blaming. The AtS episode Untouched plays out in a similar way, with Cordelia harshly telling Bethany that she, Cordelia, thinks that Bethany is dangerous and telling her to stay away from Angel, even after the team discovers that Bethany is a sexual assault/molestation victim.
The two episodes in which Joss unfairly generalises about men (Billy and Beauty & The Beasts) are both written and portrayed in such a way that even though his message about men is very negative, the episodes come across as extremely misogynistic. Beauty & The Beasts has (as I mentioned), Buffy victim-blaming and physically reprimanding Debbie and additionally it shows, onscreen and in a very confrontational way, Pete beating on Debbie.

Now to Billy, which is an atrocious episode and sends an extremely mixed message. On the one hand, Billy as a character is said not to plant misogyny but to bring out the internalised misogyny in men, implicating that all men are misogynists. This makes watching Wesley's scenes with Fred ridiculously uncomfortable, especially given that Wesley's misogyny is the only one to come out in a sexual manner. Then on the other hand, we have the scene with Wes and Fred at the end, where Fred is still convinced (and by extension is supposed to convince to audience) that Wes is actually a good man and his misogyny is forgivable. Huh?

In addition, Billy once again gives us a brutal and confrontational scene in which Gavin beats Lilah to a bloody pulp. Wholly unnecessary and extremely triggering for victims of domestic abuse and/or violent assaults and one wonders why Joss felt the need to (yet again) show a female being so completely victimised by a male.

Nehoo, that's my two-cents. Time for me to get off my soap-box.
 
Kean
Kean
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I
itssmiletime
That was an incredible post. Just... I was nodding all the way through it... wow...
Taake
Taake
Great post + Cordy ragging o Bethany in "untouched" drives me up a wall every time!
Alright, I have read through this entire thread and have come out the other side ... well, completely confused as to where the OP is coming from/what their point is. I have picked up that the OP does not like the fact that Willow was put in charge simply because she is female (even though other members have pointed out, quite soundly, that Willow was the logical choice). They also seem to disregard any heroic act from Beta Males, indicating that they possibly believe that only Alpha Males are truly strong. And there seems to be a large ignoring of the many flaws, faults and follies (hehe, completely unintentional alliteration there) shown in the female characters and is instead fixating on the flaws shown in male characters and trying to use this as an indication that Joss is sexist towards men. This whole thing seems very one-sided.

Allow me to play devil's advocate.

I actually don't believe that Joss is a true feminist and I find a lot of his writing to be quite misogynistic. All one has to do is look at the way he treats his female characters in comparison to his male characters. Some things to think on (lifted from one of my posts from a similar thread on another Forum I frequent):

