Just because I haven't seen these listed here:
Secret in their Eyes: 7.75/10
This scores highly because it was a remake (almost shot-for-shot in places) that was somehow nearly as good as the original (only nearly though). Probably if I was just watching it without being aware of the source material it would have scored lower, but it surprised me into generosity. People who haven't seen the original tell me they found the new one confusing in parts.
The ending of the new film - which has been changed very slightly from the original merely for the purpose of giving a secondary character "closure" - was a blemish, to be honest. The original was unflinching in its tragic feel, whereas the remake is doing the best it can in the circumstances to provide something like a happy ending, which did not fit the tone at all.
London Has Fallen: 6.5/10
Manages to do what it set out to do, but the series is still trying to be the new Die Hard and can't quite hit those heights. Largely unimaginative, the parts of the plot that were supposed to be twists were predictable and the "England's f**ked, 'Murica saves the day" cliché is wearing thin, despite laying dormant for some time. Of the two "attack on the white house" films that came out a couple of years ago, I still can't see how Olympus Has Fallen is the one that got the sequel when White House Down was the superior movie, in my opinion, though honestly I wouldn't have asked for either film to become a series.
Brooklyn: 9/10
Not entirely sure what it did to deserve Oscar nominations but was nonetheless a very good film. I look for negatives in films (make of that what you will) but could find none here, a solid piece of work.
The Big Short: 9/10
Does things its own way, makes you take the side of the slightly lesser evil, and takes delight in reminding you of the fact that, lesser or not, it's still kinda evil. Throughout all this it stayed almost light-hearted. One of very few films to be able to make you laugh while depressing you.