W
WillowFromBuffy
Guest
Within the fiction world of BtVS, Faith commits a clearly literal rape of Buffy. She takes possession of Buffy's body and deliberately seeks to do things to it that would upset Buffy. She says to Riley: "What do you want to do with this body? What nasty little desire have you been itching to try out? Am I a bad girl? Do you wanna hurt me?" Faith is inviting Riley to go beyond the boundaries Buffy has established for herself so far, and she is deliberately daring him to try out acts that are "nasty," "bad" and painful.
However, I don't think it is an allegory for rape, as it does not point to the way rapes happen in the real world. Therefore, I see this episode as dealing with psychology, rather than actual events. Faith's psychology is pretty messed up. She wants Buffy to experience the same shame she feels about herself, and so she deliberately seeks to punish Buffy's body in ways that would upset Buffy. At the same time, she is punishing herself, making Buffy the victim of her own self-flagellation.
The assault in Seeing Red is less complicated. It is both a literal assault in the fiction world and it mimics the way a sexual assault may happen in the real world. The aftermath is a bit more muddy. In the fiction world, Spike gets a soul, which gives him the moral agency he lacked before. This serves as a metaphor for some kind of moral epiphany, where an abuser suddenly realises the magnitude of his crime. I am sure most sex offenders are capable of feeling shame about their actions, but Spike's story simplifies and trivialises this issue. If we follow the logic of the show, then Spike deserves to be forgiven for his past crimes, because his vampirism made him incapable of being better than he was. We would be very unwise to be so generous to sex offender in the real world and it would be criminally unfair to their victims.
Sometimes I feel BtVS paint itself into a corner with the issues between the elaborate mechanics of the internal fiction world of the show and the complex way in which the events in the fiction world allegorically comments on real world problem. As I've said before, I think it is up to us as viewers to make sense of it all. BtVS can be challenging, provocative, inspiring, confusing, morally bankrupt and puritanical all at the same time.
However, I don't think it is an allegory for rape, as it does not point to the way rapes happen in the real world. Therefore, I see this episode as dealing with psychology, rather than actual events. Faith's psychology is pretty messed up. She wants Buffy to experience the same shame she feels about herself, and so she deliberately seeks to punish Buffy's body in ways that would upset Buffy. At the same time, she is punishing herself, making Buffy the victim of her own self-flagellation.
The assault in Seeing Red is less complicated. It is both a literal assault in the fiction world and it mimics the way a sexual assault may happen in the real world. The aftermath is a bit more muddy. In the fiction world, Spike gets a soul, which gives him the moral agency he lacked before. This serves as a metaphor for some kind of moral epiphany, where an abuser suddenly realises the magnitude of his crime. I am sure most sex offenders are capable of feeling shame about their actions, but Spike's story simplifies and trivialises this issue. If we follow the logic of the show, then Spike deserves to be forgiven for his past crimes, because his vampirism made him incapable of being better than he was. We would be very unwise to be so generous to sex offender in the real world and it would be criminally unfair to their victims.
Sometimes I feel BtVS paint itself into a corner with the issues between the elaborate mechanics of the internal fiction world of the show and the complex way in which the events in the fiction world allegorically comments on real world problem. As I've said before, I think it is up to us as viewers to make sense of it all. BtVS can be challenging, provocative, inspiring, confusing, morally bankrupt and puritanical all at the same time.