  • Both the main female characters on AtS die from mystical pregnancy (I know Fred wasn’t technically “pregnant” with Illyria, but it had the same concept as Jasmine). They are both violated and degraded in death and neither is given a proper grieving period. Compare this with the way males go out on the show; Doyle dies in a heroic self-sacrifice and Wesley is allowed to go out fighting as is Gunn.
  • Anya. Just – Anya. A woman who loses herself entirely in a relationship, to the point where being “His Mrs” is all there is to her identity. Not to mention the fact that Xander doesn’t exactly treat her properly (which is condoned) and she not only puts up with it but accepts it and rationalises that it is to “help” her and her non-human ways.
  • Buffy returning to a man who terrorised her and her friends for months (Angel) Buffy running after a man who projected his own misogynistic insecurities onto her and sexually undermined her (Riley) Buffy returning to a man who sexually assaulted and victimised her (Spike).
  • No “good” female character is allowed to have casual sex and have it portrayed in a positive light. Buffy has casual sex and Parker turns into an ass. Cordy has casual sex and gets impregnated, coming to term overnight. Faith has casual sex and it is portrayed as a bad thing, plus she is the “evil” slayer. Lilah has casual sex but again, she’s “evil”. Darla has casual sex but she’s also evil.
  • By contrast, Xander is allowed to have casual sex with Faith and (in the early stages of Season 4) with Anya, with no bad consequences. It is mentioned on AtS that Wesley has casual sex (“You have sex last night with a bleached blonde”). Angel has casual sex with Nina and (when under a spell) with Eve, neither of which produce bad consequences. Gunn has casual sex with Gwen with no repercussions. On Firefly Jayne is shown to have casual sex left, right and centre, with no consequences.
  • Using rape and sexual assault as plot devices (almost always having females as the victims). We have the Spuffy attempted rape, Bethany’s molestation at the hands of her father in the AtS episode Untouched, and the unfilmed storyline in Firefly where Inara is brutally gang-raped by Reavers (which would have been used to further her and Mal’s relationship).
  • His treatment of female abuse victims. The way Buffy handles Debbie in the BtVS episode Beauty and The Beasts is appalling. Whose brilliant idea was it to have Buffy physically reprimand an abuse victim? Not only that, but she gives Debbie a heavy dose of victim blaming. The AtS episode Untouched plays out in a similar way, with Cordelia harshly telling Bethany that she, Cordelia, thinks that Bethany is dangerous and telling her to stay away from Angel, even after the team discovers that Bethany is a sexual assault/molestation victim.
The two episodes in which Joss unfairly generalises about men (Billy and Beauty & The Beasts) are both written and portrayed in such a way that even though his message about men is very negative, the episodes come across as extremely misogynistic. Beauty & The Beasts has (as I mentioned), Buffy victim-blaming and physically reprimanding Debbie and additionally it shows, onscreen and in a very confrontational way, Pete beating on Debbie.

Now to Billy, which is an atrocious episode and sends an extremely mixed message. On the one hand, Billy as a character is said not to plant misogyny but to bring out the internalised misogyny in men, implicating that all men are misogynists. This makes watching Wesley’s scenes with Fred ridiculously uncomfortable, especially given that Wesley’s misogyny is the only one to come out in a sexual manner. Then on the other hand, we have the scene with Wes and Fred at the end, where Fred is still convinced (and by extension is supposed to convince to audience) that Wes is actually a good man and his misogyny is forgivable. Huh?

In addition, Billy once again gives us a brutal and confrontational scene in which Gavin beats Lilah to a bloody pulp. Wholly unnecessary and extremely triggering for victims of domestic abuse and/or violent assaults and one wonders why Joss felt the need to (yet again) show a female being so completely victimised by a male.

Nehoo, that’s my two-cents. Time for me to get off my soap-box.

Great post. However, I have to disagree on a few points you brought up, and honestly I feel like on some of these you're only looking at one side of the coin. You did bring up a couple great examples of sexism toward females on the shows, tho. I wanna write out a thought-out response to your well structured post, and I will do as soon as I have more than ten minutes of free time, haha. Be back 😉
 
E
EffyStonem
Looking forward to your in-depth reply :)
I actually don't believe that Joss is a true feminist and I find a lot of his writing to be quite misogynistic. All one has to do is look at the way he treats his female characters in comparison to his male characters. Some things to think on (lifted from one of my posts from a similar thread on another Forum I frequent):

I think that Joss believes himself to be a feminist. And I think that he tries to portray good messages (tries). But Joss repeatedly runs into a problem.

He's not half as smart as he thinks he is.

You outlined a number of very strong examples that completely contradict the empowerment them BTVS is supposed to represent. I can't tell if it's a lack of intelligence from him at times or just sheer arrogance, but it baffles me at some of the things he does. I mean, how can you use sexual assault as a cheap plot device and then have the girl take the guy back? How can you do a drug addiction storyline, essentially get bored of it, and then have the "addict" start using her drug again because you can't think of anything else to do with her? How can you build an episode around every man on the planet having a deep, innate desire to dominate and subjugate women, and expect people to just eat it up?

I don't want people to think that I don't like Joss, or that I don't enjoy his works. Clearly I do. But there are times where he really frustrates me. Listen to any interview with him and you can tell he really thinks he's a genius. That's fine, plenty of people out there like that. But the trouble is...he's not. He's a very good storyteller, an excellent writer, but he's not smart enough all the time to anticipate how people will react to the things he produces, or to be totally aware of how it meshes with what he's already produced.
 
Your questioning why Willow was put in charge based on curiosity that Whedon likes her, and why he would put her in charge at the expense of other characters?
But Willow taking charge is exactly what the her character would have done.

I don't understand why you think it's out of character, thats the main thing I can't get my head round, Willow took over teaching a class in highschool, she took charge on restoring Angels soul, she went after Glory, we've seen loads of examples of her taking charge?

Well, clearly you've bought in to Whedon's narrative. Hmm...I'm saying Whedon's motives are suspect, that he's subtly anti-masculinity. WHat evidence would persuade you that he's leaning that way?

Spike didn't really lead, he took over but he brought in The Judge, it always seemed like Spike wasn't interested in leading a gang, he just needed people to get Dru back.
I also don't see any scenario where Spike would have lead the scoobies, he wasn't their friend, they never would have taken his orders, why do you think Spike could lead the scoobies other than he ran a gang for a short while.

Your Giles argument also doesn't make sense to me, if you think Willow was out of character and you don't think Giles is a natural leader, wouldn't it have been out of character for him to lead?

At the the very least, that scene with Spike and Xander--it made Willow look strong at their expense. Examples of take-charge masculinity at female expense?

As for Spike's motives with his gang leadership, well, I guess that's the best explanation available.

That's not true, you've made statements like it was out of character for Willow to take lead, and I asked for evidence of why it was out of character. Your evidence is based on out of show stuff, Whedons opinion. None of what you said can be backed up with in show evidence.
The evidence you've given also doesn't fit, like Spike leading a gang of vampires isn't the same as leading the scoobies, but you seem to take the fact that he once lead to mean he should lead.

As to in-show evidence, there's not much, I grant, not the least, because, as I said, it's an excellent show, and Whedon's very clever. Whedon's statements I think, do indicate his prejuice, and I think it does leak out into the show. WHat kind of evidence are you looking for that it has?

I can see your point, it may well be that people don't want to discuss the Angel as much as they want to discuss Buffy.

It seems that Whedon didn't seem to give as much attention to what he was conveying in Angel as in Buffy; nigh drove me nuts, wondering if certain things were intentional, or unintentional. Never really wondered about stuff like that on Buffy. Was my experience any similar to yours, in this regard?

This again doesn't make sense to me. Everything about this was in character.
Both Angel and Spike turn into idiots when dealing with Buffy,
Both Angel and Spike turn into idiots when they are competing with one another, we that loads throughout the show.

This episode combines both of the things that turn them into idiots, so it makes perfect sense that they acted like they did.
It's not my favourite epsiode, but everything about their characters ring through, ever since season 2 of Buffy they were squabbling like children.

Me, I just found such portrayals total cliches, and hated it. Was I the only one that found it cliche?

I think the scene was mishandled because I think it didn't seem to care how Buffy was feeling about Spike trying to rape her. We saw how bad Spike felt and how he dealt with it, but we don't see it from the side of the only person who should matter in a case like that.

Buffy had nothing to say; her silence was utterly eloquent, really. Buffy soldiered on, and that type of toughness and dignity in a woman, well, nothin' but respect. Nothing. But. Respect.


No she didn't?
Buffy hasn't had sex with him since before the attempted rape...

Thought they had, looking for the final episode in season 7; idjit, me.


The only reason I'm questioning yours is because everything that happens is backed up in the show, each point your using has an in show explanation.

And to a point, you're right, but you don't seem to be picking up on the attitudes involved.

---------- Post added at 10:56 AM ---------- Previous post was at 10:49 AM ----------

I don't want people to think that I don't like Joss, or that I don't enjoy his works. Clearly I do. But there are times where he really frustrates me. Listen to any interview with him and you can tell he really thinks he's a genius. That's fine, plenty of people out there like that. But the trouble is...he's not. He's a very good storyteller, an excellent writer, but he's not smart enough all the time to anticipate how people will react to the things he produces, or to be totally aware of how it meshes with what he's already produced.

Excellent general analysis, all said.

---------- Post added at 11:13 AM ---------- Previous post was at 10:56 AM ----------

Alright, I have read through this entire thread and have come out the other side ... well, completely confused as to where the OP is coming from/what their point is. I have picked up that the OP does not like the fact that Willow was put in charge simply because she is female (even though other members have pointed out, quite soundly, that Willow was the logical choice). They also seem to disregard any heroic act from Beta Males, indicating that they possibly believe that only Alpha Males are truly strong. And there seems to be a large ignoring of the many flaws, faults and follies (hehe, completely unintentional alliteration there) shown in the female characters and is instead fixating on the flaws shown in male characters and trying to use this as an indication that Joss is sexist towards men. This whole thing seems very one-sided.

My brother and I fought, growing up, and I know about sibling-esque rivalry. Whedon's depictions of it, I find, are distasteful, and tone-deaf, for the most part, though Spike and Riley's one I found quite good. Whedon seems not to understand male competition, its rots, and I don't like it being made fun of from someone who doesn't understand it, or bring any compassion to bear.

As to WIllow, it was mainly that scene of Spike and Xander fighting. I can see Willow taking charge, but not like that.

Oh, and I'm most definitely a he, thank you.
 
My brother and I fought, growing up, and I know about sibling-esque rivalry. Whedon's depictions of it, I find, are distasteful, and tone-deaf, for the most part, though Spike and Riley's one I found quite good. Whedon seems not to understand male competition, its rots, and I don't like it being made fun of from someone who doesn't understand it, or bring any compassion to bear [...] Oh, and I'm most definitely a he, thank you.
I'm very confused about this reply to my post ... where did all this stuff about sibling rivalry come from? I didn't mention anything like that in my original post.

Also, are you saying that I was making fun of you or Joss was? If it was aimed at me, apologies, that was not my intention, I was simply trying to sum up your posts. However, I do believe that you are looking at everything in a very skewed and one-sided way and that your posts do convey internalised misogyny.
 
really confused here... Willow stepping up to be a leader put down Giles and Spike as men? Doesn't then Giles and Spike being leaders put Willow and the other women down as women?

Also, I wouldn't call Spike a leader... not at that point in the show. Not until season 7.

Even still, I feel sick just reading your posts. They all drip of "poor men, so marginalized." But men aren't marginalized. Not in society, and not in the Buffyverse. Neither Giles nor Wesley has a 'beast' that must be contained. Only Spike and Angel do, as they are actually demons. But to be fair, the show had positive male demons and neutral male demons and female demons too...

Honestly, it's 5 AM and I'm way too tired to fully respond to this... but I'm just... As a woman, I'm greatly offended at the notion that men need to be protected from marginalization. If you think that, you do not understand true marginalization.
 
No “good” female character is allowed to have casual sex and have it portrayed in a positive light. Buffy has casual sex and Parker turns into an ass. Cordy has casual sex and gets impregnated, coming to term overnight. Faith has casual sex and it is portrayed as a bad thing, plus she is the “evil” slayer. Lilah has casual sex but again, she’s “evil”. Darla has casual sex but she’s also evil.
By contrast, Xander is allowed to have casual sex with Faith and (in the early stages of Season 4) with Anya, with no bad consequences.

Xander didn't have casual sex with Faith or Anya - the whole point of those scenes was to invert the gender stereotypes - Xander wanted to cuddle with Faith and she kicked him out, then wanted to talk to her and she tried to kill him. If you want to count it as casual sex, you should count him as being punished for it since he almost died in Consequences. And his sex with Anya was so "casual and punishment free" they they started dating the very next episode and she almost killed him in S6.

Anya. Just – Anya. A woman who loses herself entirely in a relationship, to the point where being “His Mrs” is all there is to her identity. Not to mention the fact that Xander doesn’t exactly treat her properly (which is condoned) and she not only puts up with it but accepts it and rationalises that it is to “help” her and her non-human ways.

You neglected to mention Anya being a sexist serial killer who also enjoyed inflicting "collateral damage" very, very much. Do you think Joss would have gotten away with a man who "punished" thousands of women with death being used as comic relief? Yes, Anya was a total mess of a character but I am not really seeing the misogyny. She had a life apart from Xander (I mean, we didn't see much of it but that's because she wasn't one of the most important characters, we didn't see many scenes of Tara or Oz without Willow around either), she bossed Xander around a lot (that isn't to say that he was always nice to her, mind you, but Anya was not some woman who didn't dare raise her voice when her boyfriend is around, not in the slightest), she had a successful business that had nothing to do with Xander, etc.

Now, don't get me wrong, I think Whedon gets way too much undeserved credit for his feminism - Buffy's pathetic defence of Spike at the expense of the danger for everyone else or Anya the sexist serial killer being played as a joke alone should be enough to debunk the myth of Joss, the great feminist. I just think you are grasping for straws a little bit.

Back to the OP's argument - sure, plenty of feminist fiction goes too far. But that's true for any school of thought, there are always extremists. We shouldn't judge the whole feminism movement (which is very diverse anyway) because of what Joss or whoever chose to do in expressing their views on the subject. And as much as I rant against Joss I don't think he wrote the stuff mentioned in this thread because of some bias against men, more like incompetency or good intentions backfiring.
 
Black Eye Guy
Black Eye Guy
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Robb Stark
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[*]By contrast, Xander is allowed to have casual sex with Faith and (in the early stages of Season 4) with Anya, with no bad consequences.

I disagree wholeheartedly. Xander's sexual experience with Faith had dire consequences on him. He thought they had a connection and was rewarded with Faith attempting to rape and later murder him.

Xander's sex life with Anya was healthy for both Xander and Anya. Both Xander ( male ) and Anya ( female ) didn't suffer any bad consequences. Also, Buffy sleeping with Riley had no bad consequences. Ditto Willow with Oz, Tara and Kennedy.
 
I think that Joss believes himself to be a feminist. And I think that he tries to portray good messages (tries). But Joss repeatedly runs into a problem.

He's not half as smart as he thinks he is.

You outlined a number of very strong examples that completely contradict the empowerment them BTVS is supposed to represent. I can't tell if it's a lack of intelligence from him at times or just sheer arrogance, but it baffles me at some of the things he does. I mean, how can you use sexual assault as a cheap plot device and then have the girl take the guy back?

This happens in real life, people do take back people they shouldn't.
Aside from that, a big part of that goes down to an in show scenario that doesn't apply to real life, Spike not having a soul when he did it and having one when she let him into her life again.

How can you do a drug addiction storyline, essentially get bored of it, and then have the "addict" start using her drug again because you can't think of anything else to do with her?
I think the drug metaphor was played out to obvious that makes this one harder to explain, but again with an in story example that can't happen is real life (magic being part of Willow) they should get away with stuff like that as it is a show.

I don't want people to think that I don't like Joss, or that I don't enjoy his works. Clearly I do. But there are times where he really frustrates me. Listen to any interview with him and you can tell he really thinks he's a genius. That's fine, plenty of people out there like that. But the trouble is...he's not. He's a very good storyteller, an excellent writer, but he's not smart enough all the time to anticipate how people will react to the things he produces, or to be totally aware of how it meshes with what he's already produced.
Well I'd say he's not smart enough to anticipate how ALL people will take his work. Which is just impossible, since everyone see the story from their perspective.
But he creates a story that people get drawn into, even if you don't like a story or you do like it, people are still discussing it.

Well, clearly you've bought in to Whedon's narrative. Hmm...I'm saying Whedon's motives are suspect, that he's subtly anti-masculinity. WHat evidence would persuade you that he's leaning that way?

Yeah I've totally bought the into the narrative, because it is the NARRATIVE of the story. I'm not coming with an outside motive and applying it to the show, I'm following the narrative of the story to get to my conclusions.
I also gave my examples...
I don't understand why you think it's out of character, thats the main thing I can't get my head round, Willow took over teaching a class in highschool, she took charge on restoring Angels soul, she went after Glory, we've seen loads of examples of her taking charge?

At the the very least, that scene with Spike and Xander--it made Willow look strong at their expense. Examples of take-charge masculinity at female expense?
Angel deciding to leave for Buffys sake, while she cries about it.
Giles killing Ben because Buffy couldn't do it even though it was the right thing to do.
Xander saving the world because buffy had been battling depression all year, and Willow had gone insane over the loss of her girlfriend.
Spike reaffirming Buffy that she is right, and Buffy needing that to actually believe she is (Touched)

There are loads of examples, which is my point there and good and bad examples for both sexes, you seem to only see the bad points against men.
As to in-show evidence, there's not much, I grant, not the least, because, as I said, it's an excellent show, and Whedon's very clever. Whedon's statements I think, do indicate his prejuice, and I think it does leak out into the show. WHat kind of evidence are you looking for that it has?
As I said I think there are good and bad examples of both sexes, and because there are good and bad for both I don't think the show swings in favor of one sex overtly.
I don;t know what evidence I'd need as I don't see it like you do, you'd need to give the evidence why you think that way. You've said your evidence is based more on your thoughts on Whedon, but then you make statements like 'Willow was out of character' if your using out of character as a point then you need to back that up with in show evidence. Something can't be out of character if the show builds to it, but you know Whedon thinks himself a feminist, thats still in character.

It seems that Whedon didn't seem to give as much attention to what he was conveying in Angel as in Buffy; nigh drove me nuts, wondering if certain things were intentional, or unintentional. Never really wondered about stuff like that on Buffy. Was my experience any similar to yours, in this regard?
No, because I don't think Angel isn't as interesting as Buffy. I found Angel a deeper show with a more grown up message.

Me, I just found such portrayals total cliches, and hated it. Was I the only one that found it cliche?
It was a cliche, but so what? Cliche do happen, and both of these characters history were in character for this to play out how it did.

Buffy had nothing to say; her silence was utterly eloquent, really. Buffy soldiered on, and that type of toughness and dignity in a woman, well, nothin' but respect. Nothing. But. Respect.
ugh.

Thought they had, looking for the final episode in season 7; idjit, me.
Nothing but fan speculation to back that up.

As to WIllow, it was mainly that scene of Spike and Xander fighting. I can see Willow taking charge, but not like that.
How would she have taken charge then?
Like you seem to have such a problem with men being put in their place by a women, even when it makes sense in the story, which to me is just as annoying as the stupidly biased feminist fiction.
 
@Black Eyed Guy,

Oh, don't worry, I do get your point. Really, I do. Hell, I've been at the front lines on several of the Spike threads saying that within the context of the story you can't hold him responsible for things he did without a soul. That's not the issue.

You're right, absolutely, that he's not going to please everyone. Of course that's impossible. But there's a difference between recognizing that not everyone is going to be happy with your work and not paying attention to the emotional strings your work pulls. With Angel in S3, it was very well-written, and they clearly defined the parameters of Angel/Angelus to make the average viewer understand that the person terrorizing Buffy wasn't Angel. While I get the concept with Spike in S7, and because I like Spike I rationalize it, they didn't try nearly as hard, and as a result the message gets skewed and a show that has always been about female empowerment now has the uncomfortable question to deal with of why is the lead, a character Joss has created to be an icon to girls, snuggling with the guy who tried to rape her? Because even with the soul rationale, he still talks and jokes a lot like his previous self.

I'm not saying Whedon is "bad" or anything. I think at times he's one of the best in Hollywood, and when he's really on, his metaphors are amazing, especially in the early seasons of the show. That doesn't mean he's perfect, and it doesn't mean he hasn't had a few clunkers. You can't portray "magic is drugs" to your audience for an entire season, have one of your leads "spiral into addiction", have her follow the stereotypical addict path almost to the letter, and then pull the entire thing and say "well now they're different so it's okay". That's just plain bad writing.

There are plenty of directors and producers I really enjoy. Doesn't mean I think everything they do is gold. It's the same with Whedon.
 
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